Once Upon a Time in Hollywood

Who wrote that the film "exhibit[s a genuine ethical pathos"?

The film also garnered moral and theological praise. The Los Angeles Catholic Bishop Robert Barron praised the character of Cliff Booth as embodying the four cardinal virtues, while the theologian David Bentley Hart wrote that the film "exhibit[s] a genuine ethical pathos, one that actually brought tears to my eyes" for its portrayal of "cosmic justice." Specifically, Hart praised the revisionism when "Tarantino's version of the story unexpectedly veered away into some other, dreamlike, better world, where the monsters inadvertently passed through the wrong door and met the end they deserved" that "gave glorious expression to a perfectly righteous rage" in "some other order of reality, if only an imaginary one, where ethereal sweetness had survived and horror had perished."


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  • Rick Dalton is an actor who starred in the fictitious television western series Bounty Law, based on the real-life series Wanted Dead or Alive, starring Steve McQueen. Dalton's relationship with Cliff Booth is based on Burt Reynolds' with his longtime stunt double Hal Needham. Dalton was inspired by actors whose careers began in Classical Hollywood but faltered in the 1960s, such as Ty Hardin, who went from starring in a successful TV western to making spaghetti westerns, as well as by Ralph Meeker. Though not mentioned in the film, Dalton apparently suffers from undiagnosed bipolar disorder, inspired by Pete Duel.

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  • Tarantino told cinematographer Robert Richardson, "I want it to feel retro but I want it to be contemporary." Richardson shot in Kodak 35mm with Panavision cameras and lenses, in order to weave time periods. For Bounty Law they shot in black and white, and brief sequences in Super 8 and 16mm Ektachrome. In the film, Lancer was shot on a retrofitted Western Street backlot at Universal Studios, designed by Ling. Richardson crossed Lancer with Alias Smith and Jones for the retro-future look Tarantino wanted. The way they filmed Lancer was not possible in 1969, but Tarantino wanted his personal touch on it. Richardson said that filming the movie touched him personally, "The film speaks to all of us... We are all fragile beings with a limited time to achieve whatever it is we desire... that at any moment that place will shift... So take stock in life and have the courage to believe in yourself."

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  • Trudi Fraser, the precocious child actor working on Lancer, is inspired by an actual character from that series. Marvin Schwarz is Dalton's agent, a role that Tarantino wrote specifically for Al Pacino. Francesca Capucci, a starlet who marries Dalton, is influenced by 1960s Italian actresses Sophia Loren and Claudia Cardinale. Billie Booth is Cliff's wife, whose death echoes Natalie Wood's. Some roles, such as Zoë Bell's stunt coordinator and Heba Thorisdottir's makeup artist, were portrayed by individuals who performed those jobs for the film.

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