Some have continued to refer to Mercury as bisexual; for example, regarding the creation of Celebrate Bisexuality Day, Wendy Curry said: "We were sitting around at one of the annual bi conventions, venting and someone – I think it was Gigi – said we should have a party. We all loved the great bisexual, Freddie Mercury. His birthday was in September, so why not Sept? We wanted a weekend day to ensure the most people would do something. Gigi's birthday was September 23rd. It fell on a weekend day, so, poof! We had a day." The Advocate said in May 2018, "Closeted throughout his life, Mercury, who was bisexual, engaged in affairs with men but referred to a woman he loved in his youth, Mary Austin, as 'the love of his life,' according to the biography Somebody to Love: The Life, Death, and Legacy of Freddie Mercury." Additionally, according to an obituary Mercury was a "self-confessed bisexual".
Throughout his career, Mercury performed an estimated 700 concerts in countries around the world with Queen. A notable aspect of Queen concerts was the large scale involved. He once explained, "We're the Cecil B. DeMille of rock and roll, always wanting to do things bigger and better." The band was the first ever to play in South American stadiums, breaking worldwide records for concert attendance in the Morumbi Stadium in São Paulo in 1981. In 1986, Queen also played behind the Iron Curtain when they performed to a crowd of 80,000 in Budapest, in what was one of the biggest rock concerts ever held in Eastern Europe. Mercury's final live performance with Queen took place on 9 August 1986 at Knebworth Park in England and drew an attendance estimated as high as 160,000. With the British national anthem "God Save the Queen" playing at the end of the concert, Mercury's final act on stage saw him draped in a robe, holding a golden crown aloft, bidding farewell to the crowd.
More InfoIn 1975, Mercury visited Everett, bringing with him an advance copy of the single "Bohemian Rhapsody". Despite doubting that any station would play the six-minute track, Everett placed the song on the turntable, and, after hearing it, exclaimed: "Forget it, it's going to be number one for centuries". Although Capital Radio had not officially accepted the song, Everett talked incessantly about a record he possessed but could not play. He then frequently proceeded to play the track with the excuse: "Oops, my finger must've slipped." On one occasion, Everett aired the song thirty-six times in a single day. Capital's switchboard was overwhelmed with callers inquiring when the song would be released.
More InfoThe Who lead singer Roger Daltrey described Mercury as "the best virtuoso rock 'n' roll singer of all time. He could sing anything in any style. He could change his style from line to line and, God, that's an art. And he was brilliant at it." Discussing what type of person he wanted to play the lead role in his musical Jesus Christ Superstar, Andrew Lloyd Webber said: "He has to be of enormous charisma, but he also has to be a genuine, genuine rock tenor. That's what it is. Really think Freddie Mercury, I mean that's the kind of range we're talking about."
More InfoIn 1975, Mercury visited Everett, bringing with him an advance copy of the single "Bohemian Rhapsody". Despite doubting that any station would play the six-minute track, Everett placed the song on the turntable, and, after hearing it, exclaimed: "Forget it, it's going to be number one for centuries". Although Capital Radio had not officially accepted the song, Everett talked incessantly about a record he possessed but could not play. He then frequently proceeded to play the track with the excuse: "Oops, my finger must've slipped." On one occasion, Everett aired the song thirty-six times in a single day. Capital's switchboard was overwhelmed with callers inquiring when the song would be released.
More InfoAs a young boy in India, Mercury received formal piano training up to the age of nine. Later on, while living in London, he learned guitar. Much of the music he liked was guitar-oriented: his favourite artists at the time were the Who, the Beatles, Jimi Hendrix, David Bowie, and Led Zeppelin. He was often self-deprecating about his skills on both instruments and from the early 1980s began extensively using guest keyboardists. Most notably, he enlisted Fred Mandel (a Canadian musician who also worked for Pink Floyd, Elton John, and Supertramp) for his first solo project. From 1982 Mercury collaborated with Morgan Fisher (who performed with Queen in concert during the Hot Space leg), and from 1985 onward Mercury collaborated with Mike Moran (in the studio) and Spike Edney (in concert).
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