Having redefined Lopez's sound with "I'm Real (Murder Remix)", Epic decided to release further remixes in order to "keep the momentum going". A remix album entitled J to tha L–O! The Remixes was subsequently released on February 5, 2002. It debuted at the summit of the Billboard 200, making it the first remix album to do so. Its lead single, "Ain't It Funny (Murder Remix)", featuring Ja Rule and Caddillac Tah, reached number one in the US. J to tha L–O! The Remixes became one of the best-selling remix albums of all time, selling 1.5 million copies in the US. It produced two more singles: "I'm Gonna Be Alright" and "Alive", a ballad co-written by her husband at the time, Cris Judd. In April 2002, Lopez opened her restaurant, Madrè's. The following month, she starred in the thriller film Enough, which was described by the Boston Herald as a "kick-but, female empowerment" film. While filming Enough, which required an overworked Lopez to practice Krav Maga, she suffered a nervous breakdown. She recalled feeling "sick and weird", refusing therapeutic help or medication. She confessed, "I was like – I don't want to move, I don't want to talk, I don't want to do anything." In September, she released her first fragrance, Glow by JLo. It performed strongly despite predictions that it would fail, and became the top-selling fragrance in the US.
Richard Roeper of the Chicago Sun-Times gave the film 3.5 out of 4 stars, writing, "In the hands of director and co-writer James Gray, Ad Astra is one of the most beautiful films of the year, even when it makes little sense and even when Brad Pitt's performance veers between one of his all-time best and one of his all-time not-best." David Ehrlich of IndieWire gave the film an "A" and said, "Ad Astra is one of the most ruminative, withdrawn, and curiously optimistic space epics this side of Solaris. It's also one of the best." Similarly, Xan Brooks of The Guardian gave the film five out of five stars, called it a "superb space-opera", and praised Pitt's performance, saying, "Pitt embodies McBride with a series of deft gestures and a minimum of fuss. His performance is so understated it hardly looks like acting at all."
More InfoLopez ventured into the music industry with her debut studio album On the 6 (1999), which helped propel the Latin pop movement in American music. With the simultaneous release of her second studio album J.Lo and her romantic comedy The Wedding Planner in 2001, Lopez became the first woman to have a number-one album and film in the same week. Her 2002 remix album, J to tha L–O! The Remixes, became the first in history to debut atop the US Billboard 200. Later that year, she released her third studio album This Is Me... Then, and starred in the US box office number-one Maid in Manhattan.
More InfoOn February 23, 2000, Lopez, accompanied by then boyfriend Sean Combs, wore a plunging exotic green Versace silk chiffon dress on the red carpet of the 42nd Annual Grammy Awards. The dress "had a low-cut neck that extended several inches below her navel, where it was loosely fastened with a sparkly brooch and then opened out again," exposing her midriff and then as cut along the front of the legs like a bath robe. The dress generated controversy and media attention, with images of Lopez in the dress being downloaded from the Grammy website over half a million times 24 hours after the event. Lopez was surprised by the enormous media coverage, declaring that she had no idea "it was going to become such a big deal". Lopez returned to the big-screen in August, starring in the psychological thriller The Cell opposite Vincent D'Onofrio.
More InfoVariety critic Owen Gleiberman praised Pitt's performance, explaining, "Gray proves beyond measure that he's got the chops to make a movie like this. He also has a vision, of sorts — one that's expressed, nearly inadvertently, in the metaphor of that space antenna." Peter Travers of Rolling Stone rated the film four out of five stars and referred to it as "absolutely enthralling" and praised Gray for his direction and his unique approach to the science fiction genre, as well as the cinematography and Pitt's performance (whom he referred to as "marvel of nuanced feeling"). He also drew comparisons of the film's tone and themes to other notable films set in space, particularly 2001: A Space Odyssey (1968), Solaris (1972), Gravity (2013), and Interstellar (2014). Critic Kurt Loder praised the visual effects but criticized the lack of originality and the patchwork style of the script. Adam Graham writing for The Detroit News found problems with the film, giving it a "C" rating: "This is slow, obtuse filmmaking with little emotional connection."
More InfoThe portrayal of the Rambo character was put under scrutiny. Writing for the Los Angeles Times, Kenneth Turan gave the film 3 out of 4 stars and was complimentary of the story's "surprisingly brooding examination" of Rambo: "Sure, Rambo is convincing when he ends up telling bad people, 'I'm gonna hurt you real bad,' but there is also a kind of fragility that makes us worry about people putting the hurt on him." Peter Debruge wrote a negative review for Variety: "This character is a mess of contradictions, representing on one hand the permanent damage that military service can do to one's soul while simultaneously suggesting what the ideal soldier looks like." Rating the film 4.5 out of 10 for IGN, Witney Seibold lamented, "A character who was originally meant to stand as a symbol for the damage that war can do to a soldier is now best remembered as an unkillable human machine gun", but credited Stallone with "[managing] to give as soulful a performance as the part warrants".
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