In April 2006, Lopez reappeared on the Billboard Hot 100 as a featured artist on "Control Myself", the lead single from LL Cool J's twelfth studio album Todd Smith. The song peaked at number four on the chart following its release as a music download, making it the pair's second collaboration to reach the top five. Bordertown, a film based on the female homicides in Ciudad Juárez, made its premiere at the Cannes Film Festival on May 18, 2006. Lopez, who also acts as the film's producer, stars as Lauren Adrian, an American news reporter for the Chicago Sentinel who wants to be assigned to the Iraq front-lines to cover the war. Bordertown received a direct-to-video release. DanceLife, a reality series following the lives of seven dancers trying to break into the world of professional dance, aired on MTV from January 15 to March 5, 2007. Lopez produced, created and was featured in the show. According to the album's co-producer Estéfano, Lopez's fifth studio album Como Ama una Mujer would "prove critics wrong" with its "big songs that require a voice"; referring to the criticism of Lopez having a "limited" vocal tone. The album's lead single "Qué Hiciste" reached number one on Billboard's Hot Latin Songs chart. Lopez performed the song on the sixth season of American Idol on April 11, 2007, becoming the first person to perform a Spanish song on the series. The album received the highest first-week sales in the United States for a debut Spanish album and the highest digital sales.
With a cumulative film gross of US$3.1 billion and estimated global sales of 70 million records, Lopez is regarded as the most influential Latin entertainer in the United States. In 2012, Forbes ranked her as the most powerful celebrity in the world, as well as the 38th most powerful woman in the world. Time listed her among the 100 most influential people in the world in 2018. Her most successful singles on the US Billboard Hot 100 include: "If You Had My Love", "I'm Real", "Ain't It Funny", "All I Have", and "On the Floor", the lattermost of which is one of the best-selling singles of all time. For her contributions to the recording industry, Lopez has received a landmark star on the Hollywood Walk of Fame, the Billboard Icon Award, and the Michael Jackson Video Vanguard Award among other honors. Her other ventures include clothing lines, fragrances, the production company Nuyorican Productions, and the nonprofit business Lopez Family Foundation.More Info
Lopez's third studio album, This Is Me... Then, was released on November 25, 2002. It was dedicated to actor Ben Affleck, her fiancé at the time. The album's lead single "Jenny from the Block", was later described by Sam Lansky of MTV News as her most iconic single. In the song, Lopez "intones her modest childhood roots". The album itself performed strongly, selling 2.6 million copies in the US. Its second single, "All I Have", peaked at number one in the US. That December, Lopez starred opposite Ralph Fiennes in the romantic comedy Maid in Manhattan, which became the highest-grossing film of her career.More Info
On February 23, 2000, Lopez, accompanied by then boyfriend Sean Combs, wore a plunging exotic green Versace silk chiffon dress on the red carpet of the 42nd Annual Grammy Awards. The dress "had a low-cut neck that extended several inches below her navel, where it was loosely fastened with a sparkly brooch and then opened out again," exposing her midriff and then as cut along the front of the legs like a bath robe. The dress generated controversy and media attention, with images of Lopez in the dress being downloaded from the Grammy website over half a million times 24 hours after the event. Lopez was surprised by the enormous media coverage, declaring that she had no idea "it was going to become such a big deal". Lopez returned to the big-screen in August, starring in the psychological thriller The Cell opposite Vincent D'Onofrio.More Info
Variety critic Owen Gleiberman praised Pitt's performance, explaining, "Gray proves beyond measure that he's got the chops to make a movie like this. He also has a vision, of sorts — one that's expressed, nearly inadvertently, in the metaphor of that space antenna." Peter Travers of Rolling Stone rated the film four out of five stars and referred to it as "absolutely enthralling" and praised Gray for his direction and his unique approach to the science fiction genre, as well as the cinematography and Pitt's performance (whom he referred to as "marvel of nuanced feeling"). He also drew comparisons of the film's tone and themes to other notable films set in space, particularly 2001: A Space Odyssey (1968), Solaris (1972), Gravity (2013), and Interstellar (2014). Critic Kurt Loder praised the visual effects but criticized the lack of originality and the patchwork style of the script. Adam Graham writing for The Detroit News found problems with the film, giving it a "C" rating: "This is slow, obtuse filmmaking with little emotional connection."More Info
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