Moore made her film debut with a brief role in the 1981 teen drama Choices, directed by Silvio Narizzano. Her second film feature was the 3-D sci-fi horror film Parasite (1982), for which director Charles Band had instructed casting director Johanna Ray to "find me the next Karen Allen." Moore then joined the cast of the ABC soap opera General Hospital, playing the role of an investigative reporter until 1983. During her tenure on the series, she made an uncredited cameo appearance in the 1982 spoof film Young Doctors in Love.
Upon launching her music career in the late 1990s, Lopez contributed to the "Latin explosion" occurring in entertainment at the time. Writing for The Recording Academy, Brian Haack described her as the "breakout female star" of the Latin pop movement in American music. She was featured on the cover of the first issue of Latina magazine in 1996, with editor Galina Espinoza stating in 2011 that there is "no recounting of modern Latina history without Jennifer". Around the time her career began to burgeon, the emphasis on Lopez's curvaceous figure grew; scholar Sean Redmond wrote that this was a sign of her role and social power in the cultural changes occurring in the United States. In August 2005, Time listed Lopez as one of the most influential Hispanics in America, remarking: "Why? Because over a decade ago, she was an anonymous background dancer on the second-rated sketch-comedy show. Today she's known by two syllables." In February 2007, People en Español named her the most influential Hispanic entertainer. In 2014, scientists named a species of aquatic mite found in Puerto Rico, Litarachna lopezae, after Lopez.
More InfoAs of 2017, Lopez has sold more than 70 million records worldwide, and her films have grossed a cumulative total of US$3.1 billion. She remains the only female entertainer to have a number one album and film simultaneously in the United States.With her second studio album J.Lo (2001), Lopez became the first female solo recording artist under Epic Records to achieve a number one album in the United States since its inception in 1953. Her album J to tha L-O! The Remixes was acknowledged by the Guinness World Records as the first number one remix album in the United States. In 2010, Lopez was honored by the World Music Awards with the Legend Award for her contribution to the arts. Lopez's return to prominence the following year with her single "On the Floor"—among the best-selling singles of all time, and its music video recognized as the "Highest Viewed Female Music Video of All Time" by Guinness World Records in 2012—is regarded as one of the greatest musical comebacks in history. In 2013, she was presented with the prestigious landmark 2,500th star on the Hollywood Walk of Fame for her musical contributions, and Univision presented her with the World Icon Award in its Premios Juventud. In 2014, she became the first female recipient of the Billboard Icon Award. Billboard magazine ranked her as the ninth greatest dance club artist of all time in 2016. In 2017, she was awarded the Telemundo Star Award. In 2018, Lopez received the Michael Jackson Video Vanguard Award at the 2018 MTV Video Music Awards, making her the first Latin performer to claim the prize since its introduction in 1984.
More InfoUpon launching her music career in the late 1990s, Lopez contributed to the "Latin explosion" occurring in entertainment at the time. Writing for The Recording Academy, Brian Haack described her as the "breakout female star" of the Latin pop movement in American music. She was featured on the cover of the first issue of Latina magazine in 1996, with editor Galina Espinoza stating in 2011 that there is "no recounting of modern Latina history without Jennifer". Around the time her career began to burgeon, the emphasis on Lopez's curvaceous figure grew; scholar Sean Redmond wrote that this was a sign of her role and social power in the cultural changes occurring in the United States. In August 2005, Time listed Lopez as one of the most influential Hispanics in America, remarking: "Why? Because over a decade ago, she was an anonymous background dancer on the second-rated sketch-comedy show. Today she's known by two syllables." In February 2007, People en Español named her the most influential Hispanic entertainer. In 2014, scientists named a species of aquatic mite found in Puerto Rico, Litarachna lopezae, after Lopez.
More InfoFamed for her distinct style and fashion sense, Us Weekly named Lopez "Style Icon" of the 2000s decade. In 2019, the Council of Fashion Designers of America presented her with its Fashion Icon Award for her "long-standing and global impact on fashion". The Green Versace "Jungle Dress" that Lopez wore at the 42nd Annual Grammy Awards in 2000 was voted the fifth most iconic red carpet dress of all time in a poll run by The Daily Telegraph. The images of Lopez wearing the dress became the most popular search query of all time at that point, and subsequently led to the creation of Google's image search. Her style has influenced a range of celebrities, including Kelly Rowland, Kim Kardashian and Jennifer Love Hewitt. Her record-breaking fragrance line has become the most successful celebrity line in the world, with sales exceeding $2 billion as of 2012. Her first fragrance, Glow by JLo, has been credited with influencing the rise of celebrity fragrances in the 2000s, with perfume critic Chandler Burr stating: "Elizabeth Taylor was one of the first [to have her own scent], but Glow kicked the whole thing into overdrive." Following the success of Lopez's appointment as a judge on American Idol in 2010, a trend of networks hiring "big names" for judging panels on reality shows ensued. The Hollywood Reporter branded this "The J.Lo Effect".
More InfoOn stage, Lopez is recognized for her showmanship and sex appeal, and often includes costumes such as bodysuits as part of her performance. Author Priscilla Peña Ovalle stated in Dance and the Hollywood Latina: Race, Sex and Stardom (2011) that Lopez was one of the Latin stars who "used dance to gain agency as working performers with mainstream careers, yet many of their roles paradoxically racialized and sexualized their bodies". Troy Patterson of Entertainment Weekly also observed that she used her body for emphasis on stage, "She turned herself out as the fly girl hyperversion of postfeminist power, flaunting her control by toying with the threat of excess. In consequence, her star went supernova." Her signature movements include "clock-wise pivoting with salsa hip circles and sequential torso undulations". While being noted to lip sync in the early stages of career, Lopez's Dance Again World Tour was praised for showcasing live vocals and choreography synchronously. In a review of her Las Vegas residency All I Have, Los Angeles Times writer Nolan Feeney remarked that her dancing is "undoubtedly the centerpiece of the show".
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