Demi Moore

In what year did Demi Gene Moore play St. Elmo's Fire?

Demi Gene Moore (née Guynes; born November 11, 1962) (/dəˈmiː/ də-MEE) is an American actress and film producer. After making her film debut in 1981, she appeared on the soap opera General Hospital and subsequently gained recognition as a member of the Brat Pack with roles in Blame It on Rio (1984), St. Elmo's Fire (1985), and About Last Night... (1986). Her starring role in Ghost (1990), the highest-grossing film of that year, earned her a Golden Globe nomination. She had further box-office success in the early 1990s, with the films A Few Good Men (1992), Indecent Proposal (1993), and Disclosure (1994).


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  • Upon launching her music career in the late 1990s, Lopez contributed to the "Latin explosion" occurring in entertainment at the time. Writing for The Recording Academy, Brian Haack described her as the "breakout female star" of the Latin pop movement in American music. She was featured on the cover of the first issue of Latina magazine in 1996, with editor Galina Espinoza stating in 2011 that there is "no recounting of modern Latina history without Jennifer". Around the time her career began to burgeon, the emphasis on Lopez's curvaceous figure grew; scholar Sean Redmond wrote that this was a sign of her role and social power in the cultural changes occurring in the United States. In August 2005, Time listed Lopez as one of the most influential Hispanics in America, remarking: "Why? Because over a decade ago, she was an anonymous background dancer on the second-rated sketch-comedy show. Today she's known by two syllables." In February 2007, People en Español named her the most influential Hispanic entertainer. In 2014, scientists named a species of aquatic mite found in Puerto Rico, Litarachna lopezae, after Lopez.

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  • Critics have considered Lopez's voice to be limited, and overshadowed by the production of her music, while remaining "radio-friendly". Rob Sheffield of Rolling Stone remarked: "Instead of strained vocal pyrotechnics, Lopez sticks to the understated R&B murmur of a round-the-way superstar who doesn't need to belt because she knows you're already paying attention [...] She makes a little va-va and a whole lot of voom go a long way." Meanwhile, AllMusic's Stephen Thomas Erlewine called her voice "slight" and wrote: "Lopez was never, ever about singing; she was about style". Entertainment Weekly criticized her vocal performance for lacking the trademark "husky-voiced voluptuousness" she has in her films. J. D. Considine of The Baltimore Sun regards Lopez as having a "breathy" stylistic range, but lacking personality.

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  • While working on her first album, On the 6, Lopez began dating record producer and rapper Sean Combs. On December 27, 1999, the couple was arrested along with two others in connection with a shooting outside a Times Square club. They were charged with criminal possession of a weapon as well as stolen property. Lopez was soon exonerated, having had nothing to do with the crime. However, Combs was charged and indicted by a Manhattan grand jury. After leaving Combs, Lopez developed a relationship with former back-up dancer Cris Judd, to whom she was married from September 29, 2001, to June 2002. Following her second divorce due to irreconcilable differences, she commenced a high-profile relationship with actor and director Ben Affleck, to whom she became engaged in November 2002. The media began to refer to them as "Bennifer", and they became a prominent supercouple in the media and popular culture. Bennifer became a popular term, which was eventually entered into urban dictionaries and neologism dictionaries as notable, as the name blend started the trend of other celebrity couples being referred to by the combination of their first names. The couple postponed their nuptials indefinitely a day prior to the planned ceremony in September 2003, citing the media's interference with the event as the reason.

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  • Speaking of Lopez's image, Andrew Barker of Variety observed: "Despite a carefully cultivated image as an imperious pop empress in ludicrously expensive outfits, her signature hits bear the titles "I'm Real" and "Jenny From the Block". She managed the perilous transition from actress to music star without ever seeming to pick either as a primary gig. She established herself as an oft-provocative sex symbol while her demeanor made it abundantly clear that she's not asking you to come hither." In 2002, Lynette Holloway of The New York Times described Lopez as overexposed. She wrote: "Forgive yourself if you are seeing Jennifer Lopez in your sleep. She is everywhere." Holloway noted her image to be "a dash of ghetto fabulousness" and "middle-class respectability" for mass appeal. Entertainment Weekly observed a change in her public profile upon joining American Idol in 2011, writing: "Gone was her old cut-a-bitch swagger; J. Lo 2.0 is an all-embracing, Oprahfied earth madre." Lopez is considered an icon of popular culture. Television presenter Ray Martin describes her as a "showbiz phenomenon".

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  • On stage, Lopez is recognized for her showmanship and sex appeal, and often includes costumes such as bodysuits as part of her performance. Author Priscilla Peña Ovalle stated in Dance and the Hollywood Latina: Race, Sex and Stardom (2011) that Lopez was one of the Latin stars who "used dance to gain agency as working performers with mainstream careers, yet many of their roles paradoxically racialized and sexualized their bodies". Troy Patterson of Entertainment Weekly also observed that she used her body for emphasis on stage, "She turned herself out as the fly girl hyperversion of postfeminist power, flaunting her control by toying with the threat of excess. In consequence, her star went supernova." Her signature movements include "clock-wise pivoting with salsa hip circles and sequential torso undulations". While being noted to lip sync in the early stages of career, Lopez's Dance Again World Tour was praised for showcasing live vocals and choreography synchronously. In a review of her Las Vegas residency All I Have, Los Angeles Times writer Nolan Feeney remarked that her dancing is "undoubtedly the centerpiece of the show".

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