Keanu Reeves

In what year did Reeves collaborate with director David Ayer for Street Kings?

Next in 2008, Reeves collaborated with director David Ayer on the crime thriller Street Kings. He played an undercover policeman who must clear his name after the death of another officer. Released on April 11, the film grossed a moderate $66 million worldwide. The film's plot and Reeves' performance, however, were met with mostly unenthusiastic reviews. Paul Byrnes of The Sydney Morning Herald stated, "It's full of twists and turns, a dead body in every reel, but it's not difficult to work out who's betraying whom, and that's just not good enough". The Guardian opined, "Reeves is fundamentally blank and uninteresting". Reeves starred in another science fiction film, The Day the Earth Stood Still, a loose adaptation of the 1951 film of the same name. He portrayed Klaatu, an alien sent from outer space to try to change human behaviour or eradicate humans because of their environmental impact. At the 2009 Razzie Awards, the film was nominated for Worst Prequel, Remake, Rip-off or Sequel. Many critics were unimpressed with the heavy use of special effects; The Telegraph credited Reeves' ability to engage the audience, but thought the cinematography was abysmal and the "sub-Al-Gore environment lecture leaves you light-headed with tedium".


People Also Ask

  • Reeves was soon drawn to science fiction roles, appearing in Chain Reaction (1996) with co-stars Morgan Freeman, Rachel Weisz, Fred Ward, Kevin Dunn and Brian Cox. He plays a researcher of a green energy project, who has to go on the run when he is framed for murder. Chain Reaction was not a critical success and received mostly negative reviews; film review aggregator Rotten Tomatoes gave it a rating of 16% and described it as "a man-on-the-run thriller that mostly sticks to generic formula". Reeves' film choices after Chain Reaction were also critical disappointments. He starred in the independent crime comedy Feeling Minnesota (1996), with Vincent D'Onofrio and Cameron Diaz, which was described as "shoddily assembled, and fundamentally miscast" by Rotten Tomatoes. That same year, he turned down an offer to star in Speed 2: Cruise Control, despite being offered a salary of $12 million. According to Reeves, this decision caused 20th Century Fox to sever ties with him for a decade. Instead, Reeves toured with his band Dogstar, and appeared in the drama film The Last Time I Committed Suicide (1997), based on a 1950 letter written by Neal Cassady to Jack Kerouac. In a scathing review of Reeves' performance, Paul Tatara of CNN called him "void of talent ... here he is again, reciting his lines as if they're non-related words strung together as a memory exercise".

    More Info
  • In 1991, Reeves developed an interest in a music career; he formed an alternative rock band called Dogstar, consisting of members Robert Mailhouse, Gregg Miller and Bret Domrose. Reeves played the bass guitar. In 1993, he had a role in Much Ado About Nothing, based on Shakespeare's play of the same name. The film received positive reviews, although Reeves was nominated for a Golden Raspberry Award for Worst Supporting Actor. The New Republic magazine thought his casting was "unfortunate" because of his amateur performance. That same year, he starred in two more drama films, Even Cowgirls Get the Blues and Little Buddha, both of which garnered a mixed-to-negative reception. The Independent gave Little Buddha a mixed review but opined Reeves was "credible" and fitting for the part.

    More Info
  • In 1989, Reeves starred in the comedy-drama Parenthood directed by Ron Howard. Nick Hilditch of the BBC gave the film three out of five stars, calling it a "feelgood movie" with an "extensive and entertaining ensemble cast". In 1990, Reeves gave two acting performances. He portrayed an incompetent hitman in the black comedy I Love You to Death, and played Martin, a radio station employee in the comedy Tune in Tomorrow. He also appeared in Paula Abdul's music video for Rush Rush which featured a Rebel Without a Cause motif, with him in the James Dean role.

    More Info
  • In 1989, Reeves starred in the comedy-drama Parenthood directed by Ron Howard. Nick Hilditch of the BBC gave the film three out of five stars, calling it a "feelgood movie" with an "extensive and entertaining ensemble cast". In 1990, Reeves gave two acting performances. He portrayed an incompetent hitman in the black comedy I Love You to Death, and played Martin, a radio station employee in the comedy Tune in Tomorrow. He also appeared in Paula Abdul's music video for Rush Rush which featured a Rebel Without a Cause motif, with him in the James Dean role.

    More Info
  • In 2001, Reeves continued to explore and accept roles in a diverse range of genres. The first was a romantic comedy, Sweet November, a 1968 remake of the same name. This was his second collaboration with Charlize Theron; the film was met with a generally negative reception. Desson Thompson of The Washington Post criticized it for its "syrupy cliches, greeting-card wisdom and over-the-top tragicomedy", but commended Reeves for his likability factor in every performance he gives. Hardball (2001) marked Reeves' attempt in another sports comedy. Directed by Brian Robbins, it is based on the book Hardball: A Season in the Projects by Daniel Coyle. Reeves plays Conor O'Neill, a troubled young man who agrees to coach a Little League team from the Cabrini Green housing project in Chicago as a condition of obtaining a loan. Film critic Roger Ebert took note of the film's desire to tackle difficult subjects and baseball coaching, but felt it "drifts above the surface", and Reeves' performance was "glum and distant".

    More Info

Featured

We don't show ads. Help us keep it that way.