During the 1970s, Everett became advisor and mentor to Mercury and Mercury served as Everett's confidante. Throughout the early- to mid-1980s, they continued to explore their homosexuality and experiment with drugs. Although they were never lovers, they did experience London nightlife together. By 1985, they had fallen out, and their friendship was further strained when Everett was outed in the autobiography of his ex-wife Lady Lee. In 1989, with their health failing, Mercury and Everett were reconciled.
As a young boy in India, Mercury received formal piano training up to the age of nine. Later on, while living in London, he learned guitar. Much of the music he liked was guitar-oriented: his favourite artists at the time were the Who, the Beatles, Jimi Hendrix, David Bowie, and Led Zeppelin. He was often self-deprecating about his skills on both instruments and from the early 1980s began extensively using guest keyboardists. Most notably, he enlisted Fred Mandel (a Canadian musician who also worked for Pink Floyd, Elton John, and Supertramp) for his first solo project. From 1982 Mercury collaborated with Morgan Fisher (who performed with Queen in concert during the Hot Space leg), and from 1985 onward Mercury collaborated with Mike Moran (in the studio) and Spike Edney (in concert).More Info
By 1985, he began another long-term relationship with Irish-born hairdresser Jim Hutton (1949–2010), whom he referred to as his husband. Mercury described their relationship as one built on solace and understanding, and said that he "honestly couldn't ask for better". Hutton, who tested HIV-positive in 1990, lived with Mercury for the last seven years of his life, nursed him during his illness, and was present at his bedside when he died. Mercury wore a gold wedding band, given to him by Hutton in 1986, until the end of his life. He was cremated with it on. In his will, Mercury left his London home to Austin, rather than to Hutton, having told her, "You would have been my wife, and it would have been yours anyway." Hutton later relocated from London to the bungalow he and Mercury had built for themselves in Ireland.More Info
As well as his work with Queen, Mercury put out two solo albums and several singles. Although his solo work was not as commercially successful as most Queen albums, the two off-Queen albums and several of the singles debuted in the top 10 of the UK Music Charts. His first solo effort goes back to 1972 under the pseudonym Larry Lurex, when Trident Studios' house engineer Robin Geoffrey Cable was working in a musical project, at the time when Queen were recording their debut album; Cable enlisted Mercury to perform lead vocals on the songs "I Can Hear Music" and "Goin' Back", both were released together as a single in 1973. Eleven years later, Mercury contributed to the Richard "Wolfie" Wolf remix of the song "Love Kills", used as the end title theme for National Lampoon's Loaded Weapon 1. The song was originally recorded in 1984, when it was included on the soundtrack for the restoration of the 1927 Fritz Lang film Metropolis. First written by Giorgio Moroder in collaboration with Mercury, and produced by Moroder and Mack, "Love Kills" debuted at the number 10 position in the UK Singles Chart. Mack also produced the 1987 single "Hold On", which Mercury recorded with actress Jo Dare for the German action drama Zabou.More Info
Shortly before the release of Queen's self-titled first album, Mercury designed the band's logo, known as the "Queen crest". The logo combines the zodiac signs of the four band members: two lions for Deacon and Taylor (sign Leo), a crab for May (Cancer), and two fairies for Mercury (Virgo). The lions embrace a stylised letter Q, the crab rests atop the letter with flames rising directly above it, and the fairies are each sheltering below a lion. A crown is shown inside the Q, and the whole logo is over-shadowed by an enormous phoenix. The Queen crest bears a passing resemblance to the Royal coat of arms of the United Kingdom, particularly with the lion supporters.More Info
Throughout his career, Mercury performed an estimated 700 concerts in countries around the world with Queen. A notable aspect of Queen concerts was the large scale involved. He once explained, "We're the Cecil B. DeMille of rock and roll, always wanting to do things bigger and better." The band was the first ever to play in South American stadiums, breaking worldwide records for concert attendance in the Morumbi Stadium in São Paulo in 1981. In 1986, Queen also played behind the Iron Curtain when they performed to a crowd of 80,000 in Budapest, in what was one of the biggest rock concerts ever held in Eastern Europe. Mercury's final live performance with Queen took place on 9 August 1986 at Knebworth Park in England and drew an attendance estimated as high as 160,000. With the British national anthem "God Save the Queen" playing at the end of the concert, Mercury's final act on stage saw him draped in a robe, holding a golden crown aloft, bidding farewell to the crowd.More Info
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