The Matrix Revolutions, the third instalment, was met with mixed reception. According to review aggregator Rotten Tomatoes, the consensus was that "characters and ideas take a back seat to the special effects". Paul Clinton, writing for CNN, praised the special effects but felt Reeves' character was "dazed and confused". In contrast, the San Francisco Chronicle's Carla Meyer was highly critical of the special effects, writing, "[The Wachowskis] computer-generated imagery goes from dazzling to deadening in action scenes that favor heavy, clanking weaponry over the martial-arts moves that thrilled viewers of The Matrix and The Matrix Reloaded." Nevertheless, the film grossed a healthy $427 million worldwide, although less than the two previous films. Something's Gotta Give, a romantic comedy, was Reeves' last release of 2003. He co-starred with Jack Nicholson and Diane Keaton, and played Dr. Julian Mercer in the film. Something's Gotta Give received generally favourable reviews.
In 1991, Reeves developed an interest in a music career; he formed an alternative rock band called Dogstar, consisting of members Robert Mailhouse, Gregg Miller and Bret Domrose. Reeves played the bass guitar. In 1993, he had a role in Much Ado About Nothing, based on Shakespeare's play of the same name. The film received positive reviews, although Reeves was nominated for a Golden Raspberry Award for Worst Supporting Actor. The New Republic magazine thought his casting was "unfortunate" because of his amateur performance. That same year, he starred in two more drama films, Even Cowgirls Get the Blues and Little Buddha, both of which garnered a mixed-to-negative reception. The Independent gave Little Buddha a mixed review but opined Reeves was "credible" and fitting for the part.
More InfoIn 1989, Reeves starred in the comedy-drama Parenthood directed by Ron Howard. Nick Hilditch of the BBC gave the film three out of five stars, calling it a "feelgood movie" with an "extensive and entertaining ensemble cast". In 1990, Reeves gave two acting performances. He portrayed an incompetent hitman in the black comedy I Love You to Death, and played Martin, a radio station employee in the comedy Tune in Tomorrow. He also appeared in Paula Abdul's music video for Rush Rush which featured a Rebel Without a Cause motif, with him in the James Dean role.
More InfoBy 2002, his professional music career had come to an end when Dogstar disbanded. The band had released two albums during their decade together; Our Little Visionary in 1996 and Happy Ending in 2000. Sometime afterwards, Reeves performed in the band Becky for a year, founded by Dogstar band-mate Rob Mailhouse, but quit in 2005, citing a lack of interest in a serious music career. After being absent from the screen in 2002, Reeves returned to The Matrix sequels in 2003 with The Matrix Reloaded and The Matrix Revolutions, released in May and November, respectively. Principal photography for both films was completed back-to-back, primarily at Fox Studios in Australia. The Matrix Reloaded garnered mostly favourable reviews; John Powers of LA Weekly praised the "dazzling pyrotechnics" but was critical of certain machine-like action scenes. Of Reeves' acting, Powers thought it was somewhat "wooden" but felt he has the ability to "exude a charmed aura". Andrew Walker, writing for London Evening Standard, praised the cinematography ("visually it gives full value as a virtuoso workout for your senses") but he was less taken by the film's "dime-store philosophy". The film grossed $739 million worldwide.
More InfoIn 1999, Reeves starred in the critically acclaimed science fiction film The Matrix, the first instalment in what would become The Matrix franchise. Reeves portrays computer programmer Thomas Anderson, a hacker using the alias "Neo", who discovers humanity is trapped inside a simulated reality created by intelligent machines. Written and directed by the Wachowskis, Reeves had to prepare by reading Kevin Kelly's Out of Control: The New Biology of Machines, Social Systems, and the Economic World, and Dylan Evans's ideas on evolutionary psychology. The principal cast underwent months of intense training with martial arts choreographer Yuen Woo-ping to prepare for the fight scenes. The Matrix proved to be a box office success; several critics considered it to be one of the best science fiction films of all time. Kenneth Turan of the Los Angeles Times felt it was a "wildly cinematic futuristic thriller that is determined to overpower the imagination", despite perceiving weaknesses in the film's dialogue. Janet Maslin of The New York Times credited Reeves for being a "strikingly chic Prada model of an action hero", and thought the martial arts stunts were its most strongest area. The Matrix received Academy Awards for Best Film Editing, Best Sound Editing, Best Visual Effects, and Best Sound.
More InfoIn 1989, Reeves starred in the comedy-drama Parenthood directed by Ron Howard. Nick Hilditch of the BBC gave the film three out of five stars, calling it a "feelgood movie" with an "extensive and entertaining ensemble cast". In 1990, Reeves gave two acting performances. He portrayed an incompetent hitman in the black comedy I Love You to Death, and played Martin, a radio station employee in the comedy Tune in Tomorrow. He also appeared in Paula Abdul's music video for Rush Rush which featured a Rebel Without a Cause motif, with him in the James Dean role.
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