Stallone during the 1980s was one of the biggest action film stars in the world. He attempted, albeit unsuccessfully, roles in different genres. In 1984, he co-wrote and starred alongside Dolly Parton in the comedy film Rhinestone, where he played a wannabe country music singer. For the Rhinestone soundtrack, he performed a song. Stallone turned down the lead male role in Romancing the Stone in order to make Rhinestone instead, a decision he later regretted. In 1987, he starred in the family drama Over the Top as a struggling trucker who tries to make amends with his estranged son. These films did not do well at the box office and were poorly received by critics. It was around 1985 that Stallone was signed to a remake of the 1939 James Cagney classic Angels With Dirty Faces. The film would form part of his multi-picture deal with Cannon Films and was to co-star Christopher Reeve and be directed by Menahem Golan. The re-making of such a beloved classic was met with disapproval by Variety and horror by top critic Roger Ebert. Cannon opted to make Cobra instead. Cobra (1986) and the buddy cop action film Tango & Cash (1989), the latter alongside Kurt Russell, did solid business domestically and blockbuster business overseas, grossing over US$100 million in foreign markets and over US$160 million worldwide.
The music in Grace Is Gone received two Golden Globe nominations by the Hollywood Foreign Press Association for the 65th Golden Globe Awards. Eastwood was nominated for Best Original Score, while the song "Grace is Gone" with music by Eastwood and lyrics by Carole Bayer Sager was nominated for Best Original Song. It won the Satellite Award for Best Song at the 12th Satellite Awards. Changeling was nominated for Best Score at the 14th Critics' Choice Awards, Best Original Score at the 66th Golden Globe Awards, and Best Music at the 35th Saturn Awards. On September 22, 2007, Eastwood was awarded an honorary Doctor of Music degree from the Berklee College of Music at the Monterey Jazz Festival, on which he serves as an active board member. Upon receiving the award he gave a speech claiming, "It's one of the great honors I'll cherish in this lifetime."
More InfoStallone happened to be acting in a play that a friend invited him to partake in, and an agent in attendance thought that Stallone fit the role of Stanley, a main character in The Lords of Flatbush, which had a start-stop schedule from 1972 to 1974 over budget issues. Stallone, around mid-1973, achieved his first proper starring role, in the independent film No Place to Hide, playing a man who is associated with a New York-based urban terrorist movement, with a jewellery-seller as his love interest. The film was re-cut and retitled Rebel years later, this second version featuring Stallone as its star. After the style of Woody Allen's What's Up, Tiger Lily?, this film, in 1990, was re-edited from outtakes from the original movie and newly shot matching footage, then redubbed into an award-winning parody of itself titled A Man Called... Rainbo.
More InfoFrom the very early days of his career Eastwood was frustrated by directors' insistence that scenes be re-shot multiple times and perfected, and when he began directing in 1970, he made a conscious attempt to avoid any aspects of directing he had been indifferent to as an actor. As a result, Eastwood is renowned for his efficient film directing and ability to reduce filming time and control budgets. He usually avoids actors' rehearsing and prefers to complete most scenes on the first take. Eastwood's rapid filmmaking practices have been compared to those of Woody Allen, Ingmar Bergman, Jean-Luc Godard, and the Coen brothers. When acting in others' films he sometimes takes over directing, such as for The Outlaw Josey Wales, if he believes production is too slow. In preparation for filming Eastwood rarely uses storyboards for developing the layout of a shooting schedule. He also attempts to reduce script background details on characters to allow the audience to become more involved in the film, considering their imagination a requirement for a film that connects with viewers. Eastwood has indicated that he lays out a film's plot to provide the audience with necessary details, but not "so much that it insults their intelligence."
More InfoStallone during the 1980s was one of the biggest action film stars in the world. He attempted, albeit unsuccessfully, roles in different genres. In 1984, he co-wrote and starred alongside Dolly Parton in the comedy film Rhinestone, where he played a wannabe country music singer. For the Rhinestone soundtrack, he performed a song. Stallone turned down the lead male role in Romancing the Stone in order to make Rhinestone instead, a decision he later regretted. In 1987, he starred in the family drama Over the Top as a struggling trucker who tries to make amends with his estranged son. These films did not do well at the box office and were poorly received by critics. It was around 1985 that Stallone was signed to a remake of the 1939 James Cagney classic Angels With Dirty Faces. The film would form part of his multi-picture deal with Cannon Films and was to co-star Christopher Reeve and be directed by Menahem Golan. The re-making of such a beloved classic was met with disapproval by Variety and horror by top critic Roger Ebert. Cannon opted to make Cobra instead. Cobra (1986) and the buddy cop action film Tango & Cash (1989), the latter alongside Kurt Russell, did solid business domestically and blockbuster business overseas, grossing over US$100 million in foreign markets and over US$160 million worldwide.
More InfoWhile Stallone was a student in Leysin, Switzerland, he had a brief uncredited role as a restaurant customer, in the sports drama, Downhill Racer (1969). He can be seen sitting at a table, near to stars Robert Redford and Camilla Sparv. Stallone had his first starring role in the softcore pornography feature film The Party at Kitty and Stud's (1970). He was paid US$200 for two days' work. Stallone later explained that he had done the film out of desperation after being evicted from his apartment and finding himself homeless for several days. He has also said that he slept three weeks in the Port Authority Bus Terminal in New York City prior to seeing a casting notice for the film. In the actor's words, "it was either do that movie or rob someone, because I was at the end – the very end – of my rope". The film was released several years later as Italian Stallion, in order to cash in on Stallone's newfound fame (the new title was taken from Stallone's nickname since Rocky). Stallone also starred in the erotic Off-Broadway stage play Score which ran for 23 performances at the Martinique Theatre from October 28 to November 15, 1971, and was later made into the 1974 film Score by Radley Metzger.
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