Once Upon a Time in Hollywood

Who designed the design for the Lancer set in Western Street?

Tarantino told cinematographer Robert Richardson, "I want it to feel retro but I want it to be contemporary." Richardson shot in Kodak 35mm with Panavision cameras and lenses, in order to weave time periods. For Bounty Law they shot in black and white, and brief sequences in Super 8 and 16mm Ektachrome. In the film, Lancer was shot on a retrofitted Western Street backlot at Universal Studios, designed by Ling. Richardson crossed Lancer with Alias Smith and Jones for the retro-future look Tarantino wanted. The way they filmed Lancer was not possible in 1969, but Tarantino wanted his personal touch on it. Richardson said that filming the movie touched him personally, "The film speaks to all of us... We are all fragile beings with a limited time to achieve whatever it is we desire... that at any moment that place will shift... So take stock in life and have the courage to believe in yourself."


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  • Tarantino told cinematographer Robert Richardson, "I want it to feel retro but I want it to be contemporary." Richardson shot in Kodak 35mm with Panavision cameras and lenses, in order to weave time periods. For Bounty Law they shot in black and white, and brief sequences in Super 8 and 16mm Ektachrome. In the film, Lancer was shot on a retrofitted Western Street backlot at Universal Studios, designed by Ling. Richardson crossed Lancer with Alias Smith and Jones for the retro-future look Tarantino wanted. The way they filmed Lancer was not possible in 1969, but Tarantino wanted his personal touch on it. Richardson said that filming the movie touched him personally, "The film speaks to all of us... We are all fragile beings with a limited time to achieve whatever it is we desire... that at any moment that place will shift... So take stock in life and have the courage to believe in yourself."

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  • In February 1969, veteran Hollywood actor Rick Dalton, star of 1950s Western television series Bounty Law, fears his career is fading. Casting agent Marvin Schwarz recommends he make Spaghetti Westerns in Italy, which Dalton feels are beneath him. Dalton's best friend and stunt double, Cliff Booth—a war veteran skilled in hand-to-hand combat who lives in a tiny trailer with his pit bull, Brandy—drives Dalton around Los Angeles because Dalton's driver's license has been suspended due to his DUI arrests. Booth struggles to find stunt work in Hollywood because of rumors he murdered his wife. Actress Sharon Tate and her husband, director Roman Polanski, have moved next door to Dalton, who dreams of befriending them to revive his declining acting career. That night, Tate and Polanski attend a celebrity-filled party at the Playboy Mansion.

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