In the late 1990s, Williams filed a habeas corpus petition and requested a retrial. Butts County Superior Court judge Hal Craig denied his appeal. Georgia Attorney General Thurbert Baker said that "although this does not end the appeal process, I am pleased with the results in the habeas case" and that his office will "continue to do everything possible to uphold the conviction." In early 2004, Williams sought a retrial again, with his attorneys arguing that law enforcement officials covered up evidence of involvement by the Ku Klux Klan, and that carpet fibers purportedly linking him to the crimes would not stand up to scientific scrutiny. A federal judge rejected the request for retrial on October 17, 2006.
Mike Moh, who played Lee, said he was conflicted at first: "Bruce in my mind was literally a god. ... Bruce didn't always have the most affection for stuntmen; he didn't respect all of them." He stated, "Tarantino loves Bruce Lee; he reveres him." Brad Pitt objected to an extended version of the fight, stating, "It's Bruce Lee, man!" according to stunt coordinator Robert Alonzo. According to Lee's friend and The Green Hornet stuntman Gene LeBell, Lee had a reputation for "kicking the shit out of the stuntmen. They couldn't convince him that he could go easy and it would still look great on film." Lee biographer Matthew Polly stated, "Bruce was very famous for being very considerate of the people below him on film sets, particularly the stuntmen. ... So in this scene, Bruce Lee is essentially calling out a stuntman and getting him fired because he's the big star."
More InfoTarantino told cinematographer Robert Richardson, "I want it to feel retro but I want it to be contemporary." Richardson shot in Kodak 35mm with Panavision cameras and lenses, in order to weave time periods. For Bounty Law they shot in black and white, and brief sequences in Super 8 and 16mm Ektachrome. In the film, Lancer was shot on a retrofitted Western Street backlot at Universal Studios, designed by Ling. Richardson crossed Lancer with Alias Smith and Jones for the retro-future look Tarantino wanted. The way they filmed Lancer was not possible in 1969, but Tarantino wanted his personal touch on it. Richardson said that filming the movie touched him personally, "The film speaks to all of us... We are all fragile beings with a limited time to achieve whatever it is we desire... that at any moment that place will shift... So take stock in life and have the courage to believe in yourself."
More InfoIn a scene, Sharon Tate goes into Larry Edmunds Bookshop and purchases a copy of Tess of the d'Urbervilles. In real life, Tate gave a copy to Roman Polanski shortly before her death. Years later, Polanski directed the film adaptation, Tess, dedicating it to Tate. Dalton mentions he owns his house on advice from "Eddie O'Brien." Tate and Polanski's Yorkie Terrier in the film is named "Dr. Sapirstein," as was Tate's Yorkie in real life, named after the doctor portrayed by Ralph Bellamy in Rosemary's Baby. The carrier she puts the dog in is the same one the real Tate actually owned. The outfit Margot Robbie wears in the Bruin Theater scene is the same one Tate wore in Eye of the Devil.
More InfoKatie Rife of The A.V. Club gave it a B+, calling it Tarantino's "wistful midlife crisis movie." Richard Brody of The New Yorker called it an "obscenely regressive vision of the sixties" that "celebrates white-male stardom (and behind-the-scenes command) at the expense of everyone else." In Little White Lies, Christopher Hooton described it as "occasionally tedious" but "constantly awe-inspiring," noting it did not seem to be a "love letter to Hollywood" but an "obituary for a moment in culture that looks unlikely to ever be resurrected."
More InfoArchive footage from many films is included in Once Upon a Time in Hollywood, including C.C. and Company, Lady in Cement, Three in the Attic, and The Wrecking Crew, in which Sharon Tate appears as Freya Carlson. Three scenes were digitally altered, replacing the original actors with Rick Dalton. One from an episode of The F.B.I., entitled "All the Streets Are Silent," in which Dalton appears as a character originally portrayed by Burt Reynolds. Another from Death on the Run, with Dalton's face imposed over Ty Hardin's. The third is from The Great Escape, with Dalton appearing as Virgil Hilts, the role made famous by Steve McQueen. For The 14 Fists of McCluskey, a WWII film within the film starring Dalton, footage and music from Hell River is used. Additionally, Martin Abrahams, Brioni Farrell, Victor Freitag, Nancy Kwan, Dean Martin, Hannes Messemer, Gordon Mitchell, Rod Taylor, Burt Ward, and Adam West appear via archive footage and sound.
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