Freddie Mercury

Who was a mentor to Freddie Mercury in the 1970s?

During the 1970s, Everett became advisor and mentor to Mercury and Mercury served as Everett's confidante. Throughout the early- to mid-1980s, they continued to explore their homosexuality and experiment with drugs. Although they were never lovers, they did experience London nightlife together. By 1985, they had fallen out, and their friendship was further strained when Everett was outed in the autobiography of his ex-wife Lady Lee. In 1989, with their health failing, Mercury and Everett were reconciled.


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  • In the early 1970s, Mercury had a long-term relationship with Mary Austin, whom he met through guitarist Brian May. He lived with Austin for several years in West Kensington, London. By the mid-1970s, he had begun an affair with David Minns, an American record executive at Elektra Records. In December 1976, Mercury told Austin of his sexuality, which ended their romantic relationship. Mercury moved out of the flat they shared, and bought Austin a place of her own nearby his new address of 12 Stafford Terrace, Kensington. While the Stafford Terrace apartment was undergoing renovations, Mercury lived with Minns in Dovehouse Street, Chelsea, London.

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  • Born in 1946 in Zanzibar to Parsi-Indian parents, he attended English-style boarding schools in India from the age of eight and returned to Zanzibar after secondary school. In 1964, his family fled the Zanzibar Revolution, moving to Middlesex, England. Having studied and written music for years, he formed Queen in 1970 with guitarist Brian May and drummer Roger Taylor. Mercury wrote numerous hits for Queen, including "Killer Queen", "Bohemian Rhapsody", "Somebody to Love", "We Are the Champions", "Don't Stop Me Now", and "Crazy Little Thing Called Love". His charismatic stage performances often saw him interact with the audience, as displayed at the 1985 Live Aid concert. He also led a solo career and served as a producer and guest musician for other artists.

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  • As a member of Queen, Mercury was posthumously inducted into the Rock and Roll Hall of Fame in 2001, the Songwriters Hall of Fame in 2003, and the UK Music Hall of Fame in 2004. In 1990, he and the other Queen members were awarded the Brit Award for Outstanding Contribution to British Music, and one year after his death Mercury was awarded it individually. In 2005, Queen were awarded an Ivor Novello Award for Outstanding Song Collection from the British Academy of Songwriters, Composers, and Authors. In 2002, Mercury ranked number 58 in the BBC's poll of the 100 Greatest Britons.

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  • Following graduation, Mercury joined a series of bands and sold second-hand clothes in Kensington Market in London with Roger Taylor. He also held a job as a baggage handler at Heathrow Airport. Friends from the time remember him as a quiet and shy young man with a great interest in music. In 1969, he joined Liverpool-based band Ibex, later renamed Wreckage, which played "very Hendrix-style, heavy blues". He briefly lived in a flat above the Dovedale Towers, a pub close to Penny Lane in Liverpool's Mossley Hill district. When this band failed to take off, he joined an Oxford-based band, Sour Milk Sea, but by early 1970 this group had broken up as well.

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  • One of Mercury's most notable performances with Queen took place at Live Aid in 1985. Queen's performance at the event has since been voted by a group of music executives as the greatest live performance in the history of rock music. The results were aired on a television program called "The World's Greatest Gigs". Mercury's powerful, sustained note during the a cappella section came to be known as "The Note Heard Round the World". In reviewing Live Aid in 2005, one critic wrote, "Those who compile lists of Great Rock Frontmen and award the top spots to Mick Jagger, Robert Plant, etc. all are guilty of a terrible oversight. Freddie, as evidenced by his Dionysian Live Aid performance, was easily the most godlike of them all." Queen roadie Peter Hince states, "It wasn’t just about his voice but the way he commanded the stage. For him it was all about interacting with the audience and knowing how to get them on his side. And he gave everything in every show."

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