Eastwood directed and starred in Space Cowboys (2000) alongside Tommy Lee Jones, Donald Sutherland and James Garner. Eastwood played one of a group of veteran ex-test pilots sent into space to repair an old Soviet satellite. The original music score was composed by Eastwood and Lennie Niehaus. Space Cowboys was critically well-received and holds a 79 percent rating at Rotten Tomatoes, although Roger Ebert wrote that the film was, "too secure within its traditional story structure to make much seem at risk." The film grossed more than $90 million in its United States release, more than Eastwood's two previous films combined. Eastwood played an ex-FBI agent chasing a sadistic killer (Jeff Daniels) in the thriller Blood Work (2002), loosely based on the 1998 novel of the same name by Michael Connelly. The film was a commercial failure, grossing just $26.2 million on an estimated budget of $50 million and received mixed reviews, with Rotten Tomatoes describing it as, "well-made but marred by lethargic pacing". Eastwood did, however, win the Future Film Festival Digital Award at the Venice Film Festival for the film.
Eastwood directed and starred in Honkytonk Man (1982), based on the eponymous Clancy Carlile's depression-era novel. Eastwood portrays a struggling western singer Red Stovall who suffers from tuberculosis, but has finally been given an opportunity to make it big at the Grand Ole Opry. He is accompanied by his young nephew (played by real-life son Kyle) to Nashville, Tennessee, where he is supposed to record a song. Only Time gave the film a good review in the United States, with most reviewers criticizing its blend of muted humor and tragedy. Nevertheless, the film received a more positive reception in France, where it was compared to John Ford's The Grapes of Wrath, and it has since acquired the very high rating of 93 percent on Rotten Tomatoes. Around the same time, Eastwood directed, produced, and starred in the Cold War-themed Firefox (also 1982). Based on a 1977 novel with the same name written by Craig Thomas, the film was shot before but released after Honkytonk Man. Russian filming locations were not possible due to the Cold War, and the film had to be shot in Vienna and other locations in Austria to simulate many of the Eurasian story locations. With a production cost of $20 million, it was Eastwood's highest budget film to that time. People magazine likened Eastwood's performance to "Luke Skywalker trapped in Dirty Harry's Soul".
More InfoEastwood directed and starred in The Gauntlet (1977) opposite Locke, Pat Hingle, William Prince, Bill McKinney, and Mara Corday. In this film, he portrays a down-and-out cop assigned to escort a prostitute from Las Vegas to Phoenix to testify against the mob. Although a moderate hit with the viewing public, critics had mixed feelings about the film, with many believing it was overly violent. Ebert, in contrast, gave the film three stars and called it "classic Clint Eastwood: fast, furious, and funny." In Every Which Way but Loose (1978) he has an uncharacteristic offbeat comedy role. His character, Philo Beddoe, is a trucker and brawler who roams the American West searching for a lost love (Locke) accompanied by his best friend, Orville Boggs (played by Geoffrey Lewis) and an orangutan called Clyde. The film proved surprisingly successful upon its release and became Eastwood's most commercially successful film up to that time. Panned by critics, it ranked high among the box-office successes of his career and was the second-highest-grossing film of 1978.
More InfoEastwood played Frank Horrigan in the Secret Service thriller In the Line of Fire (1993), directed by Wolfgang Petersen and co-starring John Malkovich and Rene Russo. Horrigan is a guilt-ridden Secret Service agent haunted by his failure to save John F. Kennedy's life. The film was among the top 10 box office performers in that year, earning $102 million in the United States alone, and 25 years after he was first listed on Quigley's Top Ten Money Making Stars Poll, Eastwood was voted number one again. A few months after film wrapped, Eastwood directed and co-starred alongside Kevin Costner in A Perfect World (also 1993). Set in the 1960s, Eastwood plays a Texas Ranger in pursuit of an escaped convict (Costner) who hits the road with a young boy (T.J. Lowther). Janet Maslin of The New York Times wrote that the film marked the highest point of Eastwood's directing career, and the film has since been cited as one of his most underrated directorial achievements.
More InfoAt the May 1994 Cannes Film Festival Eastwood received France's Ordre des Arts et des Lettres medal, and on March 27, 1995, he was awarded the Irving G. Thalberg Memorial Award at the 67th Academy Awards. His next film appearance was in a cameo role as himself in the children's film Casper (1995). He expanded his repertoire by playing opposite Meryl Streep in The Bridges of Madison County (also 1995). Based on the novel by Robert James Waller, the film relates the story of Robert Kincaid (Eastwood), a photographer working for National Geographic who, while photographing historic covered bridges in Iowa, meets and has an affair with an Italian-born farm wife, Francesca (Streep). Despite the novel receiving unfavorable reviews, The Bridges of Madison County film was a commercial and critical success. Roger Ebert wrote, "Streep and Eastwood weave a spell, and it is based on that particular knowledge of love and self that comes with middle age." The film was nominated for a Golden Globe for Best Picture and won a César Award in France for Best Foreign Film. Streep was also nominated for an Academy Award and a Golden Globe.
More InfoEastwood made his only foray into TV direction with the Amazing Stories episode Vanessa in the Garden (1985), which starred Harvey Keitel and Locke as a married couple. This was his first collaboration with Steven Spielberg, who later co-produced Flags of Our Fathers and Letters from Iwo Jima. He would revisit the Western genre when he directed and starred in Pale Rider (1985), a film based on the classic western Shane (1953) and follows a preacher descending from the mists of the Sierras to side with the miners during the California Gold Rush of 1850. The title is a reference to the Four Horsemen of the Apocalypse, as the rider of the pale horse is Death, and shows similarities to Eastwood's western High Plains Drifter (1973) in its themes of morality and justice as well as its exploration of the supernatural. It was hailed as one of the best films of 1985 and the best western to appear for a considerable period, with Gene Siskel of the Chicago Tribune remarking, "This year (1985) will go down in film history as the moment Clint Eastwood finally earned respect as an artist".
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