Moore was paid a record-breaking salary of US$12.5 million in 1996 to star in Striptease. Much hype was made about Moore's willingness to dance topless for the part, though this was the sixth time she had shown her breasts on film. The film opened to overwhelmingly negative reviews with Moore's performances being highly criticised. Although the film bombed at the domestic box office, it was a moderate financial success overseas—grossing US$113 million—it failed to reach expectations and was widely considered a flop and Moore received the Golden Raspberry Award for Worst Actress.
In 1991 Moore starred in the horror comedy Nothing but Trouble, co-produced and appeared in the mystery thriller Mortal Thoughts, and played a blonde for the first time in the romantic comedy The Butcher's Wife, with Roger Ebert's review describing her as "warm and cuddly". Those films were not widely seen, but Moore sustained her A-list status with her starring roles in Rob Reiner's A Few Good Men (1992), Adrian Lyne's Indecent Proposal (1993), and Barry Levinson's Disclosure (1994)—all of which opened at #1 at the box office and were blockbuster hits.
More InfoUpon launching her music career in the late 1990s, Lopez contributed to the "Latin explosion" occurring in entertainment at the time. Writing for The Recording Academy, Brian Haack described her as the "breakout female star" of the Latin pop movement in American music. She was featured on the cover of the first issue of Latina magazine in 1996, with editor Galina Espinoza stating in 2011 that there is "no recounting of modern Latina history without Jennifer". Around the time her career began to burgeon, the emphasis on Lopez's curvaceous figure grew; scholar Sean Redmond wrote that this was a sign of her role and social power in the cultural changes occurring in the United States. In August 2005, Time listed Lopez as one of the most influential Hispanics in America, remarking: "Why? Because over a decade ago, she was an anonymous background dancer on the second-rated sketch-comedy show. Today she's known by two syllables." In February 2007, People en Español named her the most influential Hispanic entertainer. In 2014, scientists named a species of aquatic mite found in Puerto Rico, Litarachna lopezae, after Lopez.
More InfoMoore made her film debut with a brief role in the 1981 teen drama Choices, directed by Silvio Narizzano. Her second film feature was the 3-D sci-fi horror film Parasite (1982), for which director Charles Band had instructed casting director Johanna Ray to "find me the next Karen Allen." Moore then joined the cast of the ABC soap opera General Hospital, playing the role of an investigative reporter until 1983. During her tenure on the series, she made an uncredited cameo appearance in the 1982 spoof film Young Doctors in Love.
More InfoMoore made her film debut with a brief role in the 1981 teen drama Choices, directed by Silvio Narizzano. Her second film feature was the 3-D sci-fi horror film Parasite (1982), for which director Charles Band had instructed casting director Johanna Ray to "find me the next Karen Allen." Moore then joined the cast of the ABC soap opera General Hospital, playing the role of an investigative reporter until 1983. During her tenure on the series, she made an uncredited cameo appearance in the 1982 spoof film Young Doctors in Love.
More InfoMoore's film career took off in 1984 following her appearance in the sex comedy Blame It on Rio. She portrayed Laura Victor in the comedy film No Small Affair (1984), opposite Jon Cryer. Her commercial breakthrough came in Joel Schumacher's yuppie drama St. Elmo's Fire (1985), which received negative reviews, but was a box office success and brought Moore to international recognition. Because of her association with that film, Moore was often listed as part of the Brat Pack, a label she felt was "demeaning". She progressed to more serious material with About Last Night... (1986), co-starring Rob Lowe, which marked a positive turning point in her career, as Moore noted that, following its release, she began seeing better scripts. Film critic Roger Ebert gave the film four out of four stars and praised her performance, writing, "There isn't a romantic note she isn't required to play in this movie, and she plays them all flawlessly." The success of About Last Night... was unrivaled by Moore's other two 1986 releases, One Crazy Summer and Wisdom, the last youth-oriented films in which she would star. She was listed as one of twelve "Promising New Actors of 1986" in John Willis's Screen World, Vol. 38.
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