Moore has graced the cover of numerous international fashion magazines, including France's Elle; UK's Grazia; US' W, Vanity Fair, Interview, Rolling Stone, Glamour and InStyle; Australia's Harper's Bazaar and Turkey's Marie Claire. She has also appeared on the front cover of Vogue (Portugal, France and US). Moore has appeared in commercials and print ads throughout her career. She has appeared in television commercials for Keds, Oscar Mayer, Diet Coke, Lux, Jog Mate and Seibu Department Stores, and print ads for Versace and Ann Taylor.
Moore is viewed as a pioneer for equal salary for women in Hollywood. The role in The Hunchback of Notre Dame made her the first Hollywood actress to reach the $10 million mark salary. She was paid $12.5 million for her role in Striptease, which was more money than any other woman in Hollywood had ever been offered at the time. Producers for Striptease and G.I. Jane got into a bidding war to see who could get Moore to film first. Striptease won and Moore became the highest paid actress in Hollywood in 1996. "She became a pioneer for other actresses by being the first female lead to demand the same salary, benefits and billing as her male counterparts," UK's Lifetime wrote. "Her screen persona always has something indestructible about it. There's a toughness, a strength, a determination," The Guardian described in 2007.
More InfoMoore shaved her head to play the first woman to undergo training in the Navy SEALs in Ridley Scott's G.I. Jane (1997). Budgeted at US$50 million, the film was a moderate commercial success, with a worldwide gross of US$97.1 million. During the film's production, it was reported that Moore had ordered studio chiefs to charter two planes for her entourage and her, which reinforced her negative reputation for being a diva—she had previously turned down the Sandra Bullock role in While You Were Sleeping because the studio refused to meet her salary demands, and was dubbed "Gimme Moore" by the media. Moore took on the role of an ultrapious psychiatrist in Woody Allen's Deconstructing Harry, also in 1997. After G.I. Jane, Moore retreated from the spotlight and moved to Hailey, Idaho, on a full-time basis to devote herself to raising her three daughters.
More InfoMoore appeared on the cover of the January 1981 issue of the adult magazine Oui, taken from a photo session in which she had posed nude. In a 1988 interview, Moore claimed she "only posed for the cover of Oui—I was 16; I told them I was 18". Interviewer Alan Carter said, "However, some peekaboo shots did appear inside. And later, nude shots of her turned up in Celebrity Sleuth—photos that she once said 'were for a European fashion magazine'." In 1990, she told another interviewer, "I was 17 years old. I was underage. It was just the cover."
More InfoMoore had a lead role as a grieving and tormented novelist in the mystery thriller Half Light (2006), then took on the role of a driven police officer investigating a serial killer in the psychological thriller Mr. Brooks (2007), with Kevin Costner. The film received mixed reviews and grossed $48.1 million worldwide. Rolling Stone wrote that "the cop on the case, played by Demi Moore with a striking directness that deserved better than being saddled with an absurd back story as an heiress with a fortune-hunting husband."
More InfoIn 2010, Moore took on the role of a daughter helping her father deal with age-related health problems in the dramedy Happy Tears, opposite Parker Posey and Rip Torn, and starred as the matriarch of a family moving into a suburban neighborhood in the comedy The Joneses, with David Duchovny. The latter film was largely highlighted upon its theatrical release, with critics concluding that it "benefits from its timely satire of consumer culture — as well as a pair of strong performances" from Duchovny and Moore. In Bunraku (2010), a film Moore described as a "big action adventure," she played a courtesan and a femme fatale with a secret past.Moore portrayed a chief risk management officer at a large Wall Street investment bank during the initial stages of the financial crisis of 2007–08 in the critically acclaimed corporate drama Margin Call (2011), where she was part of an ensemble cast that included Kevin Spacey, Simon Baker, and Paul Bettany. The cast garnered nominations for the "Best Ensemble" award from the Gotham Awards, the Phoenix Film Critics Society and the Central Ohio Film Critics Association. Also in 2011, Moore received a Directors Guild of America Award nomination for Outstanding Directing – Miniseries or TV Film for her work as a director in a segment of the 2011 Lifetime anthology film Five, and starred opposite Ellen Barkin, Ellen Burstyn and George Kennedy in Sam Levinson's black comedy Another Happy Day, which premiered at the Sundance Film Festival.
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