On stage, Lopez is recognized for her showmanship and sex appeal, and often includes costumes such as bodysuits as part of her performance. Author Priscilla Peña Ovalle stated in Dance and the Hollywood Latina: Race, Sex and Stardom (2011) that Lopez was one of the Latin stars who "used dance to gain agency as working performers with mainstream careers, yet many of their roles paradoxically racialized and sexualized their bodies". Troy Patterson of Entertainment Weekly also observed that she used her body for emphasis on stage, "She turned herself out as the fly girl hyperversion of postfeminist power, flaunting her control by toying with the threat of excess. In consequence, her star went supernova." Her signature movements include "clock-wise pivoting with salsa hip circles and sequential torso undulations". While being noted to lip sync in the early stages of career, Lopez's Dance Again World Tour was praised for showcasing live vocals and choreography synchronously. In a review of her Las Vegas residency All I Have, Los Angeles Times writer Nolan Feeney remarked that her dancing is "undoubtedly the centerpiece of the show".
Critics have considered Lopez's voice to be limited, and overshadowed by the production of her music, while remaining "radio-friendly". Rob Sheffield of Rolling Stone remarked: "Instead of strained vocal pyrotechnics, Lopez sticks to the understated R&B murmur of a round-the-way superstar who doesn't need to belt because she knows you're already paying attention [...] She makes a little va-va and a whole lot of voom go a long way." Meanwhile, AllMusic's Stephen Thomas Erlewine called her voice "slight" and wrote: "Lopez was never, ever about singing; she was about style". Entertainment Weekly criticized her vocal performance for lacking the trademark "husky-voiced voluptuousness" she has in her films. J. D. Considine of The Baltimore Sun regards Lopez as having a "breathy" stylistic range, but lacking personality.
More InfoCritics have considered Lopez's voice to be limited, and overshadowed by the production of her music, while remaining "radio-friendly". Rob Sheffield of Rolling Stone remarked: "Instead of strained vocal pyrotechnics, Lopez sticks to the understated R&B murmur of a round-the-way superstar who doesn't need to belt because she knows you're already paying attention [...] She makes a little va-va and a whole lot of voom go a long way." Meanwhile, AllMusic's Stephen Thomas Erlewine called her voice "slight" and wrote: "Lopez was never, ever about singing; she was about style". Entertainment Weekly criticized her vocal performance for lacking the trademark "husky-voiced voluptuousness" she has in her films. J. D. Considine of The Baltimore Sun regards Lopez as having a "breathy" stylistic range, but lacking personality.
More InfoLopez's personal life has attracted widespread media attention. From February 22, 1997, to January 1998, she was married to Cuban waiter Ojani Noa. Since their brief marriage, Lopez has endured many legal troubles regarding her relationship with Noa. In April 2006, she sued to prevent him from publishing a book about their marriage, contending that it violated their confidentiality agreement. The following year, a court-appointed arbitrator issued a permanent injunction forbidding Noa from "criticizing, denigrating, casting in a negative light or otherwise disparaging" Lopez. She was awarded $545,000 in compensatory damages and Noa was ordered to hand over all copies of materials related to the book to Lopez or her attorney. A lawsuit regarding a compromising private honeymoon video in Noa's possession is presently running.
More InfoIn collaboration with Giuseppe Zanotti, Lopez designed a capsule collection of shoes and jewelry. Giuseppe for Jennifer Lopez launched in January 2017. In July 2016, Lopez announced a new dance competition series entitled World of Dance, for which she serves as an executive producer and judge. Created in partnership with World of Dance, the series was greenlit by NBC with a straight-to-series order for ten episodes. World of Dance premiered on May 30, 2017; with 9.7 million viewers, it became the most-watched premiere for a summer alternative series in nine years. According to Forbes, Lopez was the eleventh highest-paid female celebrity between June 2016 and June 2017, with earnings of $38 million. Lopez had announced in October 2016 that she was working on a second full-length Spanish album, which was set to be released through Sony Music Latin, with Marc Anthony serving as an executive producer. It was to be titled Por Primera Vez, which translates to For the First Time in English. The album, which never materialized, produced two singles: "Ni Tú Ni Yo" (featuring Cuban reggaeton group Gente de Zona) and "Amor, Amor, Amor" featuring Wisin.
More InfoLopez is an avid supporter of LGBT rights, and has raised millions of dollars for HIV/AIDS research. In June 2013, amfAR presented Lopez with its humanitarian award for her philanthropic work. That September, she was awarded the Ally for Equality award presented by the Human Rights Campaign, for her support of the LGBT community. The following year, she received the GLAAD Vanguard Award. In July 2016, Lopez released a single entitled "Love Make the World Go Round", a collaboration with Lin-Manuel Miranda, which benefits victims of the 2016 Orlando nightclub shooting. She was also featured on the song "Hands" along with numerous other artists, also benefiting those affected by the Orlando shooting. Among numerous other artists, Lopez signed an open letter from Billboard magazine to the United States Congress in 2016, which demanded action on gun control.
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