Mercury's funeral service was conducted on 27 November 1991 by a Zoroastrian priest at West London Crematorium, where he is commemorated by a plinth under his birth name. In attendance at Mercury's service were his family and 35 of his close friends, including Elton John and the members of Queen. His coffin was carried into the chapel to the sounds of "Take My Hand, Precious Lord"/"You've Got a Friend" by Aretha Franklin. In accordance with Mercury's wishes, Mary Austin took possession of his cremated remains and buried them in an undisclosed location. The whereabouts of his ashes are believed to be known only to Austin, who has said that she will never reveal them.
Mercury never discussed his ethnic or religious background with journalists. The closest he came to doing so was in response to a question about his outlandish persona, he said, "that’s something inbred, it's a part of me. I will always walk around like a Persian popinjay", an oblique reference to his Indian Parsi background. Feeling a connection to Britain prior to arriving in England, the young Bulsara was heavily influenced by British fashion and music trends while growing up. According to his longtime assistant Peter Freestone, "if Freddie had his way, he would have been born aged 18 in Feltham." Harris states, "One of the things about Freddie was that he was very civilised and quite ‘English’. I’d go over to his flat near Shepherd's Bush in the afternoon, and he’d get out the fine china and the sugar lumps and we’d have a cup of tea."
More InfoDuring the early- to mid-1980s, he was reportedly involved with Barbara Valentin, an Austrian actress, who is featured in the video for "It's a Hard Life". In another article, he said Valentin was "just a friend"; Mercury was dating German restaurateur Winfried "Winnie" Kirchberger during this time. Mercury lived at Kirchberger's apartment and thanked him "for board and lodging" in the liner notes of his 1985 album Mr. Bad Guy. He wore a silver wedding band given to him by Kirchberger. A close friend described him as Mercury's "great love" in Germany.
More InfoMercury and his inner circle of colleagues and friends continually denied the stories. It has been suggested that Mercury could have helped AIDS awareness by speaking earlier about his illness. Mercury kept his condition private to protect those closest to him; May later confirmed that Mercury had informed the band of his illness much earlier. Filmed in May 1991, the music video for "These Are the Days of Our Lives" features a very thin Mercury in his final scenes in front of the camera. The rest of the band were ready to record when Mercury felt able to come into the studio, for an hour or two at a time. May said of Mercury: "He just kept saying. 'Write me more. Write me stuff. I want to just sing this and do it and when I am gone you can finish it off.' He had no fear, really." Justin Shirley-Smith, the assistant engineer for those last sessions, said: "This is hard to explain to people, but it wasn't sad, it was very happy. He [Freddie] was one of the funniest people I ever encountered. I was laughing most of the time, with him. Freddie was saying [of his illness] 'I'm not going to think about it, I'm going to do this.'"
More InfoMercury never discussed his ethnic or religious background with journalists. The closest he came to doing so was in response to a question about his outlandish persona, he said, "that’s something inbred, it's a part of me. I will always walk around like a Persian popinjay", an oblique reference to his Indian Parsi background. Feeling a connection to Britain prior to arriving in England, the young Bulsara was heavily influenced by British fashion and music trends while growing up. According to his longtime assistant Peter Freestone, "if Freddie had his way, he would have been born aged 18 in Feltham." Harris states, "One of the things about Freddie was that he was very civilised and quite ‘English’. I’d go over to his flat near Shepherd's Bush in the afternoon, and he’d get out the fine china and the sugar lumps and we’d have a cup of tea."
More InfoAs well as his work with Queen, Mercury put out two solo albums and several singles. Although his solo work was not as commercially successful as most Queen albums, the two off-Queen albums and several of the singles debuted in the top 10 of the UK Music Charts. His first solo effort goes back to 1972 under the pseudonym Larry Lurex, when Trident Studios' house engineer Robin Geoffrey Cable was working in a musical project, at the time when Queen were recording their debut album; Cable enlisted Mercury to perform lead vocals on the songs "I Can Hear Music" and "Goin' Back", both were released together as a single in 1973. Eleven years later, Mercury contributed to the Richard "Wolfie" Wolf remix of the song "Love Kills", used as the end title theme for National Lampoon's Loaded Weapon 1. The song was originally recorded in 1984, when it was included on the soundtrack for the restoration of the 1927 Fritz Lang film Metropolis. First written by Giorgio Moroder in collaboration with Mercury, and produced by Moroder and Mack, "Love Kills" debuted at the number 10 position in the UK Singles Chart. Mack also produced the 1987 single "Hold On", which Mercury recorded with actress Jo Dare for the German action drama Zabou.
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