Ad Astra (film)

What publication does Adam Graham write for?

Variety critic Owen Gleiberman praised Pitt's performance, explaining, "Gray proves beyond measure that he's got the chops to make a movie like this. He also has a vision, of sorts — one that's expressed, nearly inadvertently, in the metaphor of that space antenna." Peter Travers of Rolling Stone rated the film four out of five stars and referred to it as "absolutely enthralling" and praised Gray for his direction and his unique approach to the science fiction genre, as well as the cinematography and Pitt's performance (whom he referred to as "marvel of nuanced feeling"). He also drew comparisons of the film's tone and themes to other notable films set in space, particularly 2001: A Space Odyssey (1968), Solaris (1972), Gravity (2013), and Interstellar (2014). Critic Kurt Loder praised the visual effects but criticized the lack of originality and the patchwork style of the script. Adam Graham writing for The Detroit News found problems with the film, giving it a "C" rating: "This is slow, obtuse filmmaking with little emotional connection."


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  • In the United States and Canada, the film was released alongside Ad Astra and Downton Abbey, and was projected to gross $23–25 million from 3,618 theaters in its opening weekend. The film made $7.17 million on Friday, which included $1.3 million from Thursday night previews. It went on to debut to $19 million, finishing third and marking the second-best opening of the series. The film made $8.6 million in its second weekend and $3.6 million in its third, finishing sixth and eighth, respectively.

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  • In May 2018, the film was re-announced initially as Rambo V, which was scheduled to begin filming in September, with its plot focusing on Rambo taking on a Mexican drug cartel. Stallone confirmed the release date for the film, which he would also be co-writing with Matthew Cirulnick, but seemed unlikely to direct. In August 2018, Adrian Grunberg was announced as the director. In September 2018, Adriana Barraza was added to the cast. In October 2018, Paz Vega, Yvette Monreal, Sergio Peris-Mencheta, Oscar Jaenada, and Joaquín Cosío were cast. In May 2019, Louis Mandylor, Sheila Shah, Dimitri Vegas, and Genie Kim (aka Yenah Han) were revealed to have been cast without prior announcement.

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  • In May 2010, Stallone revealed he was "done" with the character, stating, "I think Rambo's pretty well done. I don't think there'll be any more. I'm about 99% sure I was going to do it ... but I feel that with Rocky Balboa, that character came complete circle. He went home. But for Rambo to go on another adventure might be, I think, misinterpreted as a mercenary gesture and not necessary. I don't want that to happen." At the 2010 Cannes Film Festival, Millennium Films and Nu Image advertised Rambo V with posters and handouts. Following an interview with Stallone for Ain't It Cool News, in which the director expressed his desire to end the franchise, Harry Knowles reported: "He then told me that the folks behind those posters essentially said that if Sly didn't do it—someone else would. And Sly seems fine with that."

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  • In February 2020, Phoenix starred in Guardians of Life, the first of twelve short films by the environmental organization Mobilize Earth that highlight the most pressing issues facing humanity and the natural world. Funds raised by the project will go to Amazon Watch and Extinction Rebellion. During his 2020 Oscar acceptance speech, he passionately promoted societal equality and animal rights, ending with a tribute to his brother, River Phoenix. This speech garnered acclaim and a backlash from the dairy industry.

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  • Rambo: Last Blood is a very emotional story and the music needed to reflect the tone that the director, Adrian Grunberg, set so beautifully. I wrote a series of heartfelt and passionate themes that echo Rambo's yearning for family, justice, requital, and compassion. These ideas created a tonal tension that was both challenging and rewarding as a composer. Lush strings, massive brass, thunderous percussion, delicate piano, and harrowing trumpet duets echoed the themes of loss, regret, hope, and vengeance. It has been an incredible ride composing for this timeless character.

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