Freddie Mercury

Who was Freddie Mercury's manager in 1991?

After the conclusion of his work with Queen in June 1991, Mercury retired to his home in Kensington, West London. His former partner, Mary Austin, was a particular comfort in his final years, and in the last few weeks made regular visits to look after him. Near the end of his life, Mercury began to lose his sight, and declined so that he was unable to leave his bed. Mercury chose to hasten his death by refusing medication and took only painkillers. On 22 November 1991, Mercury called Queen's manager Jim Beach to his Kensington home to prepare a public statement, which was released the following day:


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  • During his career, Mercury's flamboyant stage performances sometimes led journalists to allude to his sexuality. Dave Dickson, reviewing Queen's performance at Wembley Arena in 1984 for Kerrang!, noted Mercury's "camp" addresses to the audience and even described him as a "posing, pouting, posturing tart". In 1992, John Marshall of Gay Times opined: "[Mercury] was a 'scene-queen,' not afraid to publicly express his gayness, but unwilling to analyse or justify his 'lifestyle' […] It was as if Freddie Mercury was saying to the world, 'I am what I am. So what?' And that in itself for some was a statement." In an article for AfterElton, Robert Urban said: "Mercury did not ally himself to 'political outness,' or to LGBT causes."

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  • As a young boy in India, Mercury received formal piano training up to the age of nine. Later on, while living in London, he learned guitar. Much of the music he liked was guitar-oriented: his favourite artists at the time were the Who, the Beatles, Jimi Hendrix, David Bowie, and Led Zeppelin. He was often self-deprecating about his skills on both instruments and from the early 1980s began extensively using guest keyboardists. Most notably, he enlisted Fred Mandel (a Canadian musician who also worked for Pink Floyd, Elton John, and Supertramp) for his first solo project. From 1982 Mercury collaborated with Morgan Fisher (who performed with Queen in concert during the Hot Space leg), and from 1985 onward Mercury collaborated with Mike Moran (in the studio) and Spike Edney (in concert).

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  • Although he cultivated a flamboyant stage personality, Mercury was shy and retiring when not performing, particularly around people he did not know well, and granted very few interviews. Mercury once said of himself: "When I'm performing I'm an extrovert, yet inside I'm a completely different man." On this contrast to "his larger-than-life stage persona", BBC music broadcaster Bob Harris adds he was "lovely, bright, sensitive, and quite vulnerable." While on stage, Mercury basked in the love from his audience. Nirvana frontman Kurt Cobain's suicide note mentions how he admired and envied the way Mercury "seemed to love, relish in the love and adoration from the crowd".

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  • Although he cultivated a flamboyant stage personality, Mercury was shy and retiring when not performing, particularly around people he did not know well, and granted very few interviews. Mercury once said of himself: "When I'm performing I'm an extrovert, yet inside I'm a completely different man." On this contrast to "his larger-than-life stage persona", BBC music broadcaster Bob Harris adds he was "lovely, bright, sensitive, and quite vulnerable." While on stage, Mercury basked in the love from his audience. Nirvana frontman Kurt Cobain's suicide note mentions how he admired and envied the way Mercury "seemed to love, relish in the love and adoration from the crowd".

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  • Throughout his career, Mercury performed an estimated 700 concerts in countries around the world with Queen. A notable aspect of Queen concerts was the large scale involved. He once explained, "We're the Cecil B. DeMille of rock and roll, always wanting to do things bigger and better." The band was the first ever to play in South American stadiums, breaking worldwide records for concert attendance in the Morumbi Stadium in São Paulo in 1981. In 1986, Queen also played behind the Iron Curtain when they performed to a crowd of 80,000 in Budapest, in what was one of the biggest rock concerts ever held in Eastern Europe. Mercury's final live performance with Queen took place on 9 August 1986 at Knebworth Park in England and drew an attendance estimated as high as 160,000. With the British national anthem "God Save the Queen" playing at the end of the concert, Mercury's final act on stage saw him draped in a robe, holding a golden crown aloft, bidding farewell to the crowd.

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