Judy Garland

Who called Garland the greatest one-woman show in movie history?

Garland was nominated for the Academy Award for Best Actress, and, in the run-up to the 27th Academy Awards, was generally expected to win for A Star Is Born. She could not attend the ceremony because she had just given birth to her son, Joseph Luft, so a television crew was in her hospital room with cameras and wires to broadcast her anticipated acceptance speech. The Oscar was won, however, by Grace Kelly for The Country Girl (1954). The camera crew was packing up before Kelly could even reach the stage. Groucho Marx sent Garland a telegram after the awards ceremony, declaring her loss "the biggest robbery since Brinks". TIME labeled her performance as "just about the greatest one-woman show in modern movie history". Garland won the Golden Globe Award for Best Actress in a Musical for the role.


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  • In 1951, Garland began a four-month concert tour of Britain and Ireland, where she played to sold-out audiences throughout England, Scotland, and Ireland. The successful concert tour was the first of her many comebacks, with performances centered on songs by Al Jolson and revival of vaudevillian "tradition". Garland performed complete shows as tributes to Jolson in her concerts at the London Palladium in April and at New York's Palace Theater later that year. Garland said after the Palladium show: "I suddenly knew that this was the beginning of a new life ... Hollywood thought I was through; then came the wonderful opportunity to appear at the London Palladium, where I can truthfully say Judy Garland was reborn." Her appearances at the Palladium lasted for four weeks, where she received rave reviews and an ovation described by the Palladium manager as the loudest he had ever heard.

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  • Garland was initially outfitted in a blonde wig for the part, but Freed and LeRoy decided against it shortly into filming. Her blue gingham dress was chosen for its blurring effect on her figure, which made her look younger. Shooting commenced on October 13, 1938, and it was completed on March 16, 1939, with a final cost of more than US$2 million. With the conclusion of filming, MGM kept Garland busy with promotional tours and the shooting of Babes in Arms (also 1939), directed by Busby Berkeley. She and Rooney were sent on a cross-country promotional tour, culminating in the August 17 New York City premiere at the Capitol Theater, which included a five-show-a-day appearance schedule for the two stars. Garland was put on a diet during filming in a further attempt to minimize her curves.

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  • In 1951, Garland began a four-month concert tour of Britain and Ireland, where she played to sold-out audiences throughout England, Scotland, and Ireland. The successful concert tour was the first of her many comebacks, with performances centered on songs by Al Jolson and revival of vaudevillian "tradition". Garland performed complete shows as tributes to Jolson in her concerts at the London Palladium in April and at New York's Palace Theater later that year. Garland said after the Palladium show: "I suddenly knew that this was the beginning of a new life ... Hollywood thought I was through; then came the wonderful opportunity to appear at the London Palladium, where I can truthfully say Judy Garland was reborn." Her appearances at the Palladium lasted for four weeks, where she received rave reviews and an ovation described by the Palladium manager as the loudest he had ever heard.

    More Info
  • Garland underwent an extensive hospital stay at Peter Bent Brigham Hospital in Boston, Massachusetts, in which she was weaned off her medication, and after a while, was able to eat and sleep normally. During her stay, she found solace in meeting with disabled children; in a 1964 interview regarding issues raised in A Child Is Waiting (1963) and her recovery at Peter Bent Brigham Hospital, Garland had this to say: "Well it helped me by just getting my mind off myself and ... they were so delightful, they were so loving and good and I forgot about myself for a change". Garland returned to Los Angeles heavier, and in the fall of 1949, was cast opposite Gene Kelly in Summer Stock (1950). The film took six months to complete. To lose weight, Garland went back on the pills and the familiar pattern resurfaced. She began showing up late or not at all. When principal photography on Summer Stock was completed in the spring of 1950, it was decided that Garland needed an additional musical number. She agreed to do it provided the song should be "Get Happy". In addition, she insisted that director Charles Walters choreograph and stage the number. By that time, Garland had lost 15 pounds and looked more slender. "Get Happy" was the last segment of Summer Stock to be filmed. It was her final picture for MGM. When it was released in the fall of 1950, Summer Stock drew big crowds and racked up very respectable box-office receipts, but because of the costly shooting delays caused by Garland, the film posted a loss of $80,000 to the studio.

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  • Garland underwent an extensive hospital stay at Peter Bent Brigham Hospital in Boston, Massachusetts, in which she was weaned off her medication, and after a while, was able to eat and sleep normally. During her stay, she found solace in meeting with disabled children; in a 1964 interview regarding issues raised in A Child Is Waiting (1963) and her recovery at Peter Bent Brigham Hospital, Garland had this to say: "Well it helped me by just getting my mind off myself and ... they were so delightful, they were so loving and good and I forgot about myself for a change". Garland returned to Los Angeles heavier, and in the fall of 1949, was cast opposite Gene Kelly in Summer Stock (1950). The film took six months to complete. To lose weight, Garland went back on the pills and the familiar pattern resurfaced. She began showing up late or not at all. When principal photography on Summer Stock was completed in the spring of 1950, it was decided that Garland needed an additional musical number. She agreed to do it provided the song should be "Get Happy". In addition, she insisted that director Charles Walters choreograph and stage the number. By that time, Garland had lost 15 pounds and looked more slender. "Get Happy" was the last segment of Summer Stock to be filmed. It was her final picture for MGM. When it was released in the fall of 1950, Summer Stock drew big crowds and racked up very respectable box-office receipts, but because of the costly shooting delays caused by Garland, the film posted a loss of $80,000 to the studio.

    More Info

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