In the United States and Canada, the film was released alongside Downton Abbey and Rambo: Last Blood, and was projected to gross $15–20 million from 3,450 theaters in its opening weekend. The film made $7.2 million on its first day, including $1.5 million from Thursday night previews. It went on to debut to $19 million, finishing second behind Downton Abbey. The opening was compared to First Man (2018), another drama involving outer space which received high praise from critics but a lukewarm audience reception, resulting in a muted box office turnout despite its cast and budget. Deadline Hollywood deduced the film would lose $30 million off a projected $150 million final worldwide gross (a figure it would ultimately fall short of). The film made $10.1 million in its second weekend and $4.4 million in its third, finishing fifth and sixth, respectively.
In 2014, Phoenix reunited with Paul Thomas Anderson for the crime comedy-drama film Inherent Vice, the first adaptation of a Thomas Pynchon book. Phoenix played Doc Sportello, a private investigator and hippie/dope head trying to help his ex-girlfriend solve a crime. Inherent Vice premiered as the centerpiece at the New York Film Festival on October 4, 2014 and went nationwide on January 9, 2015. It was met with mostly positive reviews with many critics praising the film for its acting performances, while some were frustrated by its complicated plot, however it only grossed $11.1 million at the box office. Phoenix was nominated for his fifth Golden Globe Award for his performance.
More InfoPhoenix starred in four movies released in 2018: In the first, Phoenix portrayed Jesus in Mary Magdalene, written by Helen Edmundson and directed by Garth Davis, opposite Rooney Mara. It was released in the United Kingdom on March 16, 2018 to mixed reviews. The film's original distributor has been the cause of the film's delayed U.S. release. Later, Phoenix starred as Joe, a former FBI agent and Gulf War veteran suffering from PTSD, in the Amazon Studios thriller You Were Never Really Here (2017), written and directed by Lynne Ramsay. The film premiered in competition at the Cannes Film Festival, where it received wide critical acclaim, and won Phoenix the Cannes Film Festival Award for Best Actor. The film began its US release on April 6, 2018. Many critics agreed the performance is one of Phoenix' best to date, with Justin Chang of the Los Angeles Times describing it as "the most rivetingly contained" work of his career. In his third feature of the year, Phoenix portrayed quadriplegic cartoonist John Callahan in his second feature with director Gus Van Sant, the biopic Don't Worry, He Won't Get Far on Foot. The film was released on July 13, 2018 and Phoenix's lead performance received critical acclaim. His last film role of 2018 was as Charlie Sisters in Jacques Audiard's English-language debut, an adaptation of Patrick deWitt's historical novel, The Sisters Brothers. The film was released on September 21, 2018. This same year, he also collaborated with Rooney Mara, Sia, Sadie Sink and Kat von D to narrate Chris Delforce's animal rights documentary Dominion. For his contribution to the documentary, he was granted the 2018 Award of Excellence for Narration by Hollywood International Independent Documentary Awards.
More InfoThe visual effects were by Moving Picture Company, Method Studios, Mr. X, Weta Digital, Brainstorm Digital, and Capital T, and supervised by Allen Maris, Christopher Downs, Guillaume Rocheron, Ryan Tudhope, Aidan Fraser, Olaf Wendt, Anders Langlands, Eran Dinur, Jamie Hallett, and Territory Studio. Max Richter composed the film's score, with Lorne Balfe later writing additional music. James Gray consulted with experimental film scholars Gregory Zinman and Leo Goldsmith for inspiration on the visuals.
More InfoI felt degraded and dehumanized after I left the theater. Instead of being soulful, this new movie lacks one. I felt I was less a human being for having seen it, and today that's an unfortunate message ... [Trackdown] is typical of ultra-violent 1970s exploitation "grindhouse" films, the technique of which Rambo: Last Blood resembles. The sets here look cheap. The direction is awkward. ... Rambo could be called John Smith, and the film wouldn't change. It assumes the audience is familiar with Rambo's background, whereas anyone under 40 will wonder what on Earth is going on with those tunnels.
More InfoIn the United States and Canada, the film was released alongside Ad Astra and Downton Abbey, and was projected to gross $23–25 million from 3,618 theaters in its opening weekend. The film made $7.17 million on Friday, which included $1.3 million from Thursday night previews. It went on to debut to $19 million, finishing third and marking the second-best opening of the series. The film made $8.6 million in its second weekend and $3.6 million in its third, finishing sixth and eighth, respectively.
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