Keanu Reeves

What book was the movie Hardball based on?

In 2001, Reeves continued to explore and accept roles in a diverse range of genres. The first was a romantic comedy, Sweet November, a 1968 remake of the same name. This was his second collaboration with Charlize Theron; the film was met with a generally negative reception. Desson Thompson of The Washington Post criticized it for its "syrupy cliches, greeting-card wisdom and over-the-top tragicomedy", but commended Reeves for his likability factor in every performance he gives. Hardball (2001) marked Reeves' attempt in another sports comedy. Directed by Brian Robbins, it is based on the book Hardball: A Season in the Projects by Daniel Coyle. Reeves plays Conor O'Neill, a troubled young man who agrees to coach a Little League team from the Cabrini Green housing project in Chicago as a condition of obtaining a loan. Film critic Roger Ebert took note of the film's desire to tackle difficult subjects and baseball coaching, but felt it "drifts above the surface", and Reeves' performance was "glum and distant".


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  • In 1997, he starred in the supernatural horror The Devil's Advocate alongside Al Pacino and Charlize Theron. Reeves agreed to a pay cut of several million dollars so that the film studio could afford to hire Pacino. Based on Andrew Neiderman's novel of the same name, the feature is about a successful young lawyer invited to New York City to work for a major firm, who discovers the owner of the firm is a devil. The Devil's Advocate attracted positive reviews from critics. Film critic James Berardinelli called the film "highly enjoyable" and noted, "There are times when Reeves lacks the subtlety that would have made this a more multi-layered portrayal, but it's nevertheless a solid job".

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  • In 2001, Reeves continued to explore and accept roles in a diverse range of genres. The first was a romantic comedy, Sweet November, a 1968 remake of the same name. This was his second collaboration with Charlize Theron; the film was met with a generally negative reception. Desson Thompson of The Washington Post criticized it for its "syrupy cliches, greeting-card wisdom and over-the-top tragicomedy", but commended Reeves for his likability factor in every performance he gives. Hardball (2001) marked Reeves' attempt in another sports comedy. Directed by Brian Robbins, it is based on the book Hardball: A Season in the Projects by Daniel Coyle. Reeves plays Conor O'Neill, a troubled young man who agrees to coach a Little League team from the Cabrini Green housing project in Chicago as a condition of obtaining a loan. Film critic Roger Ebert took note of the film's desire to tackle difficult subjects and baseball coaching, but felt it "drifts above the surface", and Reeves' performance was "glum and distant".

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  • He starred in the action thriller Speed (1994) alongside Sandra Bullock and Dennis Hopper. He plays police officer Jack Traven, who must prevent a bus from exploding by keeping its speed above 50 mph. Speed was the directorial debut of Dutch director Jan de Bont. Several actors were considered for the lead role, but Reeves was chosen because Bont was impressed with his Point Break performance. To look the part, Reeves shaved all his hair off and spent two months in the gym to gain muscle mass. During production, Reeves' friend River Phoenix (and co-star in My Own Private Idaho) died, resulting in adjustments to the filming schedule to allow him to mourn. Speed was released on June 10 to a critically acclaimed response. Gene Siskel of the Chicago Tribune lauded Reeves, calling him "absolutely charismatic ... giving a performance juiced with joy as he jumps through elevator shafts ... and atop a subway train". David Ansen, writing for Newsweek, summarized Speed as, "Relentless without being overbearing, this is one likely blockbuster that doesn't feel too big for its britches. It's a friendly juggernaut". The film grossed $35  million from a $30 million budget and won two Academy Awards in 1995 – Best Sound Editing and Best Sound.

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  • Following Speed, Reeves' next leading role came in 1995, in the cyberpunk action thriller Johnny Mnemonic. It is based on the story of the same name by William Gibson, about a man who has had a cybernetic brain implant. As part of the film studio's marketing efforts, a CD-ROM video game was also released. The film, however, received mainly negative reviews and critics felt Reeves was "woefully miscast". He next appeared in the romantic drama A Walk in the Clouds (1995), which also garnered mixed-to-negative reviews. Reeves plays a young soldier returning home from World War II, trying to settle down with a woman he married impulsively just before he enlisted. Film critic Mick LaSalle opined, "A Walk in the Clouds is for the most part a beautiful, well-acted and emotionally rich picture", whereas Hal Hinson from The Washington Post said, "The film has the syrupy, Kodak magic-moment look of a Bo Derek movie, and pretty much the same level of substance". Besides film work, Reeves retreated briefly back to the theatre playing Prince Hamlet in a 1995 Manitoba Theatre Centre production of Hamlet in Winnipeg, Manitoba. Sunday Times critic Roger Lewis believed his performance, writing he "quite embodied the innocence, the splendid fury, the animal grace of the leaps and bounds, the emotional violence, that form the Prince of Denmark ... He is one of the top three Hamlets I have seen, for a simple reason: he is Hamlet".

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  • Reeves made a foray into television films in 1986, including NBC's Babes in Toyland, Act of Vengeance and Brotherhood of Justice. He made his first motion picture appearances in Peter Markle's Youngblood (1986), in which he played a goalkeeper, and in the low-budget romantic drama, Flying. He was cast as Matt in River's Edge, a crime drama about a group of high school friends dealing with a murder case, loosely based on the 1981 murder of Marcy Renee Conrad. The film premiered in 1986 at the Toronto International Film Festival to a largely positive response. Janet Maslin of The New York Times describes the performances of the young cast as "natural and credible", with Reeves being described as "affecting and sympathetic".

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