Rebecca Miller's The Private Lives of Pippa Lee was Reeves' sole release of 2009, which premiered at the 59th Berlin International Film Festival. The romantic comedy and its ensemble received an amicable review from The Telegraph's David Gritten; "Miller's film is a triumph. Uniformly well acted, it boasts a psychologically knowing script, clearly written by a smart, assertive human". In 2010, he starred in another romantic comedy, Henry's Crime, about a man who is released from prison for a crime he did not commit, but then targets the same bank with his former cellmate. The film was not a box office hit. Reeves' only work in 2011 was an adult picture book titled Ode to Happiness, which he wrote, complemented by Alexandra Grant's illustrations. Reeves co-produced and appeared in a 2012 documentary, Side by Side. He interviewed filmmakers including James Cameron, Martin Scorsese, and Christopher Nolan; the feature investigated digital and photochemical film creation. Next, Reeves starred in Generation Um... (2012), an independent drama which was critically panned.
In 2001, Reeves continued to explore and accept roles in a diverse range of genres. The first was a romantic comedy, Sweet November, a 1968 remake of the same name. This was his second collaboration with Charlize Theron; the film was met with a generally negative reception. Desson Thompson of The Washington Post criticized it for its "syrupy cliches, greeting-card wisdom and over-the-top tragicomedy", but commended Reeves for his likability factor in every performance he gives. Hardball (2001) marked Reeves' attempt in another sports comedy. Directed by Brian Robbins, it is based on the book Hardball: A Season in the Projects by Daniel Coyle. Reeves plays Conor O'Neill, a troubled young man who agrees to coach a Little League team from the Cabrini Green housing project in Chicago as a condition of obtaining a loan. Film critic Roger Ebert took note of the film's desire to tackle difficult subjects and baseball coaching, but felt it "drifts above the surface", and Reeves' performance was "glum and distant".
More InfoIn 1992, he played Jonathan Harker in Francis Ford Coppola's Gothic horror Bram Stoker's Dracula, based on Stoker's 1897 novel Dracula. Starring alongside Gary Oldman, Winona Ryder and Anthony Hopkins, the film was critically and commercially successful. It grossed $215.8 million worldwide. For his role, Reeves was required to speak with an English accent, which drew some criticism; "Overly posh and entirely ridiculous, Reeves's performance is as painful as it is hilarious", wrote Limara Salt of Virgin Media. Recalling the experience in 2015, director Coppola said, "[Reeves] tried so hard ... He wanted to do it perfectly and in trying to do it perfectly it came off as stilted". Bram Stoker's Dracula was nominated for four Academy Awards, winning three in Best Costume Design, Best Sound Editing and Best Makeup. The film also received four nominations at the British Academy Film Awards.
More InfoHe starred in the action thriller Speed (1994) alongside Sandra Bullock and Dennis Hopper. He plays police officer Jack Traven, who must prevent a bus from exploding by keeping its speed above 50 mph. Speed was the directorial debut of Dutch director Jan de Bont. Several actors were considered for the lead role, but Reeves was chosen because Bont was impressed with his Point Break performance. To look the part, Reeves shaved all his hair off and spent two months in the gym to gain muscle mass. During production, Reeves' friend River Phoenix (and co-star in My Own Private Idaho) died, resulting in adjustments to the filming schedule to allow him to mourn. Speed was released on June 10 to a critically acclaimed response. Gene Siskel of the Chicago Tribune lauded Reeves, calling him "absolutely charismatic ... giving a performance juiced with joy as he jumps through elevator shafts ... and atop a subway train". David Ansen, writing for Newsweek, summarized Speed as, "Relentless without being overbearing, this is one likely blockbuster that doesn't feel too big for its britches. It's a friendly juggernaut". The film grossed $35 million from a $30 million budget and won two Academy Awards in 1995 – Best Sound Editing and Best Sound.
More InfoAfter the success of The Matrix, Reeves avoided another blockbuster in favour of a lighthearted sports comedy, The Replacements (2000). He agreed to a pay cut to enable Gene Hackman co-star in the film. Against his wishes, Reeves starred in the thriller The Watcher (2000), playing a serial killer who stalks a retired FBI agent. He said that a friend forged his signature on a contract, which he could not prove; he appeared in the film to avoid legal action. Upon its release, the film was critically panned. That year, he had a supporting role in another thriller, Sam Raimi's The Gift, a story about a woman (played by Cate Blanchett) with extrasensory perception asked to help find a young woman who disappeared. The film grossed $44 million worldwide. Film critic Paul Clinton of CNN thought the film was fairly compelling, saying of Reeves' acting: "[Raimi] managed to get a performance out of Reeves that only occasionally sounds like he's reading his lines from the back of a cereal box."
More InfoReeves was soon drawn to science fiction roles, appearing in Chain Reaction (1996) with co-stars Morgan Freeman, Rachel Weisz, Fred Ward, Kevin Dunn and Brian Cox. He plays a researcher of a green energy project, who has to go on the run when he is framed for murder. Chain Reaction was not a critical success and received mostly negative reviews; film review aggregator Rotten Tomatoes gave it a rating of 16% and described it as "a man-on-the-run thriller that mostly sticks to generic formula". Reeves' film choices after Chain Reaction were also critical disappointments. He starred in the independent crime comedy Feeling Minnesota (1996), with Vincent D'Onofrio and Cameron Diaz, which was described as "shoddily assembled, and fundamentally miscast" by Rotten Tomatoes. That same year, he turned down an offer to star in Speed 2: Cruise Control, despite being offered a salary of $12 million. According to Reeves, this decision caused 20th Century Fox to sever ties with him for a decade. Instead, Reeves toured with his band Dogstar, and appeared in the drama film The Last Time I Committed Suicide (1997), based on a 1950 letter written by Neal Cassady to Jack Kerouac. In a scathing review of Reeves' performance, Paul Tatara of CNN called him "void of talent ... here he is again, reciting his lines as if they're non-related words strung together as a memory exercise".
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