John had other hits during the 1980s, including "Nikita", whose music video was directed by Ken Russell. The song reached number three in the UK and number seven in the US. In 1986, a live orchestral version of "Candle in the Wind" reached number six in the US, while "I Don't Wanna Go on with You Like That" reached number two there in 1988. John's highest-charting single was a collaboration with Dionne Warwick, Gladys Knight, and Stevie Wonder called "That's What Friends Are For". It reached number one in the US in 1985; credited as Dionne and Friends, the song raised funds for HIV/AIDS research. His albums continued to sell, but of those released in the latter half of the 1980s, only Reg Strikes Back (number 16, 1988) placed in the top 20 in the US.
John's mother, though strict with her son, was more vivacious than her husband, and something of a free spirit. With Stanley Dwight uninterested in his son and often absent, John was raised primarily by his mother and maternal grandmother. When his father was home, the Dwights had vehement arguments that greatly distressed John. When he was 14, they divorced. His mother then married a local painter, Fred Farebrother, a caring and supportive stepfather whom John affectionately called "Derf" ("Fred" backwards). They moved into flat No. 3A in an eight-unit apartment building called Frome Court, not far from both previous homes. There John wrote the songs that launched his career as a rock star; he lived there until he had four albums simultaneously in the American Top 40.
More InfoPete Townshend of the Who asked John to play the "Local Lad" in the 1975 film adaptation of the rock opera Tommy, and to perform the song "Pinball Wizard". Drawing on power chords, John's version was recorded and used in the movie. The song charted at number 7 in the UK. The 1975 autobiographical album Captain Fantastic and the Brown Dirt Cowboy debuted at number one in the US, the first album ever to do so, and stayed there for seven weeks. John revealed his previously ambiguous personality on the album, with Taupin's lyrics describing their early days as struggling songwriters and musicians in London. The lyrics and accompanying photo booklet are infused with a specific sense of place and time that is otherwise rare in his music. "Someone Saved My Life Tonight" was the hit single from this album and captured an early turning point in John's life. The album's release signalled the end of the Elton John Band, as an unhappy and overworked John dismissed Olsson and Murray, two people who had contributed much of the band's signature sound and helped build his live following.
More InfoThe team of John and Taupin joined Dick James's DJM Records as staff songwriters in 1968, and over the next two years wrote material for various artists, among them Roger Cook and Lulu. Taupin would write a batch of lyrics in under an hour and give it to John, who would write music for them in half an hour, disposing of the lyrics if he could not come up with anything quickly. For two years they wrote easy-listening tunes for James to peddle to singers. Their early output included a contender for the UK entry for the Eurovision Song Contest 1969, for Lulu, called "I Can't Go On (Living Without You)". It came sixth of six songs. In 1969, John provided piano for Roger Hodgson on his first released single, "Mr. Boyd" by Argosy, a quartet that was completed by Caleb Quaye and Nigel Olsson.
More InfoPete Townshend of the Who asked John to play the "Local Lad" in the 1975 film adaptation of the rock opera Tommy, and to perform the song "Pinball Wizard". Drawing on power chords, John's version was recorded and used in the movie. The song charted at number 7 in the UK. The 1975 autobiographical album Captain Fantastic and the Brown Dirt Cowboy debuted at number one in the US, the first album ever to do so, and stayed there for seven weeks. John revealed his previously ambiguous personality on the album, with Taupin's lyrics describing their early days as struggling songwriters and musicians in London. The lyrics and accompanying photo booklet are infused with a specific sense of place and time that is otherwise rare in his music. "Someone Saved My Life Tonight" was the hit single from this album and captured an early turning point in John's life. The album's release signalled the end of the Elton John Band, as an unhappy and overworked John dismissed Olsson and Murray, two people who had contributed much of the band's signature sound and helped build his live following.
More InfoThe team of John and Taupin joined Dick James's DJM Records as staff songwriters in 1968, and over the next two years wrote material for various artists, among them Roger Cook and Lulu. Taupin would write a batch of lyrics in under an hour and give it to John, who would write music for them in half an hour, disposing of the lyrics if he could not come up with anything quickly. For two years they wrote easy-listening tunes for James to peddle to singers. Their early output included a contender for the UK entry for the Eurovision Song Contest 1969, for Lulu, called "I Can't Go On (Living Without You)". It came sixth of six songs. In 1969, John provided piano for Roger Hodgson on his first released single, "Mr. Boyd" by Argosy, a quartet that was completed by Caleb Quaye and Nigel Olsson.
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