Sylvester Stallone

When did the movie Last Blood come out?

Following the success of Rocky, Stallone made his directorial debut and starred in the 1978 film Paradise Alley, a family drama in which he played one of three brothers who enter the world of wrestling. That same year, he starred in Norman Jewison's F.I.S.T., a social drama in which he plays a warehouse worker, very loosely modelled on James Hoffa, who becomes involved in the labor union leadership. In 1979 he wrote, directed and starred in the sequel to his 1976 hit, Rocky II (replacing John G. Avildsen, who won an Academy Award for directing the first film), which also became a major success, grossing US$200 million. In 1981, he starred alongside Michael Caine and soccer star Pelé in Escape to Victory, a sports drama in which he plays a prisoner of war involved in a Nazi propaganda soccer game. That same year, he starred in the thriller Nighthawks, in which he plays a New York city cop who plays a cat-and-mouse game with a foreign terrorist, played by Rutger Hauer.Stallone launched another major franchise, starring as Vietnam veteran John Rambo, a former Green Beret, in the action film First Blood (1982), which was both a critical and box office success. Critics praised Stallone's performance, saying he made Rambo seem human, as opposed to the way he is portrayed in the book of the same name. Four Rambo sequels, Rambo: First Blood Part II (1985), Rambo III (1988), Rambo (2008), and Rambo: Last Blood (2019) followed. He also continued his box office success with the Rocky franchise and wrote, directed, and starred in two more 1980s sequels to the series: Rocky III (1982) and Rocky IV (1985). Stallone has portrayed these two characters in a total of eleven films. In preparation for these roles, Stallone embarked upon a vigorous training regimen, which often meant six days a week in the gym and further sit-ups in the evenings. Stallone claims to have reduced his body fat percentage to his all-time low of 2.8% for Rocky III. Stallone met former Mr. Olympia Franco Columbu to develop his character's appearance for the films Rocky IV and Rambo II, just as if he were preparing for the Mr. Olympia competition. That meant two workouts a day, six days a week.


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  • Stallone's other first few film roles were minor, and included brief uncredited appearances in MASH (1970) as a soldier sitting at a table, Pigeons (1970) as a party guest, Woody Allen's Bananas (1971) as a subway thug, in the psychological thriller Klute (1971) as an extra dancing in a club, and in the Jack Lemmon film The Prisoner of Second Avenue (1975) as a youth. In the Lemmon film, Jack Lemmon's character chases, tackles and mugs Stallone, thinking that Stallone's character is a pickpocket. He had his second starring role in The Lords of Flatbush, in 1974. In 1975, he played supporting roles in Farewell, My Lovely; Capone; and Death Race 2000. He made guest appearances on the TV series Police Story and Kojak. He is also supposedly in Mandingo. It is often said that his scene was deleted. However, some fans think he plays a man wearing a red hat in a scene where a slave is hanged.

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  • According to Life magazine, "Eastwood's style is to shoot first and act afterward. He etches his characters virtually without words. He has developed the art of underplaying to the point that anyone around him who so much as flinches looks hammily histrionic." Interviewers Richard Thompson and Tim Hunter commented that Eastwood's films are "superbly paced: unhurried; cool; and [give] a strong sense of real time, regardless of the speed of the narrative" while Ric Gentry considers Eastwood's pacing "unrushed and relaxed." Eastwood is fond of low-key lighting and back-lighting to give his films a "noir-ish" feel.

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  • While Stallone was a student in Leysin, Switzerland, he had a brief uncredited role as a restaurant customer, in the sports drama, Downhill Racer (1969). He can be seen sitting at a table, near to stars Robert Redford and Camilla Sparv. Stallone had his first starring role in the softcore pornography feature film The Party at Kitty and Stud's (1970). He was paid US$200 for two days' work. Stallone later explained that he had done the film out of desperation after being evicted from his apartment and finding himself homeless for several days. He has also said that he slept three weeks in the Port Authority Bus Terminal in New York City prior to seeing a casting notice for the film. In the actor's words, "it was either do that movie or rob someone, because I was at the end – the very end – of my rope". The film was released several years later as Italian Stallion, in order to cash in on Stallone's newfound fame (the new title was taken from Stallone's nickname since Rocky). Stallone also starred in the erotic Off-Broadway stage play Score which ran for 23 performances at the Martinique Theatre from October 28 to November 15, 1971, and was later made into the 1974 film Score by Radley Metzger.

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  • Eastwood has been recognized with multiple awards and nominations for his work in film, television, and music. His widest reception has been in film work, for which he has received Academy Awards, Directors Guild of America Awards, Golden Globe Awards, and People's Choice Awards, among others. Eastwood is one of only two people to have been twice nominated for Best Actor and Best Director for the same film (Unforgiven and Million Dollar Baby) the other being Warren Beatty (Heaven Can Wait and Reds). Along with Beatty, Robert Redford, Richard Attenborough, Kevin Costner, and Mel Gibson, he is one of the few directors best known as an actor to win an Academy Award for directing. On February 27, 2005, he became one of only three living directors (along with Miloš Forman and Francis Ford Coppola) to have directed two Best Picture winners. At the age of 74, he was the oldest recipient of the Academy Award for Best Director to date. Eastwood has directed five actors in Academy Award-winning performances: Gene Hackman in Unforgiven, Tim Robbins and Sean Penn in Mystic River, and Morgan Freeman and Hilary Swank in Million Dollar Baby.

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  • From the very early days of his career Eastwood was frustrated by directors' insistence that scenes be re-shot multiple times and perfected, and when he began directing in 1970, he made a conscious attempt to avoid any aspects of directing he had been indifferent to as an actor. As a result, Eastwood is renowned for his efficient film directing and ability to reduce filming time and control budgets. He usually avoids actors' rehearsing and prefers to complete most scenes on the first take. Eastwood's rapid filmmaking practices have been compared to those of Woody Allen, Ingmar Bergman, Jean-Luc Godard, and the Coen brothers. When acting in others' films he sometimes takes over directing, such as for The Outlaw Josey Wales, if he believes production is too slow. In preparation for filming Eastwood rarely uses storyboards for developing the layout of a shooting schedule. He also attempts to reduce script background details on characters to allow the audience to become more involved in the film, considering their imagination a requirement for a film that connects with viewers. Eastwood has indicated that he lays out a film's plot to provide the audience with necessary details, but not "so much that it insults their intelligence."

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