In August 1991, Moore appeared nude on the cover of Vanity Fair under the title More Demi Moore. Annie Leibovitz shot the picture while Moore was seven months pregnant with the second of her three daughters, Scout LaRue Willis, intending to portray "anti-Hollywood, anti-glitz" attitude. The cover drew a lot of attention, being discussed on television, radio, and in newspaper articles. The frankness of Leibovitz's portrayal of a pregnant sex symbol led to divided opinions, ranging from suggestions of sexual objectification to celebrations of the photograph as a symbol of empowerment.
Moore was paid a record-breaking salary of US$12.5 million in 1996 to star in Striptease. Much hype was made about Moore's willingness to dance topless for the part, though this was the sixth time she had shown her breasts on film. The film opened to overwhelmingly negative reviews with Moore's performances being highly criticised. Although the film bombed at the domestic box office, it was a moderate financial success overseas—grossing US$113 million—it failed to reach expectations and was widely considered a flop and Moore received the Golden Raspberry Award for Worst Actress.
More InfoMoore has graced the cover of numerous international fashion magazines, including France's Elle; UK's Grazia; US' W, Vanity Fair, Interview, Rolling Stone, Glamour and InStyle; Australia's Harper's Bazaar and Turkey's Marie Claire. She has also appeared on the front cover of Vogue (Portugal, France and US). Moore has appeared in commercials and print ads throughout her career. She has appeared in television commercials for Keds, Oscar Mayer, Diet Coke, Lux, Jog Mate and Seibu Department Stores, and print ads for Versace and Ann Taylor.
More InfoIn her next film, the drama Blind (2017), Moore starred opposite Alec Baldwin, portraying the neglected wife of an indicted businessman having an affair with a novelist blinded in a car crash. In February 2017, Moore joined the cast of Empire, in the recurring role of a take-charge nurse with a mysterious past. The comedy film Rough Night (2017) featured Moore as one half of a nymphomaniac couple seducing a member of a bachelorette party gone wrong. The film was released in the United States on June 16, 2017, by Columbia Pictures, received mixed reviews and grossed $47 million worldwide. She played Selma in the Indian drama film Love Sonia (2018), which tells the story of a young girl's journey to rescue her sister from the dangerous world of international sex trafficking. She portrayed Lucy, a superficial CEO in the comedy horror film Corporate Animals (2019), which premiered at the Sundance Film Festival on January 29, 2019.
More InfoMoore appeared as the mother of Miley Cyrus' character in the romantic drama film LOL (2012). She played a similar mother role in her next film, the likewise coming-of-age dramedy Very Good Girls (2013), which co-starred Dakota Fanning and Elizabeth Olsen. Her part as an old flame of a quick-draw killer in the Western drama Forsaken (2015), with Donald Sutherland and Kiefer Sutherland, was followed by the role of the daughter of a retired high school teacher in the road comedy Wild Oats, which premiered on Lifetime in August 2016, and in a limited release the following month.
More InfoMoore's film career took off in 1984 following her appearance in the sex comedy Blame It on Rio. She portrayed Laura Victor in the comedy film No Small Affair (1984), opposite Jon Cryer. Her commercial breakthrough came in Joel Schumacher's yuppie drama St. Elmo's Fire (1985), which received negative reviews, but was a box office success and brought Moore to international recognition. Because of her association with that film, Moore was often listed as part of the Brat Pack, a label she felt was "demeaning". She progressed to more serious material with About Last Night... (1986), co-starring Rob Lowe, which marked a positive turning point in her career, as Moore noted that, following its release, she began seeing better scripts. Film critic Roger Ebert gave the film four out of four stars and praised her performance, writing, "There isn't a romantic note she isn't required to play in this movie, and she plays them all flawlessly." The success of About Last Night... was unrivaled by Moore's other two 1986 releases, One Crazy Summer and Wisdom, the last youth-oriented films in which she would star. She was listed as one of twelve "Promising New Actors of 1986" in John Willis's Screen World, Vol. 38.
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