Lopez received her first professional acting gig in the direct-to-video drama film Lost in the Wild (1993), co-starring with Lindsay Wagner and Robert Loggia. Later in 1993, Lopez signed a deal with CBS to co-star in the television series Second Chances. Lopez received her first major big-screen role in Gregory Nava's 1995 drama My Family portraying Young Maria. Although her role was uncredited, Lopez received an Independent Spirit Award for Best Supporting Female nomination for her performance. In November 1995, Lopez starred in Money Train alongside Wesley Snipes and Woody Harrelson as New York City transit cops. In August 1996, Lopez had a supporting role in the comedy Jack.
After starring in Gigli (2003), a critical and commercial failure, Lopez subsequently starred in the successful romantic comedies Shall We Dance? (2004) and Monster-in-Law (2005). Her fifth studio album, Como Ama una Mujer (2007), received the highest first-week sales for a debut Spanish album in the United States. Following an unsuccessful period, she returned to prominence in 2011 with her appearance as a judge on American Idol, and released her seventh studio album Love?. From 2016 to 2018, she starred in the crime drama series Shades of Blue and performed a residency show, Jennifer Lopez: All I Have, at Planet Hollywood Las Vegas. Since 2017, Lopez has produced and served as a judge on World of Dance. In 2019, she garnered critical acclaim for her performance as a stripper in the crime drama Hustlers.
More InfoIn May 2010, Stallone revealed he was "done" with the character, stating, "I think Rambo's pretty well done. I don't think there'll be any more. I'm about 99% sure I was going to do it ... but I feel that with Rocky Balboa, that character came complete circle. He went home. But for Rambo to go on another adventure might be, I think, misinterpreted as a mercenary gesture and not necessary. I don't want that to happen." At the 2010 Cannes Film Festival, Millennium Films and Nu Image advertised Rambo V with posters and handouts. Following an interview with Stallone for Ain't It Cool News, in which the director expressed his desire to end the franchise, Harry Knowles reported: "He then told me that the folks behind those posters essentially said that if Sly didn't do it—someone else would. And Sly seems fine with that."
More InfoThe visual effects were by Moving Picture Company, Method Studios, Mr. X, Weta Digital, Brainstorm Digital, and Capital T, and supervised by Allen Maris, Christopher Downs, Guillaume Rocheron, Ryan Tudhope, Aidan Fraser, Olaf Wendt, Anders Langlands, Eran Dinur, Jamie Hallett, and Territory Studio. Max Richter composed the film's score, with Lorne Balfe later writing additional music. James Gray consulted with experimental film scholars Gregory Zinman and Leo Goldsmith for inspiration on the visuals.
More InfoRambo: Last Blood is a 2019 American action film directed by Adrian Grünberg. The screenplay, co-written by Matthew Cirulnick and Sylvester Stallone (from a story by Dan Gordon and Stallone), is based on the character John Rambo created by author David Morrell for his novel First Blood. A sequel to Rambo (2008), it is the fifth installment in the Rambo franchise and co-stars Paz Vega, Sergio Peris-Mencheta, Adriana Barraza, Yvette Monreal, Genie Kim, Joaquín Cosío, and Oscar Jaenada. In the film, Rambo (reprised by Stallone) travels to Mexico to save his adopted daughter, who has been kidnapped by a Mexican cartel and forced into prostitution.
More InfoVariety critic Owen Gleiberman praised Pitt's performance, explaining, "Gray proves beyond measure that he's got the chops to make a movie like this. He also has a vision, of sorts — one that's expressed, nearly inadvertently, in the metaphor of that space antenna." Peter Travers of Rolling Stone rated the film four out of five stars and referred to it as "absolutely enthralling" and praised Gray for his direction and his unique approach to the science fiction genre, as well as the cinematography and Pitt's performance (whom he referred to as "marvel of nuanced feeling"). He also drew comparisons of the film's tone and themes to other notable films set in space, particularly 2001: A Space Odyssey (1968), Solaris (1972), Gravity (2013), and Interstellar (2014). Critic Kurt Loder praised the visual effects but criticized the lack of originality and the patchwork style of the script. Adam Graham writing for The Detroit News found problems with the film, giving it a "C" rating: "This is slow, obtuse filmmaking with little emotional connection."
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