Moore is viewed as a pioneer for equal salary for women in Hollywood. The role in The Hunchback of Notre Dame made her the first Hollywood actress to reach the $10 million mark salary. She was paid $12.5 million for her role in Striptease, which was more money than any other woman in Hollywood had ever been offered at the time. Producers for Striptease and G.I. Jane got into a bidding war to see who could get Moore to film first. Striptease won and Moore became the highest paid actress in Hollywood in 1996. "She became a pioneer for other actresses by being the first female lead to demand the same salary, benefits and billing as her male counterparts," UK's Lifetime wrote. "Her screen persona always has something indestructible about it. There's a toughness, a strength, a determination," The Guardian described in 2007.
Moore was paid a record-breaking salary of US$12.5 million in 1996 to star in Striptease. Much hype was made about Moore's willingness to dance topless for the part, though this was the sixth time she had shown her breasts on film. The film opened to overwhelmingly negative reviews with Moore's performances being highly criticised. Although the film bombed at the domestic box office, it was a moderate financial success overseas—grossing US$113 million—it failed to reach expectations and was widely considered a flop and Moore received the Golden Raspberry Award for Worst Actress.
More InfoMoore starred in the thriller The Juror (1996). It was a box office bomb and was heavily panned by critics. Moore produced and starred in a controversial miniseries for HBO called If These Walls Could Talk (1996), a three-part anthology about abortion alongside Sissy Spacek and Cher. Its screenwriter, Nancy Savoca, directed two segments, including one in which Moore played a widowed nurse in the early 1950s seeking a back-alley abortion. For that role, Moore received a second Golden Globe nomination as Best Actress. Also in 1996, she provided the speaking voice of the beautiful Esmeralda in Disney's animated adaptation of The Hunchback of Notre Dame, and starred in Mike Judge's comedy Beavis and Butt-head Do America, alongside her then husband Bruce Willis.
More InfoMoore had a lead role as a grieving and tormented novelist in the mystery thriller Half Light (2006), then took on the role of a driven police officer investigating a serial killer in the psychological thriller Mr. Brooks (2007), with Kevin Costner. The film received mixed reviews and grossed $48.1 million worldwide. Rolling Stone wrote that "the cop on the case, played by Demi Moore with a striking directness that deserved better than being saddled with an absurd back story as an heiress with a fortune-hunting husband."
More InfoMoore's film career took off in 1984 following her appearance in the sex comedy Blame It on Rio. She portrayed Laura Victor in the comedy film No Small Affair (1984), opposite Jon Cryer. Her commercial breakthrough came in Joel Schumacher's yuppie drama St. Elmo's Fire (1985), which received negative reviews, but was a box office success and brought Moore to international recognition. Because of her association with that film, Moore was often listed as part of the Brat Pack, a label she felt was "demeaning". She progressed to more serious material with About Last Night... (1986), co-starring Rob Lowe, which marked a positive turning point in her career, as Moore noted that, following its release, she began seeing better scripts. Film critic Roger Ebert gave the film four out of four stars and praised her performance, writing, "There isn't a romantic note she isn't required to play in this movie, and she plays them all flawlessly." The success of About Last Night... was unrivaled by Moore's other two 1986 releases, One Crazy Summer and Wisdom, the last youth-oriented films in which she would star. She was listed as one of twelve "Promising New Actors of 1986" in John Willis's Screen World, Vol. 38.
More InfoMoore starred in the thriller The Juror (1996). It was a box office bomb and was heavily panned by critics. Moore produced and starred in a controversial miniseries for HBO called If These Walls Could Talk (1996), a three-part anthology about abortion alongside Sissy Spacek and Cher. Its screenwriter, Nancy Savoca, directed two segments, including one in which Moore played a widowed nurse in the early 1950s seeking a back-alley abortion. For that role, Moore received a second Golden Globe nomination as Best Actress. Also in 1996, she provided the speaking voice of the beautiful Esmeralda in Disney's animated adaptation of The Hunchback of Notre Dame, and starred in Mike Judge's comedy Beavis and Butt-head Do America, alongside her then husband Bruce Willis.
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