The Hollywood Reporter said critics had "an overall positive view," with some calling it "Tarantino's love letter to '60s L.A.," praising its cast and setting, while others were "divided on its ending." ReelViews' James Berardinelli awarded the film 3.5 stars out of 4, saying it was "made by a movie-lover for movie-lovers. And even those who don't qualify may still enjoy the hell out of it." RogerEbert.com's Brian Tallerico gave it four out of four stars, calling it "layered and ambitious, the product of a confident filmmaker working with collaborators completely in tune with his vision". The Chicago Sun-Times, Richard Roeper described it as "a brilliant and sometimes outrageously fantastic mash-up of real-life events and characters with pure fiction," giving it full marks. Writing for Variety, Owen Gleiberman called it a "heady engrossing collage of a film—but not, in the end, a masterpiece." Peter Bradshaw of The Guardian gave it five out of five stars, praising Pitt and DiCaprio's performances and calling it "Tarantino's dazzling LA redemption song." Steve Pond of TheWrap said: "Big, brash, ridiculous, too long, and in the end invigorating, the film is a grand playground for its director to fetishize old pop culture and bring his gleeful perversity to the craft of moviemaking." Peter Travers of Rolling Stone awarded the film 4.5 out of 5 stars, remarking that "All the actors, in roles large and small, bring their A games to the film. Two hours and 40 minutes can feel long for some. I wouldn't change a frame."
Tarantino discovered the centerpiece for the work in 2009 while filming a movie with an actor that had the same stunt double for 20 years. Even though there was nothing but a small bit for the stuntman to do, Tarantino was asked to use him, and he agreed. The relationship fascinated Tarantino and inspired him to make a film about Hollywood. Tarantino said that while the stuntman may have been a perfect double for the actor years earlier, at the time he had come to meet them, "this was maybe the last or second-to-last thing they'd be doing together".
More InfoTo film at the Pussycat Theater, production designer Barbara Ling and her team covered the building's LED signage and reattached the theater's iconic logo, rebuilding the letters and neon. Ling said the lettering on every marquee in the film is historically accurate. To restore Larry Edmund's Bookshop, she reproduced the original storefront sign and tracked down period-appropriate merchandise, even recreating book covers. For the Bruin and Fox Village theaters Ling's team restored the theaters, their marquees, and the storefronts around them. Stan's Donuts, across the street from the Bruin, got a complete makeover.
More InfoAfter the Harvey Weinstein sexual abuse allegations, Tarantino cut ties with Weinstein and sought a new distributor, after having worked with Weinstein for his entire career. At this point, Leonardo DiCaprio was revealed to be among a short list of actors Tarantino was considering for the film. A short time later, reports circulated that studios were bidding for the film set in Los Angeles in the late 1960s, that Tom Cruise was in talks for one of the leads, and that David Heyman had joined as a producer, along with Tarantino and Shannon McIntosh. Tarantino later revealed the role Cruise was considered for to be that of Cliff Booth.
More InfoTrudi Fraser, the precocious child actor working on Lancer, is inspired by an actual character from that series. Marvin Schwarz is Dalton's agent, a role that Tarantino wrote specifically for Al Pacino. Francesca Capucci, a starlet who marries Dalton, is influenced by 1960s Italian actresses Sophia Loren and Claudia Cardinale. Billie Booth is Cliff's wife, whose death echoes Natalie Wood's. Some roles, such as Zoë Bell's stunt coordinator and Heba Thorisdottir's makeup artist, were portrayed by individuals who performed those jobs for the film.
More InfoIn February 1969, veteran Hollywood actor Rick Dalton, star of 1950s Western television series Bounty Law, fears his career is fading. Casting agent Marvin Schwarz recommends he make Spaghetti Westerns in Italy, which Dalton feels are beneath him. Dalton's best friend and stunt double, Cliff Booth—a war veteran skilled in hand-to-hand combat who lives in a tiny trailer with his pit bull, Brandy—drives Dalton around Los Angeles because Dalton's driver's license has been suspended due to his DUI arrests. Booth struggles to find stunt work in Hollywood because of rumors he murdered his wife. Actress Sharon Tate and her husband, director Roman Polanski, have moved next door to Dalton, who dreams of befriending them to revive his declining acting career. That night, Tate and Polanski attend a celebrity-filled party at the Playboy Mansion.
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