In a 2005 article for Time magazine, Lev Grossman called Reeves' "Hollywood's ultimate introvert". He has been described as a workaholic, charming and "excruciatingly shy". During the production of Constantine, director Francis Lawrence commented on his personality, calling him "hardworking" and "generous". His co-star Shia LaBeouf said, "I've worked with him for a year and a couple of months, but I don't really know him that much". Erwin Stoff of 3 Arts Entertainment has served as Reeves' agent and manager since he was 16, and produced many of his films. Stoff said Reeves "is a really private person" and keeps his distance from other people.
The Matrix Revolutions, the third instalment, was met with mixed reception. According to review aggregator Rotten Tomatoes, the consensus was that "characters and ideas take a back seat to the special effects". Paul Clinton, writing for CNN, praised the special effects but felt Reeves' character was "dazed and confused". In contrast, the San Francisco Chronicle's Carla Meyer was highly critical of the special effects, writing, "[The Wachowskis] computer-generated imagery goes from dazzling to deadening in action scenes that favor heavy, clanking weaponry over the martial-arts moves that thrilled viewers of The Matrix and The Matrix Reloaded." Nevertheless, the film grossed a healthy $427 million worldwide, although less than the two previous films. Something's Gotta Give, a romantic comedy, was Reeves' last release of 2003. He co-starred with Jack Nicholson and Diane Keaton, and played Dr. Julian Mercer in the film. Something's Gotta Give received generally favourable reviews.
More InfoReeves reunited with Winona Ryder in the 2018 comedy Destination Wedding, about wedding guests who develop a mutual affection for each other. They had worked together previously in Bram Stoker's Dracula, A Scanner Darkly and The Private Lives of Pippa Lee. Reeves also co-produced and starred in two thrillers. Siberia, in which he plays a diamond trader who travels to Siberia to search for his Russian partner, and Replicas, which tells the story of a neuroscientist who violates laws and bioethics to bring his family back to life after they die in an automobile crash. Siberia and Replicas were critically panned, gaining only thirteen and nine per cent approval ratings, respectively, from critics on Rotten Tomatoes.
More InfoIn 2017, Reeves agreed to reprise his role for a sequel in the John Wick franchise, John Wick: Chapter 2. The story carries on from the first film and follows John Wick as he goes on the run when a bounty is placed on him. The film was a critical and commercial success, grossing $171.5 million worldwide, more than its predecessor. Chris Hewitt of Empire magazine praised Reeves' performance, which complimented nicely with his previous action roles (Point Break and Speed). However, Justin Chang of the Los Angeles Times described the picture as "a down-and-dirty B-picture with a lustrous A-picture soul". Besides to this large-scale feature, Reeves starred in a drama, To the Bone, in which he plays a doctor helping a young woman with anorexia. It premiered at the Sundance Film Festival, followed by distribution on Netflix in July. Early reviews were positive, with critics praising its non-glamorized portrayal of anorexia, although the New Statesman reviewer did not think this was enough. 2017 also saw Reeves make cameo appearances in the films A Happening of Monumental Proportions and SPF-18.
More InfoBy 2002, his professional music career had come to an end when Dogstar disbanded. The band had released two albums during their decade together; Our Little Visionary in 1996 and Happy Ending in 2000. Sometime afterwards, Reeves performed in the band Becky for a year, founded by Dogstar band-mate Rob Mailhouse, but quit in 2005, citing a lack of interest in a serious music career. After being absent from the screen in 2002, Reeves returned to The Matrix sequels in 2003 with The Matrix Reloaded and The Matrix Revolutions, released in May and November, respectively. Principal photography for both films was completed back-to-back, primarily at Fox Studios in Australia. The Matrix Reloaded garnered mostly favourable reviews; John Powers of LA Weekly praised the "dazzling pyrotechnics" but was critical of certain machine-like action scenes. Of Reeves' acting, Powers thought it was somewhat "wooden" but felt he has the ability to "exude a charmed aura". Andrew Walker, writing for London Evening Standard, praised the cinematography ("visually it gives full value as a virtuoso workout for your senses") but he was less taken by the film's "dime-store philosophy". The film grossed $739 million worldwide.
More InfoIn 2001, Reeves continued to explore and accept roles in a diverse range of genres. The first was a romantic comedy, Sweet November, a 1968 remake of the same name. This was his second collaboration with Charlize Theron; the film was met with a generally negative reception. Desson Thompson of The Washington Post criticized it for its "syrupy cliches, greeting-card wisdom and over-the-top tragicomedy", but commended Reeves for his likability factor in every performance he gives. Hardball (2001) marked Reeves' attempt in another sports comedy. Directed by Brian Robbins, it is based on the book Hardball: A Season in the Projects by Daniel Coyle. Reeves plays Conor O'Neill, a troubled young man who agrees to coach a Little League team from the Cabrini Green housing project in Chicago as a condition of obtaining a loan. Film critic Roger Ebert took note of the film's desire to tackle difficult subjects and baseball coaching, but felt it "drifts above the surface", and Reeves' performance was "glum and distant".
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