After the conclusion of his work with Queen in June 1991, Mercury retired to his home in Kensington, West London. His former partner, Mary Austin, was a particular comfort in his final years, and in the last few weeks made regular visits to look after him. Near the end of his life, Mercury began to lose his sight, and declined so that he was unable to leave his bed. Mercury chose to hasten his death by refusing medication and took only painkillers. On 22 November 1991, Mercury called Queen's manager Jim Beach to his Kensington home to prepare a public statement, which was released the following day:
As well as his work with Queen, Mercury put out two solo albums and several singles. Although his solo work was not as commercially successful as most Queen albums, the two off-Queen albums and several of the singles debuted in the top 10 of the UK Music Charts. His first solo effort goes back to 1972 under the pseudonym Larry Lurex, when Trident Studios' house engineer Robin Geoffrey Cable was working in a musical project, at the time when Queen were recording their debut album; Cable enlisted Mercury to perform lead vocals on the songs "I Can Hear Music" and "Goin' Back", both were released together as a single in 1973. Eleven years later, Mercury contributed to the Richard "Wolfie" Wolf remix of the song "Love Kills", used as the end title theme for National Lampoon's Loaded Weapon 1. The song was originally recorded in 1984, when it was included on the soundtrack for the restoration of the 1927 Fritz Lang film Metropolis. First written by Giorgio Moroder in collaboration with Mercury, and produced by Moroder and Mack, "Love Kills" debuted at the number 10 position in the UK Singles Chart. Mack also produced the 1987 single "Hold On", which Mercury recorded with actress Jo Dare for the German action drama Zabou.
More InfoWhen asked by Melody Maker in 1981 if rock stars should use their power to try to shape the world for the better, Mercury responded, "Leave that to the politicians. Certain people can do that kind of thing, but very few. John Lennon was one. Because of his status, he could do that kind of preaching and affect people's thoughts. But to do this you have to have a certain amount of intellect and magic together, and the John Lennons are few and far between. People with mere talent, like me, have not got the ability or power." Mercury dedicated a song to the former member of The Beatles. The "Life is Real (Song for Lennon)" is included in the 1982 album Hot Space. Mercury did occasionally express his concerns about the state of the world in his lyrics. His most notable "message" songs are "Under Pressure", "Is This the World We Created...?" (a song which Mercury and May performed at Live Aid, and also featured in Greenpeace – The Album), "There Must Be More to Life Than This", "The Miracle" (a song May called "one of Freddie’s most beautiful creations.. it’s all so optimistic about the miracles that are being found in the world, which is incredible when you think what he’s looking at" (Mercury had been diagnosed with HIV two years previous) with the one miracle "we're all waiting for" is "peace on Earth and an end to war") and "Innuendo".
More InfoIn 1981–1983 Mercury recorded several tracks with Michael Jackson, including a demo of "State of Shock", "Victory", and "There Must Be More to Life Than This". None of these collaborations were officially released at the time, although bootleg recordings exist. Jackson went on to record the single "State of Shock" with Mick Jagger for the Jacksons' album Victory. Mercury included the solo version of "There Must Be More To Life Than This" on his Mr. Bad Guy album. "There Must Be More to Life Than This" was eventually reworked by Queen and released on their compilation album Queen Forever in 2014. In addition to working with Michael Jackson, Mercury and Roger Taylor sang on the title track for Billy Squier's 1982 studio release, Emotions in Motion and later contributed to two tracks on Squier's 1986 release, Enough Is Enough, providing vocals on "Love is the Hero" and musical arrangements on "Lady With a Tenor Sax".
More InfoDuring the early- to mid-1980s, he was reportedly involved with Barbara Valentin, an Austrian actress, who is featured in the video for "It's a Hard Life". In another article, he said Valentin was "just a friend"; Mercury was dating German restaurateur Winfried "Winnie" Kirchberger during this time. Mercury lived at Kirchberger's apartment and thanked him "for board and lodging" in the liner notes of his 1985 album Mr. Bad Guy. He wore a silver wedding band given to him by Kirchberger. A close friend described him as Mercury's "great love" in Germany.
More InfoIn 1987, Mercury celebrated his 41st birthday at the Pikes Hotel, Ibiza, several months after discovering that he had contracted HIV. Mercury sought much comfort at the retreat and was a close friend of the owner, Anthony Pike, who described Mercury as "the most beautiful person I've ever met in my life. So entertaining and generous."According to biographer Lesley-Ann Jones, Mercury "felt very much at home there. He played some tennis, lounged by the pool, and ventured out to the odd gay club or bar at night." The birthday party, held on 5 September 1987, has been described as "the most incredible example of excess the Mediterranean island had ever seen", and was attended by some 700 people. A cake in the shape of Gaudi's Sagrada Família was provided for the party. The original cake collapsed and was replaced with a 2-metre-long sponge cake decorated with the notes from Mercury's song "Barcelona". The bill, which included 232 broken glasses, was presented to Queen's manager, Jim Beach. Before his death, Mercury had told Beach, "You can do what you want with my music, but don't make me boring."
More InfoWe don't show ads. Help us keep it that way.