Moore starred in the thriller The Juror (1996). It was a box office bomb and was heavily panned by critics. Moore produced and starred in a controversial miniseries for HBO called If These Walls Could Talk (1996), a three-part anthology about abortion alongside Sissy Spacek and Cher. Its screenwriter, Nancy Savoca, directed two segments, including one in which Moore played a widowed nurse in the early 1950s seeking a back-alley abortion. For that role, Moore received a second Golden Globe nomination as Best Actress. Also in 1996, she provided the speaking voice of the beautiful Esmeralda in Disney's animated adaptation of The Hunchback of Notre Dame, and starred in Mike Judge's comedy Beavis and Butt-head Do America, alongside her then husband Bruce Willis.
Moore was paid a record-breaking salary of US$12.5 million in 1996 to star in Striptease. Much hype was made about Moore's willingness to dance topless for the part, though this was the sixth time she had shown her breasts on film. The film opened to overwhelmingly negative reviews with Moore's performances being highly criticised. Although the film bombed at the domestic box office, it was a moderate financial success overseas—grossing US$113 million—it failed to reach expectations and was widely considered a flop and Moore received the Golden Raspberry Award for Worst Actress.
More InfoLopez is widely celebrated for her callipygian figure, which was the inspiration for Sir Mix-a-Lot's 1992 hit "Baby Got Back". She has been credited with influencing a change in mainstream female body image. In Latin Sensations (2001), Herón Marquez wrote: "Because she wasn't rail thin, Lopez had broken the mold and allowed millions of women to feel good about their bodies. Suddenly, it was okay for women to have hips, curves, and a big backside." Vanity Fair described her buttocks as "in and of themselves, a cultural icon". Details magazine named Lopez the "Sexiest Woman of the Year" in 1998, and she led FHM's "100 Sexiest Women" list twice. In 2011, she was named "The Most Beautiful Woman" by People. The following year, VH1 ranked her the fourth on their list of "100 Sexiest Artists", while Vibe magazine named her the most "lustable" celebrity of the past twenty years. In 2014, Lopez stated, "There's this funny notion in America that you can't be a mom and be sexy (...) It's the craziest thing I've ever heard... The truth is that women can be sexy until the day they die."
More InfoMoore was born November 11, 1962, in Roswell, New Mexico. Her biological father, Air Force airman Charles Harmon, Sr., left her mother, Virginia (née King), after a two-month marriage before Moore was born. When Moore was three months old, her mother married Dan Guynes, a newspaper advertising salesman who frequently changed jobs. As a result, the family moved many times. Moore said in 1991, "My dad was Dan Guynes. He raised me. There is a man who would be considered my biological father who I don't really have a relationship with."
More InfoMoore's film career took off in 1984 following her appearance in the sex comedy Blame It on Rio. She portrayed Laura Victor in the comedy film No Small Affair (1984), opposite Jon Cryer. Her commercial breakthrough came in Joel Schumacher's yuppie drama St. Elmo's Fire (1985), which received negative reviews, but was a box office success and brought Moore to international recognition. Because of her association with that film, Moore was often listed as part of the Brat Pack, a label she felt was "demeaning". She progressed to more serious material with About Last Night... (1986), co-starring Rob Lowe, which marked a positive turning point in her career, as Moore noted that, following its release, she began seeing better scripts. Film critic Roger Ebert gave the film four out of four stars and praised her performance, writing, "There isn't a romantic note she isn't required to play in this movie, and she plays them all flawlessly." The success of About Last Night... was unrivaled by Moore's other two 1986 releases, One Crazy Summer and Wisdom, the last youth-oriented films in which she would star. She was listed as one of twelve "Promising New Actors of 1986" in John Willis's Screen World, Vol. 38.
More InfoLopez is regarded as the most influential Hispanic performer in the United States, credited with breaking ethnic barriers in the entertainment industry. In 1999, The Record newspaper observed that she was responsible for the introduction of a Latina presence in the film industry, which was a "whites-only preserve" for much of its history. Described as a "multidimensional artist who had turned into a financial powerhouse", Lopez became the highest-paid actress of Hispanic descent in history. Miriam Jiménez Román stated in The Afro-Latin Reader: History and Culture in the United States (2009) that "[she] was able to traverse the difficult racial boundaries". In 2012, business magazine Forbes suggested that Lopez "may be the most powerful entertainer on the planet", and named her "the world's most powerful Latino celebrity".
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