In 1996, Moore became the highest-paid actress in film history when she received a then unprecedented $12.5 million to star in Striptease. A major critical and financial failure, it marked the beginning of a lengthy downturn in Moore's career. Following starring roles in The Scarlet Letter (1995), The Juror (1996) and G.I. Jane (1997), all of which were critical and commercial disappointments, marked the end of Moore's career as a leading lady in Hollywood. She has since appeared in supporting roles in such films as; The Hunchback of Notre Dame (1996), The Hunchback of Notre Dame II (2002), Charlie's Angels: Full Throttle (2003), Bobby (2006), Mr. Brooks (2007), Margin Call (2011), and Rough Night (2017). In 2019, Moore released a memoir titled Inside Out, which became a New York Times Best Seller.Moore has been married three times, to the musician Freddy Moore and the actors Bruce Willis and Ashton Kutcher. She has three daughters with Willis, including actress Rumer Willis.
As of 2017, Lopez has sold more than 70 million records worldwide, and her films have grossed a cumulative total of US$3.1 billion. She remains the only female entertainer to have a number one album and film simultaneously in the United States.With her second studio album J.Lo (2001), Lopez became the first female solo recording artist under Epic Records to achieve a number one album in the United States since its inception in 1953. Her album J to tha L-O! The Remixes was acknowledged by the Guinness World Records as the first number one remix album in the United States. In 2010, Lopez was honored by the World Music Awards with the Legend Award for her contribution to the arts. Lopez's return to prominence the following year with her single "On the Floor"—among the best-selling singles of all time, and its music video recognized as the "Highest Viewed Female Music Video of All Time" by Guinness World Records in 2012—is regarded as one of the greatest musical comebacks in history. In 2013, she was presented with the prestigious landmark 2,500th star on the Hollywood Walk of Fame for her musical contributions, and Univision presented her with the World Icon Award in its Premios Juventud. In 2014, she became the first female recipient of the Billboard Icon Award. Billboard magazine ranked her as the ninth greatest dance club artist of all time in 2016. In 2017, she was awarded the Telemundo Star Award. In 2018, Lopez received the Michael Jackson Video Vanguard Award at the 2018 MTV Video Music Awards, making her the first Latin performer to claim the prize since its introduction in 1984.
More InfoOn stage, Lopez is recognized for her showmanship and sex appeal, and often includes costumes such as bodysuits as part of her performance. Author Priscilla Peña Ovalle stated in Dance and the Hollywood Latina: Race, Sex and Stardom (2011) that Lopez was one of the Latin stars who "used dance to gain agency as working performers with mainstream careers, yet many of their roles paradoxically racialized and sexualized their bodies". Troy Patterson of Entertainment Weekly also observed that she used her body for emphasis on stage, "She turned herself out as the fly girl hyperversion of postfeminist power, flaunting her control by toying with the threat of excess. In consequence, her star went supernova." Her signature movements include "clock-wise pivoting with salsa hip circles and sequential torso undulations". While being noted to lip sync in the early stages of career, Lopez's Dance Again World Tour was praised for showcasing live vocals and choreography synchronously. In a review of her Las Vegas residency All I Have, Los Angeles Times writer Nolan Feeney remarked that her dancing is "undoubtedly the centerpiece of the show".
More InfoOn stage, Lopez is recognized for her showmanship and sex appeal, and often includes costumes such as bodysuits as part of her performance. Author Priscilla Peña Ovalle stated in Dance and the Hollywood Latina: Race, Sex and Stardom (2011) that Lopez was one of the Latin stars who "used dance to gain agency as working performers with mainstream careers, yet many of their roles paradoxically racialized and sexualized their bodies". Troy Patterson of Entertainment Weekly also observed that she used her body for emphasis on stage, "She turned herself out as the fly girl hyperversion of postfeminist power, flaunting her control by toying with the threat of excess. In consequence, her star went supernova." Her signature movements include "clock-wise pivoting with salsa hip circles and sequential torso undulations". While being noted to lip sync in the early stages of career, Lopez's Dance Again World Tour was praised for showcasing live vocals and choreography synchronously. In a review of her Las Vegas residency All I Have, Los Angeles Times writer Nolan Feeney remarked that her dancing is "undoubtedly the centerpiece of the show".
More InfoLopez is considered a global icon, and is often described as a triple threat performer. VH1 ranked her at number 15 on their list of 200 Greatest Pop Culture Icons, number 16 on 100 Greatest Women In Music, and number 21 on 50 Greatest Women of the Video Era. Lopez has been cited as an influence or inspiration by a range of entertainers, including Jessica Alba, Adrienne Bailon, Kat DeLuna, Mike Doughty, Fifth Harmony, Becky G, Selena Gomez, Ryan Guzman, Kelly Key, Q'orianka Kilcher, Demi Lovato, Normani, Pitbull, Francia Raisa, Cierra Ramirez Naya Rivera, Bebe Rexha, Rosa Salazar, Gwen Stefani, Stooshe, and Kerry Washington.
More InfoLopez is widely celebrated for her callipygian figure, which was the inspiration for Sir Mix-a-Lot's 1992 hit "Baby Got Back". She has been credited with influencing a change in mainstream female body image. In Latin Sensations (2001), Herón Marquez wrote: "Because she wasn't rail thin, Lopez had broken the mold and allowed millions of women to feel good about their bodies. Suddenly, it was okay for women to have hips, curves, and a big backside." Vanity Fair described her buttocks as "in and of themselves, a cultural icon". Details magazine named Lopez the "Sexiest Woman of the Year" in 1998, and she led FHM's "100 Sexiest Women" list twice. In 2011, she was named "The Most Beautiful Woman" by People. The following year, VH1 ranked her the fourth on their list of "100 Sexiest Artists", while Vibe magazine named her the most "lustable" celebrity of the past twenty years. In 2014, Lopez stated, "There's this funny notion in America that you can't be a mom and be sexy (...) It's the craziest thing I've ever heard... The truth is that women can be sexy until the day they die."
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