Jennifer Lopez

Who described Lopez as a "showbiz phenomenon"?

Speaking of Lopez's image, Andrew Barker of Variety observed: "Despite a carefully cultivated image as an imperious pop empress in ludicrously expensive outfits, her signature hits bear the titles "I'm Real" and "Jenny From the Block". She managed the perilous transition from actress to music star without ever seeming to pick either as a primary gig. She established herself as an oft-provocative sex symbol while her demeanor made it abundantly clear that she's not asking you to come hither." In 2002, Lynette Holloway of The New York Times described Lopez as overexposed. She wrote: "Forgive yourself if you are seeing Jennifer Lopez in your sleep. She is everywhere." Holloway noted her image to be "a dash of ghetto fabulousness" and "middle-class respectability" for mass appeal. Entertainment Weekly observed a change in her public profile upon joining American Idol in 2011, writing: "Gone was her old cut-a-bitch swagger; J. Lo 2.0 is an all-embracing, Oprahfied earth madre." Lopez is considered an icon of popular culture. Television presenter Ray Martin describes her as a "showbiz phenomenon".


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  • Lopez's provocative stage performances have also drawn scrutiny at times. In May 2013, her performance on the finale of the television series Britain's Got Talent was deemed inappropriate for family-friendly television, and drew viewer complaints to Ofcom. Following her controversial performance at the musical festival Mawazine in 2015, Moroccan Prime Minister Abdelilah Benkirane called it "indecent" and "disgraceful", while an education group claimed that she "disturbed public order and tarnished women's honor and respect".

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  • Lopez's provocative stage performances have also drawn scrutiny at times. In May 2013, her performance on the finale of the television series Britain's Got Talent was deemed inappropriate for family-friendly television, and drew viewer complaints to Ofcom. Following her controversial performance at the musical festival Mawazine in 2015, Moroccan Prime Minister Abdelilah Benkirane called it "indecent" and "disgraceful", while an education group claimed that she "disturbed public order and tarnished women's honor and respect".

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  • In 2009, Lopez launched the Lopez Family Foundation (originally known as the Maribel Foundation) alongside her sister, Lynda. The nonprofit organization seeks to increase the availability of healthcare for underprivileged women and children, offering a telemedicine program supported by a partnership with the Children's Hospital Los Angeles. The foundation has led to the expansion of medical facilities in Panama and Puerto Rico, and created the Center for a Healthy Childhood at the Montefiore Medical Center in the Bronx.

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  • While working on her first album, On the 6, Lopez began dating record producer and rapper Sean Combs. On December 27, 1999, the couple was arrested along with two others in connection with a shooting outside a Times Square club. They were charged with criminal possession of a weapon as well as stolen property. Lopez was soon exonerated, having had nothing to do with the crime. However, Combs was charged and indicted by a Manhattan grand jury. After leaving Combs, Lopez developed a relationship with former back-up dancer Cris Judd, to whom she was married from September 29, 2001, to June 2002. Following her second divorce due to irreconcilable differences, she commenced a high-profile relationship with actor and director Ben Affleck, to whom she became engaged in November 2002. The media began to refer to them as "Bennifer", and they became a prominent supercouple in the media and popular culture. Bennifer became a popular term, which was eventually entered into urban dictionaries and neologism dictionaries as notable, as the name blend started the trend of other celebrity couples being referred to by the combination of their first names. The couple postponed their nuptials indefinitely a day prior to the planned ceremony in September 2003, citing the media's interference with the event as the reason.

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  • Following the September 11 attacks, Lopez was heavily involved in charitable activities. Joining various other artists, she was featured on charitable singles such as "What's Going On" and "El Ultimo Adios (The Last Goodbye)", which benefited people affected by the tragedy. One dollar from each ticket sold at Lopez and Anthony's co-headlining North American concert tour, which grossed an estimated $10 million, was donated to Run for Something Better—a charitable organization supporting physical fitness programs for children. In February 2007, Lopez was honored with the Artists for Amnesty prize by the human rights organisation Amnesty International, for her work in the film Bordertown, which shed light on the hundreds of feminicides in Ciudad Juárez. Lopez described it as "one of the world's most shocking and disturbing, underreported crimes against humanity."

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