Stallone gained worldwide fame with his starring role in the smash hit Rocky (1976). On March 24, 1975, Stallone saw the Muhammad Ali–Chuck Wepner fight. That night Stallone went home, and after three days and 20 straight hours, he had written the script, but Stallone subsequently denied that Wepner provided any inspiration for it. Other possible inspirations for the film may have included Rocky Graziano's autobiography Somebody Up There Likes Me, and the movie of the same name. Wepner filed a lawsuit which was eventually settled with Stallone for an undisclosed amount. Stallone attempted to sell the script to multiple studios, with the intention of playing the lead role himself. Irwin Winkler and Robert Chartoff became interested and offered Stallone US$350,000 for the rights, but had their own casting ideas for the lead role, including Robert Redford and Burt Reynolds. Stallone refused to sell unless he played the lead character and eventually, after a substantial budget cut to compromise, it was agreed he could be the star.
In the Eastwood-directed Hereafter (2010), he again worked with Matt Damon, who portrayed a psychic. The film had its world premiere on September 12, 2010 at the 2010 Toronto International Film Festival and had a limited release later in October. Hereafter received mixed reviews from critics, with the consensus at Rotten Tomatoes being, "Despite a thought-provoking premise and Clint Eastwood's typical flair as director, Hereafter fails to generate much compelling drama, straddling the line between poignant sentimentality and hokey tedium." Around the same time, Eastwood served as executive producer for a Turner Classic Movies (TCM) documentary about jazz pianist Dave Brubeck, Dave Brubeck: In His Own Sweet Way (also 2010), to commemorate Brubeck's 90th birthday.More Info
Stallone happened to be acting in a play that a friend invited him to partake in, and an agent in attendance thought that Stallone fit the role of Stanley, a main character in The Lords of Flatbush, which had a start-stop schedule from 1972 to 1974 over budget issues. Stallone, around mid-1973, achieved his first proper starring role, in the independent film No Place to Hide, playing a man who is associated with a New York-based urban terrorist movement, with a jewellery-seller as his love interest. The film was re-cut and retitled Rebel years later, this second version featuring Stallone as its star. After the style of Woody Allen's What's Up, Tiger Lily?, this film, in 1990, was re-edited from outtakes from the original movie and newly shot matching footage, then redubbed into an award-winning parody of itself titled A Man Called... Rainbo.More Info
From the very early days of his career Eastwood was frustrated by directors' insistence that scenes be re-shot multiple times and perfected, and when he began directing in 1970, he made a conscious attempt to avoid any aspects of directing he had been indifferent to as an actor. As a result, Eastwood is renowned for his efficient film directing and ability to reduce filming time and control budgets. He usually avoids actors' rehearsing and prefers to complete most scenes on the first take. Eastwood's rapid filmmaking practices have been compared to those of Woody Allen, Ingmar Bergman, Jean-Luc Godard, and the Coen brothers. When acting in others' films he sometimes takes over directing, such as for The Outlaw Josey Wales, if he believes production is too slow. In preparation for filming Eastwood rarely uses storyboards for developing the layout of a shooting schedule. He also attempts to reduce script background details on characters to allow the audience to become more involved in the film, considering their imagination a requirement for a film that connects with viewers. Eastwood has indicated that he lays out a film's plot to provide the audience with necessary details, but not "so much that it insults their intelligence."More Info
According to Life magazine, "Eastwood's style is to shoot first and act afterward. He etches his characters virtually without words. He has developed the art of underplaying to the point that anyone around him who so much as flinches looks hammily histrionic." Interviewers Richard Thompson and Tim Hunter commented that Eastwood's films are "superbly paced: unhurried; cool; and [give] a strong sense of real time, regardless of the speed of the narrative" while Ric Gentry considers Eastwood's pacing "unrushed and relaxed." Eastwood is fond of low-key lighting and back-lighting to give his films a "noir-ish" feel.More Info
Eastwood directed J. Edgar (2011), a biopic of FBI director J. Edgar Hoover, with Leonardo DiCaprio in the title role. The film received mixed reviews, although DiCaprio's performance as Hoover was widely praised. Roger Ebert wrote that the film is "fascinating," "masterful," and praised DiCaprio's performance. David Edelstein of New York Magazine, while also praising DiCaprio, wrote, "It's too bad J. Edgar is so shapeless and turgid and ham-handed, so rich in bad lines and worse readings". Eastwood starred in the baseball drama Trouble with the Curve (2012), as a veteran baseball scout who travels with his daughter for a final scouting trip. Robert Lorenz, who worked with Eastwood as an assistant director on several films, directed the film.More Info
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