Keanu Reeves

What is the name of Reeves' children's book?

Rebecca Miller's The Private Lives of Pippa Lee was Reeves' sole release of 2009, which premiered at the 59th Berlin International Film Festival. The romantic comedy and its ensemble received an amicable review from The Telegraph's David Gritten; "Miller's film is a triumph. Uniformly well acted, it boasts a psychologically knowing script, clearly written by a smart, assertive human". In 2010, he starred in another romantic comedy, Henry's Crime, about a man who is released from prison for a crime he did not commit, but then targets the same bank with his former cellmate. The film was not a box office hit. Reeves' only work in 2011 was an adult picture book titled Ode to Happiness, which he wrote, complemented by Alexandra Grant's illustrations. Reeves co-produced and appeared in a 2012 documentary, Side by Side. He interviewed filmmakers including James Cameron, Martin Scorsese, and Christopher Nolan; the feature investigated digital and photochemical film creation. Next, Reeves starred in Generation Um... (2012), an independent drama which was critically panned.

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  • The Matrix Revolutions, the third instalment, was met with mixed reception. According to review aggregator Rotten Tomatoes, the consensus was that "characters and ideas take a back seat to the special effects". Paul Clinton, writing for CNN, praised the special effects but felt Reeves' character was "dazed and confused". In contrast, the San Francisco Chronicle's Carla Meyer was highly critical of the special effects, writing, "[The Wachowskis] computer-generated imagery goes from dazzling to deadening in action scenes that favor heavy, clanking weaponry over the martial-arts moves that thrilled viewers of The Matrix and The Matrix Reloaded." Nevertheless, the film grossed a healthy $427 million worldwide, although less than the two previous films. Something's Gotta Give, a romantic comedy, was Reeves' last release of 2003. He co-starred with Jack Nicholson and Diane Keaton, and played Dr. Julian Mercer in the film. Something's Gotta Give received generally favourable reviews.

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  • In 1991, Reeves starred in Bill & Ted's Bogus Journey, a sequel to Bill & Ted's Excellent Adventure, with his co-star Alex Winter. Michael Wilmington of the Los Angeles Times felt that the sequel was "more imaginative, more opulent, wilder and freer, more excitingly visualized", praising the actors for their "fuller" performances. Film critic Roger Ebert thought it was "a riot of visual invention and weird humor that works on its chosen sub-moronic level ... It's the kind of movie where you start out snickering in spite of yourself, and end up actually admiring the originality that went into creating this hallucinatory slapstick". The rest of 1991 marked a significant transition for Reeves' career as he undertook adult roles. Co-starring with River Phoenix as a street hustler in the adventure My Own Private Idaho, the characters embark on a journey of personal discovery. The story was written by Gus Van Sant, and is loosely based on Shakespeare's Henry IV, Part 1, Henry IV, Part 2, and Henry V. The film premiered at the 48th Venice International Film Festival, followed by a theatrical release in the United States on September 29, 1991. The film earned $6.4 million at the box office. My Own Private Idaho was positively received, with Owen Gleiberman of Entertainment Weekly describing the film as "a postmodern road movie with a mood of free-floating, trance-like despair ... a rich, audacious experience". The New York Times complimented Reeves and Phoenix for their insightful performances.

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  • He starred in the action thriller Speed (1994) alongside Sandra Bullock and Dennis Hopper. He plays police officer Jack Traven, who must prevent a bus from exploding by keeping its speed above 50 mph. Speed was the directorial debut of Dutch director Jan de Bont. Several actors were considered for the lead role, but Reeves was chosen because Bont was impressed with his Point Break performance. To look the part, Reeves shaved all his hair off and spent two months in the gym to gain muscle mass. During production, Reeves' friend River Phoenix (and co-star in My Own Private Idaho) died, resulting in adjustments to the filming schedule to allow him to mourn. Speed was released on June 10 to a critically acclaimed response. Gene Siskel of the Chicago Tribune lauded Reeves, calling him "absolutely charismatic ... giving a performance juiced with joy as he jumps through elevator shafts ... and atop a subway train". David Ansen, writing for Newsweek, summarized Speed as, "Relentless without being overbearing, this is one likely blockbuster that doesn't feel too big for its britches. It's a friendly juggernaut". The film grossed $35  million from a $30 million budget and won two Academy Awards in 1995 – Best Sound Editing and Best Sound.

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  • Following Speed, Reeves' next leading role came in 1995, in the cyberpunk action thriller Johnny Mnemonic. It is based on the story of the same name by William Gibson, about a man who has had a cybernetic brain implant. As part of the film studio's marketing efforts, a CD-ROM video game was also released. The film, however, received mainly negative reviews and critics felt Reeves was "woefully miscast". He next appeared in the romantic drama A Walk in the Clouds (1995), which also garnered mixed-to-negative reviews. Reeves plays a young soldier returning home from World War II, trying to settle down with a woman he married impulsively just before he enlisted. Film critic Mick LaSalle opined, "A Walk in the Clouds is for the most part a beautiful, well-acted and emotionally rich picture", whereas Hal Hinson from The Washington Post said, "The film has the syrupy, Kodak magic-moment look of a Bo Derek movie, and pretty much the same level of substance". Besides film work, Reeves retreated briefly back to the theatre playing Prince Hamlet in a 1995 Manitoba Theatre Centre production of Hamlet in Winnipeg, Manitoba. Sunday Times critic Roger Lewis believed his performance, writing he "quite embodied the innocence, the splendid fury, the animal grace of the leaps and bounds, the emotional violence, that form the Prince of Denmark ... He is one of the top three Hamlets I have seen, for a simple reason: he is Hamlet".

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