With a cumulative film gross of US$3.1 billion and estimated global sales of 70 million records, Lopez is regarded as the most influential Latin entertainer in the United States. In 2012, Forbes ranked her as the most powerful celebrity in the world, as well as the 38th most powerful woman in the world. Time listed her among the 100 most influential people in the world in 2018. Her most successful singles on the US Billboard Hot 100 include: "If You Had My Love", "I'm Real", "Ain't It Funny", "All I Have", and "On the Floor", the lattermost of which is one of the best-selling singles of all time. For her contributions to the recording industry, Lopez has received a landmark star on the Hollywood Walk of Fame, the Billboard Icon Award, and the Michael Jackson Video Vanguard Award among other honors. Her other ventures include clothing lines, fragrances, the production company Nuyorican Productions, and the nonprofit business Lopez Family Foundation.
Rambo: Last Blood is a 2019 American action film directed by Adrian Grünberg. The screenplay, co-written by Matthew Cirulnick and Sylvester Stallone (from a story by Dan Gordon and Stallone), is based on the character John Rambo created by author David Morrell for his novel First Blood. A sequel to Rambo (2008), it is the fifth installment in the Rambo franchise and co-stars Paz Vega, Sergio Peris-Mencheta, Adriana Barraza, Yvette Monreal, Genie Kim, Joaquín Cosío, and Oscar Jaenada. In the film, Rambo (reprised by Stallone) travels to Mexico to save his adopted daughter, who has been kidnapped by a Mexican cartel and forced into prostitution.
More InfoCritics reported being appalled by the brutality of the action scenes, with some comparing its amount of gore with that of a slasher film. Berardinelli said, "The body count is insanely high and the methods of death are worthy of a Halloween or Friday the 13th sequel", and gave the film 1 out of 4 stars. Debruge called the violence "horrible, gut-wrenching carnage to witness, and yet, it's been calibrated to elicit whoops and cheers from fans, who've faithfully followed along as Rambo evolved". Vince Mancini of Uproxx said, "It's so genuinely horrific I'm convinced there are real-life cartel videos celebrating the torture of rivals that are less gory", but recommended the film as a must-see. Conversely, Johnny Oleksinski of the New York Post said, "Rambo: Last Blood features what's easily the most violent movie scene of the year. It's awesome", but felt the narration, drama, and hackneyed backstory could have been edited out. Duncan Bowles of Den of Geek gave it 3 out of 5 stars, writing: "If you're not the kind of person who wants to weep with joy at the sight of Rambo tooling up, firing a bow, or rigging booby traps, then the film really isn't for you, but if you're after a solid display of carnage from a character you love, then there's plenty on offer." Many saw the climax of Last Blood as similar to that of Home Alone, which, by contrast, is rated PG.
More InfoIn February 2020, Phoenix starred in Guardians of Life, the first of twelve short films by the environmental organization Mobilize Earth that highlight the most pressing issues facing humanity and the natural world. Funds raised by the project will go to Amazon Watch and Extinction Rebellion. During his 2020 Oscar acceptance speech, he passionately promoted societal equality and animal rights, ending with a tribute to his brother, River Phoenix. This speech garnered acclaim and a backlash from the dairy industry.
More InfoVariety critic Owen Gleiberman praised Pitt's performance, explaining, "Gray proves beyond measure that he's got the chops to make a movie like this. He also has a vision, of sorts — one that's expressed, nearly inadvertently, in the metaphor of that space antenna." Peter Travers of Rolling Stone rated the film four out of five stars and referred to it as "absolutely enthralling" and praised Gray for his direction and his unique approach to the science fiction genre, as well as the cinematography and Pitt's performance (whom he referred to as "marvel of nuanced feeling"). He also drew comparisons of the film's tone and themes to other notable films set in space, particularly 2001: A Space Odyssey (1968), Solaris (1972), Gravity (2013), and Interstellar (2014). Critic Kurt Loder praised the visual effects but criticized the lack of originality and the patchwork style of the script. Adam Graham writing for The Detroit News found problems with the film, giving it a "C" rating: "This is slow, obtuse filmmaking with little emotional connection."
More InfoThe visual effects were by Moving Picture Company, Method Studios, Mr. X, Weta Digital, Brainstorm Digital, and Capital T, and supervised by Allen Maris, Christopher Downs, Guillaume Rocheron, Ryan Tudhope, Aidan Fraser, Olaf Wendt, Anders Langlands, Eran Dinur, Jamie Hallett, and Territory Studio. Max Richter composed the film's score, with Lorne Balfe later writing additional music. James Gray consulted with experimental film scholars Gregory Zinman and Leo Goldsmith for inspiration on the visuals.
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