Judy Garland

What year was Garland's autobiography, A Child Is Waiting, released?

Garland underwent an extensive hospital stay at Peter Bent Brigham Hospital in Boston, Massachusetts, in which she was weaned off her medication, and after a while, was able to eat and sleep normally. During her stay, she found solace in meeting with disabled children; in a 1964 interview regarding issues raised in A Child Is Waiting (1963) and her recovery at Peter Bent Brigham Hospital, Garland had this to say: "Well it helped me by just getting my mind off myself and ... they were so delightful, they were so loving and good and I forgot about myself for a change". Garland returned to Los Angeles heavier, and in the fall of 1949, was cast opposite Gene Kelly in Summer Stock (1950). The film took six months to complete. To lose weight, Garland went back on the pills and the familiar pattern resurfaced. She began showing up late or not at all. When principal photography on Summer Stock was completed in the spring of 1950, it was decided that Garland needed an additional musical number. She agreed to do it provided the song should be "Get Happy". In addition, she insisted that director Charles Walters choreograph and stage the number. By that time, Garland had lost 15 pounds and looked more slender. "Get Happy" was the last segment of Summer Stock to be filmed. It was her final picture for MGM. When it was released in the fall of 1950, Summer Stock drew big crowds and racked up very respectable box-office receipts, but because of the costly shooting delays caused by Garland, the film posted a loss of $80,000 to the studio.


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  • During this time, Garland was still in her teens when she experienced her first serious adult romance with bandleader Artie Shaw. She was deeply devoted to him and was devastated in early 1940 when he eloped with Lana Turner. Garland began a relationship with musician David Rose, and on her 18th birthday, he gave her an engagement ring. The studio intervened because, at the time, he was still married to actress and singer Martha Raye. They agreed to wait a year to allow for his divorce to become final. During that time, Garland had a brief affair with songwriter Johnny Mercer. After her break-up with Mercer, Garland and Rose were wed on July 27, 1941. "A true rarity" is what media called it. The couple agreed to a trial separation in January 1943, and divorced in 1944.

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  • In September 1935, Louis B. Mayer asked songwriter Burton Lane to go to the Orpheum Theater in downtown Los Angeles to watch the Garland Sisters' vaudeville act and to report to him. A few days later, Judy and her father were brought for an impromptu audition at Metro-Goldwyn-Mayer Studios in Culver City. Garland performed "Zing! Went the Strings of My Heart" and "Eli, Eli", a Yiddish song written in 1896 and regularly performed in vaudeville. The studio immediately signed Garland to a contract with MGM, presumably without a screen test, though she had made a test for the studio several months earlier. The studio did not know what to do with her; aged thirteen, she was older than the traditional child star, but too young for adult roles.

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  • Garland began performing in vaudeville as a child with her two older sisters and was later signed to Metro-Goldwyn-Mayer as a teenager. She appeared in more than two dozen films for MGM and is remembered for portraying Dorothy Gale in The Wizard of Oz (1939). Garland was a frequent on-screen partner of both Mickey Rooney and Gene Kelly and regularly collaborated with director and second husband Vincente Minnelli. Other film appearances during this period include roles in Meet Me in St. Louis (1944), The Harvey Girls (1946), Easter Parade (1948), and Summer Stock (1950). Garland was released from MGM in 1950, after 15 years with the studio, amid a series of personal struggles that prevented her from fulfilling the terms of her contract.

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  • Although her film career became intermittent thereafter, two of Garland's most critically acclaimed roles came later in her career: she received a nomination for the Academy Award for Best Actress for her performance in A Star Is Born (1954) and a nomination for Best Supporting Actress for her performance in Judgment at Nuremberg (1961). She also made record-breaking concert appearances, released eight studio albums, and hosted her own Emmy-nominated television series, The Judy Garland Show (1963–1964). At age 39, Garland became the youngest and first female recipient of the Cecil B. DeMille Award for lifetime achievement in the film industry. In 1997, Garland was posthumously awarded the Grammy Lifetime Achievement Award. Several of her recordings have been inducted into the Grammy Hall of Fame, and in 1999, the American Film Institute ranked her as the eighth-greatest female screen legend of Classic Hollywood Cinema.

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  • Thrilled by the huge box-office receipts of Easter Parade, MGM immediately teamed Garland and Astaire in The Barkleys of Broadway. During the initial filming, Garland was taking prescription barbiturate sleeping pills along with illicitly obtained pills containing morphine. Around this time, she also developed a serious problem with alcohol. These, in combination with migraine headaches, led her to miss several shooting days in a row. After being advised by her doctor that she would only be able to work in four- to five-day increments with extended rest periods between, MGM executive Arthur Freed made the decision to suspend her on July 18, 1948. She was replaced in the film by Ginger Rogers. When her suspension was over, she was summoned back to work and ultimately performed two songs as a guest in the Rodgers and Hart biopic Words and Music (1948), which was her last appearance with Mickey Rooney. Despite the all-star cast, Words and Music barely broke even at the box office. Having regained her strength, as well as some needed weight during her suspension, Garland felt much better and in the fall of 1948, she returned to MGM to replace a pregnant June Allyson for the musical film In the Good Old Summertime (1949) co-starring Van Johnson. Although she was sometimes late arriving at the studio during the making of this picture, she managed to complete it five days ahead of schedule. Her daughter Liza made her film debut at the age of two and a half at the end of the film. In The Good Old Summertime was enormously successful at the box office.

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