Keanu Reeves

What publication did Roger Lewis write 'A Walk in the Clouds' for?

Following Speed, Reeves' next leading role came in 1995, in the cyberpunk action thriller Johnny Mnemonic. It is based on the story of the same name by William Gibson, about a man who has had a cybernetic brain implant. As part of the film studio's marketing efforts, a CD-ROM video game was also released. The film, however, received mainly negative reviews and critics felt Reeves was "woefully miscast". He next appeared in the romantic drama A Walk in the Clouds (1995), which also garnered mixed-to-negative reviews. Reeves plays a young soldier returning home from World War II, trying to settle down with a woman he married impulsively just before he enlisted. Film critic Mick LaSalle opined, "A Walk in the Clouds is for the most part a beautiful, well-acted and emotionally rich picture", whereas Hal Hinson from The Washington Post said, "The film has the syrupy, Kodak magic-moment look of a Bo Derek movie, and pretty much the same level of substance". Besides film work, Reeves retreated briefly back to the theatre playing Prince Hamlet in a 1995 Manitoba Theatre Centre production of Hamlet in Winnipeg, Manitoba. Sunday Times critic Roger Lewis believed his performance, writing he "quite embodied the innocence, the splendid fury, the animal grace of the leaps and bounds, the emotional violence, that form the Prince of Denmark ... He is one of the top three Hamlets I have seen, for a simple reason: he is Hamlet".


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  • In 1991, Reeves developed an interest in a music career; he formed an alternative rock band called Dogstar, consisting of members Robert Mailhouse, Gregg Miller and Bret Domrose. Reeves played the bass guitar. In 1993, he had a role in Much Ado About Nothing, based on Shakespeare's play of the same name. The film received positive reviews, although Reeves was nominated for a Golden Raspberry Award for Worst Supporting Actor. The New Republic magazine thought his casting was "unfortunate" because of his amateur performance. That same year, he starred in two more drama films, Even Cowgirls Get the Blues and Little Buddha, both of which garnered a mixed-to-negative reception. The Independent gave Little Buddha a mixed review but opined Reeves was "credible" and fitting for the part.

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  • In 1984, Reeves was a correspondent for the Canadian Broadcasting Corporation (CBC) youth television program Going Great. That same year, he made his acting debut in an episode of the television series, called Hangin' In. In 1985, he played Mercutio in a stage production of Romeo and Juliet at the Leah Posluns Theatre in North York, Ontario. He made further appearances on stage, including Brad Fraser's cult hit Wolfboy in Toronto. He also appeared in a Coca-Cola commercial, and in 1985, the National Film Board of Canada (NFB) coming-of-age, short film One Step Away.

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  • Reeves made a foray into television films in 1986, including NBC's Babes in Toyland, Act of Vengeance and Brotherhood of Justice. He made his first motion picture appearances in Peter Markle's Youngblood (1986), in which he played a goalkeeper, and in the low-budget romantic drama, Flying. He was cast as Matt in River's Edge, a crime drama about a group of high school friends dealing with a murder case, loosely based on the 1981 murder of Marcy Renee Conrad. The film premiered in 1986 at the Toronto International Film Festival to a largely positive response. Janet Maslin of The New York Times describes the performances of the young cast as "natural and credible", with Reeves being described as "affecting and sympathetic".

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  • In 1989, Reeves starred in the comedy-drama Parenthood directed by Ron Howard. Nick Hilditch of the BBC gave the film three out of five stars, calling it a "feelgood movie" with an "extensive and entertaining ensemble cast". In 1990, Reeves gave two acting performances. He portrayed an incompetent hitman in the black comedy I Love You to Death, and played Martin, a radio station employee in the comedy Tune in Tomorrow. He also appeared in Paula Abdul's music video for Rush Rush which featured a Rebel Without a Cause motif, with him in the James Dean role.

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