Mercury cared for at least ten cats throughout his life, including: Tom, Jerry, Oscar, Tiffany, Dorothy, Delilah, Goliath, Miko, Romeo, and Lily. He was against the inbreeding of cats for specific features and all except for Tiffany and Lily, both given as gifts, were adopted from the Blue Cross. Mercury "placed as much importance on these beloved animals as on any human life", and showed his adoration by having the artist Ann Ortman paint portraits of each of them. Mercury wrote a song for Delilah, "his favourite cat of all", which appeared on the Queen album Innuendo. Mercury dedicated his liner notes in his 1985 solo album Mr. Bad Guy to Jerry and his other cats. It reads, “This album is dedicated to my cat Jerry—also Tom, Oscar, and Tiffany and all the cat lovers across the universe—screw everybody else!”
Mercury was noted for his live performances, which were often delivered to stadium audiences around the world. He displayed a highly theatrical style that often evoked a great deal of participation from the crowd. A writer for The Spectator described him as "a performer out to tease, shock and ultimately charm his audience with various extravagant versions of himself." David Bowie, who performed at the Freddie Mercury Tribute Concert and recorded the song "Under Pressure" with Queen, praised Mercury's performance style, saying: "Of all the more theatrical rock performers, Freddie took it further than the rest […] he took it over the edge. And of course, I always admired a man who wears tights. I only saw him in concert once and as they say, he was definitely a man who could hold an audience in the palm of his hand." Queen guitarist Brian May wrote that Mercury could make "the last person at the back of the furthest stand in a stadium feel that he was connected". Mercury's main prop on stage was a broken microphone stand; after accidentally snapping it off the heavy base during an early performance, he realised it could be used in endless ways.
More InfoIn the early 1970s, Mercury had a long-term relationship with Mary Austin, whom he met through guitarist Brian May. He lived with Austin for several years in West Kensington, London. By the mid-1970s, he had begun an affair with David Minns, an American record executive at Elektra Records. In December 1976, Mercury told Austin of his sexuality, which ended their romantic relationship. Mercury moved out of the flat they shared, and bought Austin a place of her own nearby his new address of 12 Stafford Terrace, Kensington. While the Stafford Terrace apartment was undergoing renovations, Mercury lived with Minns in Dovehouse Street, Chelsea, London.
More InfoSome have continued to refer to Mercury as bisexual; for example, regarding the creation of Celebrate Bisexuality Day, Wendy Curry said: "We were sitting around at one of the annual bi conventions, venting and someone – I think it was Gigi – said we should have a party. We all loved the great bisexual, Freddie Mercury. His birthday was in September, so why not Sept? We wanted a weekend day to ensure the most people would do something. Gigi's birthday was September 23rd. It fell on a weekend day, so, poof! We had a day." The Advocate said in May 2018, "Closeted throughout his life, Mercury, who was bisexual, engaged in affairs with men but referred to a woman he loved in his youth, Mary Austin, as 'the love of his life,' according to the biography Somebody to Love: The Life, Death, and Legacy of Freddie Mercury." Additionally, according to an obituary Mercury was a "self-confessed bisexual".
More InfoIn 1975, Mercury visited Everett, bringing with him an advance copy of the single "Bohemian Rhapsody". Despite doubting that any station would play the six-minute track, Everett placed the song on the turntable, and, after hearing it, exclaimed: "Forget it, it's going to be number one for centuries". Although Capital Radio had not officially accepted the song, Everett talked incessantly about a record he possessed but could not play. He then frequently proceeded to play the track with the excuse: "Oops, my finger must've slipped." On one occasion, Everett aired the song thirty-six times in a single day. Capital's switchboard was overwhelmed with callers inquiring when the song would be released.
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