Jennifer Lopez

In what year did the first female solo recording artist under Epic Records achieve a number one album in the US?

As of 2017, Lopez has sold more than 70 million records worldwide, and her films have grossed a cumulative total of US$3.1 billion. She remains the only female entertainer to have a number one album and film simultaneously in the United States.With her second studio album J.Lo (2001), Lopez became the first female solo recording artist under Epic Records to achieve a number one album in the United States since its inception in 1953. Her album J to tha L-O! The Remixes was acknowledged by the Guinness World Records as the first number one remix album in the United States. In 2010, Lopez was honored by the World Music Awards with the Legend Award for her contribution to the arts. Lopez's return to prominence the following year with her single "On the Floor"—among the best-selling singles of all time, and its music video recognized as the "Highest Viewed Female Music Video of All Time" by Guinness World Records in 2012—is regarded as one of the greatest musical comebacks in history. In 2013, she was presented with the prestigious landmark 2,500th star on the Hollywood Walk of Fame for her musical contributions, and Univision presented her with the World Icon Award in its Premios Juventud. In 2014, she became the first female recipient of the Billboard Icon Award. Billboard magazine ranked her as the ninth greatest dance club artist of all time in 2016. In 2017, she was awarded the Telemundo Star Award. In 2018, Lopez received the Michael Jackson Video Vanguard Award at the 2018 MTV Video Music Awards, making her the first Latin performer to claim the prize since its introduction in 1984.


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  • Lopez is regarded as the most influential Hispanic performer in the United States, credited with breaking ethnic barriers in the entertainment industry. In 1999, The Record newspaper observed that she was responsible for the introduction of a Latina presence in the film industry, which was a "whites-only preserve" for much of its history. Described as a "multidimensional artist who had turned into a financial powerhouse", Lopez became the highest-paid actress of Hispanic descent in history. Miriam Jiménez Román stated in The Afro-Latin Reader: History and Culture in the United States (2009) that "[she] was able to traverse the difficult racial boundaries". In 2012, business magazine Forbes suggested that Lopez "may be the most powerful entertainer on the planet", and named her "the world's most powerful Latino celebrity".

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  • According to author Ed Morales in The Latin Beat: The Rhythms And Roots Of Latin Music From Bossa Nova To Salsa And Beyond (2003), Lopez's music explores the "romantic innocence" of Latin music, while strongly identifying with hip hop. Her debut album On the 6 fuses the influence of Latin music with R&B and hip hop, which Lopez described as Latin soul. To the contrary, Morales described it as "state-of-the-art dance pop". Dee Lockett, writing for the Chicago Tribune, stated that songs such as "Waiting for Tonight" made Lopez "arguably the leading artist in the dance-pop movement at the time". While primarily sung in English, she speaks in Spanish and asserts her Latin heritage throughout the album, which is apparent in the song "Let's Get Loud". She has also recorded bilingual songs, including the Latin pop song "Cariño", for her second album J.Lo. A departure from her previous albums, This Is Me... Then blends 1970s soul with "streetwise" hip hop.

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  • Critics have considered Lopez's voice to be limited, and overshadowed by the production of her music, while remaining "radio-friendly". Rob Sheffield of Rolling Stone remarked: "Instead of strained vocal pyrotechnics, Lopez sticks to the understated R&B murmur of a round-the-way superstar who doesn't need to belt because she knows you're already paying attention [...] She makes a little va-va and a whole lot of voom go a long way." Meanwhile, AllMusic's Stephen Thomas Erlewine called her voice "slight" and wrote: "Lopez was never, ever about singing; she was about style". Entertainment Weekly criticized her vocal performance for lacking the trademark "husky-voiced voluptuousness" she has in her films. J. D. Considine of The Baltimore Sun regards Lopez as having a "breathy" stylistic range, but lacking personality.

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  • On stage, Lopez is recognized for her showmanship and sex appeal, and often includes costumes such as bodysuits as part of her performance. Author Priscilla Peña Ovalle stated in Dance and the Hollywood Latina: Race, Sex and Stardom (2011) that Lopez was one of the Latin stars who "used dance to gain agency as working performers with mainstream careers, yet many of their roles paradoxically racialized and sexualized their bodies". Troy Patterson of Entertainment Weekly also observed that she used her body for emphasis on stage, "She turned herself out as the fly girl hyperversion of postfeminist power, flaunting her control by toying with the threat of excess. In consequence, her star went supernova." Her signature movements include "clock-wise pivoting with salsa hip circles and sequential torso undulations". While being noted to lip sync in the early stages of career, Lopez's Dance Again World Tour was praised for showcasing live vocals and choreography synchronously. In a review of her Las Vegas residency All I Have, Los Angeles Times writer Nolan Feeney remarked that her dancing is "undoubtedly the centerpiece of the show".

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  • As of 2017, Lopez has sold more than 70 million records worldwide, and her films have grossed a cumulative total of US$3.1 billion. She remains the only female entertainer to have a number one album and film simultaneously in the United States.With her second studio album J.Lo (2001), Lopez became the first female solo recording artist under Epic Records to achieve a number one album in the United States since its inception in 1953. Her album J to tha L-O! The Remixes was acknowledged by the Guinness World Records as the first number one remix album in the United States. In 2010, Lopez was honored by the World Music Awards with the Legend Award for her contribution to the arts. Lopez's return to prominence the following year with her single "On the Floor"—among the best-selling singles of all time, and its music video recognized as the "Highest Viewed Female Music Video of All Time" by Guinness World Records in 2012—is regarded as one of the greatest musical comebacks in history. In 2013, she was presented with the prestigious landmark 2,500th star on the Hollywood Walk of Fame for her musical contributions, and Univision presented her with the World Icon Award in its Premios Juventud. In 2014, she became the first female recipient of the Billboard Icon Award. Billboard magazine ranked her as the ninth greatest dance club artist of all time in 2016. In 2017, she was awarded the Telemundo Star Award. In 2018, Lopez received the Michael Jackson Video Vanguard Award at the 2018 MTV Video Music Awards, making her the first Latin performer to claim the prize since its introduction in 1984.

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