Freddie Mercury

Queen played behind the Iron Curtain in what city?

Throughout his career, Mercury performed an estimated 700 concerts in countries around the world with Queen. A notable aspect of Queen concerts was the large scale involved. He once explained, "We're the Cecil B. DeMille of rock and roll, always wanting to do things bigger and better." The band was the first ever to play in South American stadiums, breaking worldwide records for concert attendance in the Morumbi Stadium in São Paulo in 1981. In 1986, Queen also played behind the Iron Curtain when they performed to a crowd of 80,000 in Budapest, in what was one of the biggest rock concerts ever held in Eastern Europe. Mercury's final live performance with Queen took place on 9 August 1986 at Knebworth Park in England and drew an attendance estimated as high as 160,000. With the British national anthem "God Save the Queen" playing at the end of the concert, Mercury's final act on stage saw him draped in a robe, holding a golden crown aloft, bidding farewell to the crowd.


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  • Born in 1946 in Zanzibar to Parsi-Indian parents, he attended English-style boarding schools in India from the age of eight and returned to Zanzibar after secondary school. In 1964, his family fled the Zanzibar Revolution, moving to Middlesex, England. Having studied and written music for years, he formed Queen in 1970 with guitarist Brian May and drummer Roger Taylor. Mercury wrote numerous hits for Queen, including "Killer Queen", "Bohemian Rhapsody", "Somebody to Love", "We Are the Champions", "Don't Stop Me Now", and "Crazy Little Thing Called Love". His charismatic stage performances often saw him interact with the audience, as displayed at the 1985 Live Aid concert. He also led a solo career and served as a producer and guest musician for other artists.

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  • In October 2015, Eilish recorded the song "Ocean Eyes", written and produced by Finneas originally for his band, after her dance teacher asked them to record a song for a dance routine. They released the song on SoundCloud, as they had already done with a couple of songs they wrote. The record and Eilish received praise and promotion from various media outlets and marketers, including radio stations and music supervisors such as Beats 1, KCRW, BBC One, Zane Lowe, Jason Kramer, Annie Mac, and Chris Douridas. Finneas' manager had reached out to him after he made "Ocean Eyes" to discuss Eilish's potential. In a deal arranged by Finneas, Apple Music signed Eilish to A&R company Platoon, which helps package artists before they get a major label deal. Eilish then got a publicist, who connected her to the luxury fashion brand Chanel, and a stylist, both of whom helped shape her image.

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  • Born in 1946 in Zanzibar to Parsi-Indian parents, he attended English-style boarding schools in India from the age of eight and returned to Zanzibar after secondary school. In 1964, his family fled the Zanzibar Revolution, moving to Middlesex, England. Having studied and written music for years, he formed Queen in 1970 with guitarist Brian May and drummer Roger Taylor. Mercury wrote numerous hits for Queen, including "Killer Queen", "Bohemian Rhapsody", "Somebody to Love", "We Are the Champions", "Don't Stop Me Now", and "Crazy Little Thing Called Love". His charismatic stage performances often saw him interact with the audience, as displayed at the 1985 Live Aid concert. He also led a solo career and served as a producer and guest musician for other artists.

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  • While she was homeschooled, her mother taught her and Finneas the basics of songwriting. O'Connell and her brother had worked together on some music, while he had been writing and producing his own songs and performing with his band. O'Connell said her brother and her mother inspired her to get into music. Their parents encouraged the siblings to express themselves and explore whatever they wanted, including art, dancing and acting. O'Connell wrote her first "real" song at age 11 for her mother's songwriting class. The song is about the zombie apocalypse, inspired by the television series The Walking Dead from which she took script lines and episode titles that she added to the song as part of the assignment. O'Connell had gone on some acting auditions, which she disliked; however, she enjoyed recording background dialogue for crowd scenes and worked on the films Diary of a Wimpy Kid, Ramona and Beezus, and the X-Men series. She performed at talent shows and joined the Los Angeles Children's Chorus at age eight.

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  • Although Mercury's speaking voice naturally fell in the baritone range, he delivered most songs in the tenor range. His known vocal range extended from bass low F (F2) to soprano high F (F6). He could belt up to tenor high F (F5). Biographer David Bret described his voice as "escalating within a few bars from a deep, throaty rock-growl to tender, vibrant tenor, then on to a high-pitched, perfect coloratura, pure and crystalline in the upper reaches." Spanish soprano Montserrat Caballé, with whom Mercury recorded an album, expressed her opinion that "the difference between Freddie and almost all the other rock stars was that he was selling the voice". She adds,

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