In 2009, Moore and Kutcher launched DNA Foundation, a nonprofit, non-governmental organization directed towards fighting child sexual slavery. The foundation's first campaign included several celebrities, including Justin Timberlake, Sean Penn, Bradley Cooper appearing in a series of viral videos proclaiming: "Real Men Don’t Buy Girls." In November 2012, the foundation said it was announcing "a new name and refined mission" as Thorn: Digital Defenders of Children, which aimed "to disrupt and deflate the predatory behavior of those who abuse and traffic children, solicit sex with children or create and share child pornography". Thorn: Digital Defenders of Children, assisted law enforcement in identifying 5,894 child sex trafficking victims and rescuing 103 children from "situations where their sexual abuse was recorded and distributed" in 2017, according to the organization’s 2017 impact report. In 2018, Los Angeles-based nonprofit organization, Visionary Women honored Moore with its inaugural Visionary Woman Award for her work to combat human trafficking.
In 2010, Moore took on the role of a daughter helping her father deal with age-related health problems in the dramedy Happy Tears, opposite Parker Posey and Rip Torn, and starred as the matriarch of a family moving into a suburban neighborhood in the comedy The Joneses, with David Duchovny. The latter film was largely highlighted upon its theatrical release, with critics concluding that it "benefits from its timely satire of consumer culture — as well as a pair of strong performances" from Duchovny and Moore. In Bunraku (2010), a film Moore described as a "big action adventure," she played a courtesan and a femme fatale with a secret past.Moore portrayed a chief risk management officer at a large Wall Street investment bank during the initial stages of the financial crisis of 2007–08 in the critically acclaimed corporate drama Margin Call (2011), where she was part of an ensemble cast that included Kevin Spacey, Simon Baker, and Paul Bettany. The cast garnered nominations for the "Best Ensemble" award from the Gotham Awards, the Phoenix Film Critics Society and the Central Ohio Film Critics Association. Also in 2011, Moore received a Directors Guild of America Award nomination for Outstanding Directing – Miniseries or TV Film for her work as a director in a segment of the 2011 Lifetime anthology film Five, and starred opposite Ellen Barkin, Ellen Burstyn and George Kennedy in Sam Levinson's black comedy Another Happy Day, which premiered at the Sundance Film Festival.
More InfoMoore is viewed as a pioneer for equal salary for women in Hollywood. The role in The Hunchback of Notre Dame made her the first Hollywood actress to reach the $10 million mark salary. She was paid $12.5 million for her role in Striptease, which was more money than any other woman in Hollywood had ever been offered at the time. Producers for Striptease and G.I. Jane got into a bidding war to see who could get Moore to film first. Striptease won and Moore became the highest paid actress in Hollywood in 1996. "She became a pioneer for other actresses by being the first female lead to demand the same salary, benefits and billing as her male counterparts," UK's Lifetime wrote. "Her screen persona always has something indestructible about it. There's a toughness, a strength, a determination," The Guardian described in 2007.
More InfoIn 2010, Moore took on the role of a daughter helping her father deal with age-related health problems in the dramedy Happy Tears, opposite Parker Posey and Rip Torn, and starred as the matriarch of a family moving into a suburban neighborhood in the comedy The Joneses, with David Duchovny. The latter film was largely highlighted upon its theatrical release, with critics concluding that it "benefits from its timely satire of consumer culture — as well as a pair of strong performances" from Duchovny and Moore. In Bunraku (2010), a film Moore described as a "big action adventure," she played a courtesan and a femme fatale with a secret past.Moore portrayed a chief risk management officer at a large Wall Street investment bank during the initial stages of the financial crisis of 2007–08 in the critically acclaimed corporate drama Margin Call (2011), where she was part of an ensemble cast that included Kevin Spacey, Simon Baker, and Paul Bettany. The cast garnered nominations for the "Best Ensemble" award from the Gotham Awards, the Phoenix Film Critics Society and the Central Ohio Film Critics Association. Also in 2011, Moore received a Directors Guild of America Award nomination for Outstanding Directing – Miniseries or TV Film for her work as a director in a segment of the 2011 Lifetime anthology film Five, and starred opposite Ellen Barkin, Ellen Burstyn and George Kennedy in Sam Levinson's black comedy Another Happy Day, which premiered at the Sundance Film Festival.
More InfoMoore is viewed as a pioneer for equal salary for women in Hollywood. The role in The Hunchback of Notre Dame made her the first Hollywood actress to reach the $10 million mark salary. She was paid $12.5 million for her role in Striptease, which was more money than any other woman in Hollywood had ever been offered at the time. Producers for Striptease and G.I. Jane got into a bidding war to see who could get Moore to film first. Striptease won and Moore became the highest paid actress in Hollywood in 1996. "She became a pioneer for other actresses by being the first female lead to demand the same salary, benefits and billing as her male counterparts," UK's Lifetime wrote. "Her screen persona always has something indestructible about it. There's a toughness, a strength, a determination," The Guardian described in 2007.
More InfoMoore's mother had a long arrest record which included drunk driving and arson. Moore broke off contact with her in 1990, when Mrs. Guynes walked away from a rehab stay Moore had paid for at the Hazelden Foundation in Minnesota. Guynes posed nude for the magazine High Society in 1993, where she spoofed Moore's Vanity Fair pregnancy and bodypaint covers and parodied her love scene from the film Ghost. Moore and Guynes briefly reconciled shortly before Guynes died of cancer in July 1998 at age 54.
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