The Lion King musical debuted on Broadway in 1997 and the West End in 1999. In 2014, it had grossed over $6 billion and became the top-earning title in box-office history for both stage productions and films, surpassing the record previously held by Andrew Lloyd Webber's 1986 musical The Phantom of the Opera. In addition to The Lion King, John composed music for a Disney's musical production Aida in 1999 with lyricist Tim Rice, for which they received the Tony Award for Best Original Score at the 54th Tony Awards, and the Grammy Award for Best Musical Show Album at the 43rd Annual Grammy Awards. The musical had its world premiere at Atlanta's Alliance Theatre and went on to Chicago and eventually Broadway. John released a live compilation album, Elton John One Night Only – The Greatest Hits, featuring songs from the show he did at Madison Square Garden in New York City that same year. A concept album of songs from the musical Aida, Elton John and Tim Rice's Aida, was also released and featured the John duets "Written in the Stars" with LeAnn Rimes, and "I Know the Truth" with Janet Jackson.
Pete Townshend of the Who asked John to play the "Local Lad" in the 1975 film adaptation of the rock opera Tommy, and to perform the song "Pinball Wizard". Drawing on power chords, John's version was recorded and used in the movie. The song charted at number 7 in the UK. The 1975 autobiographical album Captain Fantastic and the Brown Dirt Cowboy debuted at number one in the US, the first album ever to do so, and stayed there for seven weeks. John revealed his previously ambiguous personality on the album, with Taupin's lyrics describing their early days as struggling songwriters and musicians in London. The lyrics and accompanying photo booklet are infused with a specific sense of place and time that is otherwise rare in his music. "Someone Saved My Life Tonight" was the hit single from this album and captured an early turning point in John's life. The album's release signalled the end of the Elton John Band, as an unhappy and overworked John dismissed Olsson and Murray, two people who had contributed much of the band's signature sound and helped build his live following.
More InfoTo celebrate five years since he had first appeared at the venue, in 1975, John played a two-night, four-show stand at the Troubadour. With seating limited to under 500 per show, the chance to purchase tickets was determined by a postcard lottery, with each winner allowed two tickets. Everyone who attended the performances received a hardbound "yearbook" of the band's history. That year, he also played piano on Kevin Ayers's Sweet Deceiver and was among the first and few white artists to appear on the African-American television series Soul Train. On 9 August 1975, John was named the outstanding rock personality of the year at the first annual Rock Music Awards in Santa Monica, California. In May 1976, the live album Here and There was released, followed in October by the album Blue Moves, which contained the single "Sorry Seems to Be the Hardest Word". His biggest success in 1976 was "Don't Go Breaking My Heart", a duet with Kiki Dee that topped a number of charts, including the UK, the US, Australia, France and Canada.
More InfoIn 1992, John released the US number 8 album The One, featuring the hit song "The One". He also released "Runaway Train", a duet he recorded with his longtime friend Eric Clapton, with whom he played on Clapton's World Tour. John and Taupin then signed a music publishing deal with Warner/Chappell Music for an estimated $39 million over 12 years, including the largest cash advance in music publishing history. In April 1992, John appeared at the Freddie Mercury Tribute Concert at Wembley Stadium, performing "The Show Must Go On" with the remaining members of Queen, and "Bohemian Rhapsody" with Axl Rose of Guns N' Roses and Queen's remaining members. In September, John performed "The One" at the 1992 MTV Video Music Awards and closed the ceremony performing "November Rain" with Guns N' Roses. The following year, he released Duets, which featured collaborations with 15 artists, including Tammy Wynette and RuPaul. This included a new collaboration with Kiki Dee, "True Love", which reached the Top 10 of the UK charts.In the same year, The Bunbury Tails, a multi-artist charity album, was released, which was the soundtrack to the British animated television series of the same name. "Up The Revolution" was John's track, alongside contributions from George Harrison, the Bee Gees and Eric Clapton. The album was issued briefly, and only in the UK.
More InfoIn 1985, John was one of the many performers at Live Aid, held at Wembley Stadium. He played "Bennie and the Jets" and "Rocket Man"; then "Don't Go Breaking My Heart" with Kiki Dee for the first time since the Hammersmith Odeon on 24 December 1982; and introduced George Michael, still then of Wham!, to sing "Don't Let the Sun Go Down on Me". In 1984, he released Breaking Hearts, which featured the song "Sad Songs (Say So Much)", number five in the US and number seven in the UK. John also recorded material with Millie Jackson in 1985. In 1986, he played the piano on two tracks on the heavy metal band Saxon's album Rock the Nations.
More InfoPete Townshend of the Who asked John to play the "Local Lad" in the 1975 film adaptation of the rock opera Tommy, and to perform the song "Pinball Wizard". Drawing on power chords, John's version was recorded and used in the movie. The song charted at number 7 in the UK. The 1975 autobiographical album Captain Fantastic and the Brown Dirt Cowboy debuted at number one in the US, the first album ever to do so, and stayed there for seven weeks. John revealed his previously ambiguous personality on the album, with Taupin's lyrics describing their early days as struggling songwriters and musicians in London. The lyrics and accompanying photo booklet are infused with a specific sense of place and time that is otherwise rare in his music. "Someone Saved My Life Tonight" was the hit single from this album and captured an early turning point in John's life. The album's release signalled the end of the Elton John Band, as an unhappy and overworked John dismissed Olsson and Murray, two people who had contributed much of the band's signature sound and helped build his live following.
More InfoWe don't show ads. Help us keep it that way.