1996: Adam Sandler vs. Bob Barker – Happy Gilmore1997: Fairuza Balk vs. Robin Tunney – The Craft1998: Will Smith vs. Cockroach – Men in Black1999: Ben Stiller vs. Puffy the Dog – There's Something About Mary2000: Keanu Reeves vs. Laurence Fishburne – The Matrix2001: Zhang Ziyi vs. Entire bar – Crouching Tiger, Hidden Dragon2002: Jackie Chan and Chris Tucker vs. Hong Kong gang – Rush Hour 22003: Yoda vs. Christopher Lee – Star Wars: Episode II – Attack of the Clones2004: Uma Thurman vs. Chiaki Kuriyama – Kill Bill: Volume 12005: Uma Thurman vs. Daryl Hannah – Kill Bill: Volume 22006: Angelina Jolie vs. Brad Pitt – Mr. & Mrs. Smith2007: Gerard Butler vs. Robert Maillet – 300
Rebecca Miller's The Private Lives of Pippa Lee was Reeves' sole release of 2009, which premiered at the 59th Berlin International Film Festival. The romantic comedy and its ensemble received an amicable review from The Telegraph's David Gritten; "Miller's film is a triumph. Uniformly well acted, it boasts a psychologically knowing script, clearly written by a smart, assertive human". In 2010, he starred in another romantic comedy, Henry's Crime, about a man who is released from prison for a crime he did not commit, but then targets the same bank with his former cellmate. The film was not a box office hit. Reeves' only work in 2011 was an adult picture book titled Ode to Happiness, which he wrote, complemented by Alexandra Grant's illustrations. Reeves co-produced and appeared in a 2012 documentary, Side by Side. He interviewed filmmakers including James Cameron, Martin Scorsese, and Christopher Nolan; the feature investigated digital and photochemical film creation. Next, Reeves starred in Generation Um... (2012), an independent drama which was critically panned.
More InfoIn 2017, Reeves agreed to reprise his role for a sequel in the John Wick franchise, John Wick: Chapter 2. The story carries on from the first film and follows John Wick as he goes on the run when a bounty is placed on him. The film was a critical and commercial success, grossing $171.5 million worldwide, more than its predecessor. Chris Hewitt of Empire magazine praised Reeves' performance, which complimented nicely with his previous action roles (Point Break and Speed). However, Justin Chang of the Los Angeles Times described the picture as "a down-and-dirty B-picture with a lustrous A-picture soul". Besides to this large-scale feature, Reeves starred in a drama, To the Bone, in which he plays a doctor helping a young woman with anorexia. It premiered at the Sundance Film Festival, followed by distribution on Netflix in July. Early reviews were positive, with critics praising its non-glamorized portrayal of anorexia, although the New Statesman reviewer did not think this was enough. 2017 also saw Reeves make cameo appearances in the films A Happening of Monumental Proportions and SPF-18.
More InfoAfter this series of commercial failures, Reeves career rebounded in 2014. He played the titular role in the action thriller John Wick, directed by Chad Stahelski. In the first instalment of the John Wick franchise, Reeves plays a retired hitman seeking vengeance. He worked closely with the screenwriter to develop the story; "We all agreed on the potential of the project. I love the role, but you want the whole story, the whole ensemble to come to life", Reeves said. Filmed on location in the New York City area, the film was eventually released on October 24 in the United States. The Hollywood Reporter was impressed by the director's "confident, muscular action debut", and Reeves' "effortless" performance, which marked his return to the action genre. Jeannette Catsoulis of The New York Times praised Reeves' fight scenes and noted he is "always more comfortable in roles that demand cool over hot, attitude over emotion". John Wick proved to be a box office success, grossing $86 million worldwide. Next, Reeves starred in a smaller-scale horror feature, Knock Knock (2015), a remake of the 1977 film Death Game. Described as "over-the-top destruction" by the Toronto Star, Reeves plays a father, home alone, when two young women show up and start a game of cat and mouse. His other releases in 2015 were the documentaries Deep Web, about crime on the dark web, and Mifune: The Last Samurai, about the life of a Japanese actor (Toshiro Mifune) famous for playing samurai characters. He narrated both films.
More InfoReeves is discreet about his spiritual beliefs, saying that it is something "personal and private". In 1997, he expressed a belief in God and the Devil, but said "they don't have to have pitchforks and a long white beard". He has said that he has a lot of interest and respect for Buddhism, but has not "taken refuge in the dharma". When asked if he was a spiritual person, he said that he believes "in God, faith, inner faith, the self, passion, and things" and that he is "very spiritual" and "supremely bountiful". When asked by Stephen Colbert about his views on what happens after death, Reeves replied, "I know that the ones who love us will miss us".
More InfoRebecca Miller's The Private Lives of Pippa Lee was Reeves' sole release of 2009, which premiered at the 59th Berlin International Film Festival. The romantic comedy and its ensemble received an amicable review from The Telegraph's David Gritten; "Miller's film is a triumph. Uniformly well acted, it boasts a psychologically knowing script, clearly written by a smart, assertive human". In 2010, he starred in another romantic comedy, Henry's Crime, about a man who is released from prison for a crime he did not commit, but then targets the same bank with his former cellmate. The film was not a box office hit. Reeves' only work in 2011 was an adult picture book titled Ode to Happiness, which he wrote, complemented by Alexandra Grant's illustrations. Reeves co-produced and appeared in a 2012 documentary, Side by Side. He interviewed filmmakers including James Cameron, Martin Scorsese, and Christopher Nolan; the feature investigated digital and photochemical film creation. Next, Reeves starred in Generation Um... (2012), an independent drama which was critically panned.
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