Jennifer Lopez

What part did leo Lopez play in Money Train?

Lopez received her first professional acting gig in the direct-to-video drama film Lost in the Wild (1993), co-starring with Lindsay Wagner and Robert Loggia. Later in 1993, Lopez signed a deal with CBS to co-star in the television series Second Chances. Lopez received her first major big-screen role in Gregory Nava's 1995 drama My Family portraying Young Maria. Although her role was uncredited, Lopez received an Independent Spirit Award for Best Supporting Female nomination for her performance. In November 1995, Lopez starred in Money Train alongside Wesley Snipes and Woody Harrelson as New York City transit cops. In August 1996, Lopez had a supporting role in the comedy Jack.


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  • Rambo: Last Blood was released on Digital on December 3, 2019, and was released on Ultra HD Blu-ray, Blu-ray, and DVD on December 17, 2019 by Lionsgate Home Entertainment. Best Buy released a retail exclusive steelbook for the 4K UHD release. The film has topped Redbox's disc rental and On Demand charts for several weeks. The international version, titled Rambo: Last Blood Extended Cut, was released on Prime Video in May 2020. Together, the Blu-ray and DVD grossed $25.2 million in domestic video sales.

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  • Jennifer Lynn Lopez was born on July 24, 1969, in The Bronx borough of New York City, to Puerto Rican parents Guadalupe Rodríguez and David López. She has an older sister, Leslie, and a younger sister, Lynda, a journalist. David worked the night shift at the Guardian Insurance Company before becoming a computer technician at the firm, while Guadalupe was a homemaker. When Lopez was born, the family was living in a small apartment in the Castle Hill neighborhood. A few years later, her parents had saved up enough money to be able to purchase a two-story house, which was considered a big deal for the relatively poor family. At the age of five, Lopez began taking singing and dancing lessons. She toured New York with her school when she was seven years old. Her parents stressed the importance of work ethic and being able to speak English. They encouraged their three daughters to put on performances at home—singing and dancing in front of each other and their friends so that they would stay "out of trouble". Lopez spent her entire academic career in Catholic schools, finishing at Preston High School. In school, Lopez did gymnastics, ran track on a national level, and was a member of the school's softball team. She excelled athletically rather than academically, competing in national track championships.

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  • I felt degraded and dehumanized after I left the theater. Instead of being soulful, this new movie lacks one. I felt I was less a human being for having seen it, and today that's an unfortunate message ... [Trackdown] is typical of ultra-violent 1970s exploitation "grindhouse" films, the technique of which Rambo: Last Blood resembles. The sets here look cheap. The direction is awkward. ... Rambo could be called John Smith, and the film wouldn't change. It assumes the audience is familiar with Rambo's background, whereas anyone under 40 will wonder what on Earth is going on with those tunnels.

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  • Variety critic Owen Gleiberman praised Pitt's performance, explaining, "Gray proves beyond measure that he's got the chops to make a movie like this. He also has a vision, of sorts — one that's expressed, nearly inadvertently, in the metaphor of that space antenna." Peter Travers of Rolling Stone rated the film four out of five stars and referred to it as "absolutely enthralling" and praised Gray for his direction and his unique approach to the science fiction genre, as well as the cinematography and Pitt's performance (whom he referred to as "marvel of nuanced feeling"). He also drew comparisons of the film's tone and themes to other notable films set in space, particularly 2001: A Space Odyssey (1968), Solaris (1972), Gravity (2013), and Interstellar (2014). Critic Kurt Loder praised the visual effects but criticized the lack of originality and the patchwork style of the script. Adam Graham writing for The Detroit News found problems with the film, giving it a "C" rating: "This is slow, obtuse filmmaking with little emotional connection."

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