Moore appeared on the cover of the January 1981 issue of the adult magazine Oui, taken from a photo session in which she had posed nude. In a 1988 interview, Moore claimed she "only posed for the cover of Oui—I was 16; I told them I was 18". Interviewer Alan Carter said, "However, some peekaboo shots did appear inside. And later, nude shots of her turned up in Celebrity Sleuth—photos that she once said 'were for a European fashion magazine'." In 1990, she told another interviewer, "I was 17 years old. I was underage. It was just the cover."
Critics have considered Lopez's voice to be limited, and overshadowed by the production of her music, while remaining "radio-friendly". Rob Sheffield of Rolling Stone remarked: "Instead of strained vocal pyrotechnics, Lopez sticks to the understated R&B murmur of a round-the-way superstar who doesn't need to belt because she knows you're already paying attention [...] She makes a little va-va and a whole lot of voom go a long way." Meanwhile, AllMusic's Stephen Thomas Erlewine called her voice "slight" and wrote: "Lopez was never, ever about singing; she was about style". Entertainment Weekly criticized her vocal performance for lacking the trademark "husky-voiced voluptuousness" she has in her films. J. D. Considine of The Baltimore Sun regards Lopez as having a "breathy" stylistic range, but lacking personality.
More InfoLopez's provocative stage performances have also drawn scrutiny at times. In May 2013, her performance on the finale of the television series Britain's Got Talent was deemed inappropriate for family-friendly television, and drew viewer complaints to Ofcom. Following her controversial performance at the musical festival Mawazine in 2015, Moroccan Prime Minister Abdelilah Benkirane called it "indecent" and "disgraceful", while an education group claimed that she "disturbed public order and tarnished women's honor and respect".
More InfoIn 1996, Moore became the highest-paid actress in film history when she received a then unprecedented $12.5 million to star in Striptease. A major critical and financial failure, it marked the beginning of a lengthy downturn in Moore's career. Following starring roles in The Scarlet Letter (1995), The Juror (1996) and G.I. Jane (1997), all of which were critical and commercial disappointments, marked the end of Moore's career as a leading lady in Hollywood. She has since appeared in supporting roles in such films as; The Hunchback of Notre Dame (1996), The Hunchback of Notre Dame II (2002), Charlie's Angels: Full Throttle (2003), Bobby (2006), Mr. Brooks (2007), Margin Call (2011), and Rough Night (2017). In 2019, Moore released a memoir titled Inside Out, which became a New York Times Best Seller.Moore has been married three times, to the musician Freddy Moore and the actors Bruce Willis and Ashton Kutcher. She has three daughters with Willis, including actress Rumer Willis.
More InfoLopez is an avid supporter of LGBT rights, and has raised millions of dollars for HIV/AIDS research. In June 2013, amfAR presented Lopez with its humanitarian award for her philanthropic work. That September, she was awarded the Ally for Equality award presented by the Human Rights Campaign, for her support of the LGBT community. The following year, she received the GLAAD Vanguard Award. In July 2016, Lopez released a single entitled "Love Make the World Go Round", a collaboration with Lin-Manuel Miranda, which benefits victims of the 2016 Orlando nightclub shooting. She was also featured on the song "Hands" along with numerous other artists, also benefiting those affected by the Orlando shooting. Among numerous other artists, Lopez signed an open letter from Billboard magazine to the United States Congress in 2016, which demanded action on gun control.
More InfoLopez is widely celebrated for her callipygian figure, which was the inspiration for Sir Mix-a-Lot's 1992 hit "Baby Got Back". She has been credited with influencing a change in mainstream female body image. In Latin Sensations (2001), Herón Marquez wrote: "Because she wasn't rail thin, Lopez had broken the mold and allowed millions of women to feel good about their bodies. Suddenly, it was okay for women to have hips, curves, and a big backside." Vanity Fair described her buttocks as "in and of themselves, a cultural icon". Details magazine named Lopez the "Sexiest Woman of the Year" in 1998, and she led FHM's "100 Sexiest Women" list twice. In 2011, she was named "The Most Beautiful Woman" by People. The following year, VH1 ranked her the fourth on their list of "100 Sexiest Artists", while Vibe magazine named her the most "lustable" celebrity of the past twenty years. In 2014, Lopez stated, "There's this funny notion in America that you can't be a mom and be sexy (...) It's the craziest thing I've ever heard... The truth is that women can be sexy until the day they die."
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