Rambo: Last Blood

Who was the film "Rambo: Last Blood" directed?

I felt degraded and dehumanized after I left the theater. Instead of being soulful, this new movie lacks one. I felt I was less a human being for having seen it, and today that's an unfortunate message ... [Trackdown] is typical of ultra-violent 1970s exploitation "grindhouse" films, the technique of which Rambo: Last Blood resembles. The sets here look cheap. The direction is awkward. ... Rambo could be called John Smith, and the film wouldn't change. It assumes the audience is familiar with Rambo's background, whereas anyone under 40 will wonder what on Earth is going on with those tunnels.


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  • The depiction of a crime infested Mexico and the stereotypical portrayal of most Mexicans and Latinos as criminals prompted critics to accuse the film of racism, xenophobia, and pandering to supporters of the Trump presidency. Peter Bradshaw of The Guardian called Last Blood a "massively enlarged prostate of a film [that] can only make you wince with its badly acted geronto-ultraviolence, its Trumpian fantasies of Mexican rapists and hilariously insecure US border, and its crass enthusiasm for rape-revenge attacks", giving it 1 out of 5 stars. Seibold wrote: "I understand that Rambo films have rarely been bastions of cultural togetherness, but in 2019, these broad stereotypes are offensive and dated and downright irresponsible." Kohn wrote: "In 2019's hypersensitive cultural environment, the depiction of murderous Mexican crime bosses and their cowering sex slaves encountering a literal white savior doesn't go down so easy." Mexican film critic Gerardo Valero, a "far-flung correspondent" for RogerEbert.com, also criticized the use of Spain doubling for Mexico, and that it was "impossible not to laugh at this group of Spanish actors trying to sound Mexican by cursing with every other word in this strange accent". He also wrote: "If this movie wasn't so dumb, I would have probably found all of this offensive." Addressing the complaints about the stereotypical villains, however, Bowles wrote: "The villains might be built from the stereotypical strain of pure evil from years past, but their reprehensibility is what makes the explosive payback work and the violence, despite some especially grim moments, never quite strays into the extreme stomach churning highs from part IV."

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  • Phoenix has long been a social activist, lending his support to a number of charities and humanitarian organizations, such as Amnesty International, The Art of Elysium, HEART, and the Peace Alliance (which campaigns for a United States Department of Peace). Phoenix is also on the board of directors for The Lunchbox Fund, a non-profit organization which provides daily meals to students of township schools in Soweto, South Africa, which was founded by his ex-girlfriend, South African model Topaz Page-Green.

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  • In 2013, Phoenix starred in romantic science-fiction drama film Her directed by Spike Jonze. In it, Phoenix plays Theodore Twombly, a man who develops a relationship with Samantha (Scarlett Johansson), an intelligent computer operating system personified through a female voice. It had its premiere at the New York Film Festival on October 12, 2013. Her had a worldwide gross of $47¬†million and received widespread critical acclaim, along with Phoenix's performance. Film critics Manohla Dargis and David Edelstein agreed that no other actor could have done the role but Phoenix, stating "Her is even harder to imagine without Mr. Phoenix, an actor who excels at exquisite isolation" and "It's hard to imagine someone more affecting than Phoenix in the role" respectively, and Phoenix received his fourth nomination for the Golden Globe Award. The film was nominated for five Academy Awards, including Best Picture. Also in 2013, Phoenix collaborated with director James Gray for the fourth time in the drama film The Immigrant. He starred as Bruno Weiss, a pimp who prostitutes Polish immigrant Ewa (Marion Cotillard) and ends up falling for her. It was screened at the 2013 Cannes Film Festival as well as at the 2013 New York Film Festival. The film was released in the United States on May 16, 2014. The Immigrant was not successful at the box office but received positive reviews from critics.

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  • Shirish Kunder had the project in development for several years before finding financial backing and hit films, and had to negotiate for use of the specific title which Kunder stated is important to the script itself. The film is being produced by Farah Khan, Shirish Kunder, and Akshay Kumar under the banner of Three's Company and Hari Om Entertainment. The film was shot in 3D using 3D cameras, however in June 2012, it was announced that the film was no longer in 3D any more, since Ra.One and Don 2 have taken the goals, if Joker flopped it would be a loss on the whole crew, therefore the film will only be released in 2D format. According to director, Shirish Kunder, "It is an underdog story about how individuals make it big in life and in the process, get help from aliens from a fictional planet". Shreyas Talpade will play Akshay's brother in the film. Female lead opposite to Shreyas will be played by Minisha Lamba, who will enact the role of an innocent TV reporter. Sonakshi will also perform an item number in the film. American actor Alexx ONell was also signed to play a role in the film.

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  • Rambo: Last Blood is a very emotional story and the music needed to reflect the tone that the director, Adrian Grunberg, set so beautifully. I wrote a series of heartfelt and passionate themes that echo Rambo's yearning for family, justice, requital, and compassion. These ideas created a tonal tension that was both challenging and rewarding as a composer. Lush strings, massive brass, thunderous percussion, delicate piano, and harrowing trumpet duets echoed the themes of loss, regret, hope, and vengeance. It has been an incredible ride composing for this timeless character.

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