In August 2003, Lopez starred opposite Affleck in the romantic comedy Gigli. The film was a box office bomb, and is considered one of the worst films of all time. The film's poor reception was attributed to negative press preceding its release, as well as the media attention surrounding Lopez and Affleck's engagement which largely overshadowed the film. Lopez would later describe this as the lowest point of her career, saying "[It] was very tough", "the tabloid press had just come into existence at the time, so I was like a poster child for that moment." In October of that year, she released her next fragrance, Still Jennifer Lopez. Lopez also launched her next fashion label, Sweetface. It was described by Andy Hilfiger as a "more intellectual, more inspirational collection than J-Lo by Jennifer Lopez. Less sporty, more suede." Lopez's clothing lines and two fragrances generated over $300 million in revenue throughout 2004, which made her the 19th richest person under 40.
During the process of recording her second album, Lopez decided to tweak her image as she began to develop into a sex symbol. She started going by J.Lo, something fans often called her in the years after director Oliver Stone coined the term on the set of the 1997 film U Turn. She subsequently named the album J.Lo. Released on January 23, 2001, it was a commercial success, debuting at number one on the US Billboard 200. During the same week, her romantic comedy film The Wedding Planner in which she starred opposite Matthew McConaughey opened atop the box office. This made her the first woman to have a number one film and album simultaneously in the United States. The album was preceded by the release of its lead single, "Love Don't Cost a Thing", which reached number one on the Billboard Mainstream Top 40 chart. It was followed by the single "Play". In April 2001, Lopez launched J.Lo by Jennifer Lopez, her own clothing and accessory company. Lopez felt that "the voluptuous woman [was] almost ignored" in the fashion industry, and therefore her company specialized in clothing women of all shapes. The following month, she starred in the romantic drama film Angel Eyes, which performed disappointingly at the box office and generated mixed reviews. After several months, J.Lo was declining on the charts; this prompted Mottola to recruit rapper Ja Rule to create an urban-oriented remix of the song "I'm Real". This led to the release of "I'm Real (Murder Remix)", which quickly reached number one on the Billboard Hot 100. Its success resulted in J.Lo being reissued to include the single, which was number one in the United States during the week of the September 11 attacks. J.Lo became the best-selling album of Lopez's career, having sold 3.8 million copies in the US and moved over 12 million units worldwide.
More InfoOn Rotten Tomatoes, the film holds an approval rating of 84% based on 369 reviews, with an average rating of 7.56/10. The website's critical consensus reads, "Ad Astra takes a visually thrilling journey through the vast reaches of space while charting an ambitious course for the heart of the bond between parent and child." On Metacritic, which uses a weighted average, the film has a score of 80 out of 100, based on 56 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the film an average grade of "B-" on an A+ to F scale, while those surveyed at PostTrak gave it an average 2.5 out of 5 stars, with 40% saying they would definitely recommend it.
More InfoLopez's third studio album, This Is Me... Then, was released on November 25, 2002. It was dedicated to actor Ben Affleck, her fiancé at the time. The album's lead single "Jenny from the Block", was later described by Sam Lansky of MTV News as her most iconic single. In the song, Lopez "intones her modest childhood roots". The album itself performed strongly, selling 2.6 million copies in the US. Its second single, "All I Have", peaked at number one in the US. That December, Lopez starred opposite Ralph Fiennes in the romantic comedy Maid in Manhattan, which became the highest-grossing film of her career.
More InfoDuring the process of recording her second album, Lopez decided to tweak her image as she began to develop into a sex symbol. She started going by J.Lo, something fans often called her in the years after director Oliver Stone coined the term on the set of the 1997 film U Turn. She subsequently named the album J.Lo. Released on January 23, 2001, it was a commercial success, debuting at number one on the US Billboard 200. During the same week, her romantic comedy film The Wedding Planner in which she starred opposite Matthew McConaughey opened atop the box office. This made her the first woman to have a number one film and album simultaneously in the United States. The album was preceded by the release of its lead single, "Love Don't Cost a Thing", which reached number one on the Billboard Mainstream Top 40 chart. It was followed by the single "Play". In April 2001, Lopez launched J.Lo by Jennifer Lopez, her own clothing and accessory company. Lopez felt that "the voluptuous woman [was] almost ignored" in the fashion industry, and therefore her company specialized in clothing women of all shapes. The following month, she starred in the romantic drama film Angel Eyes, which performed disappointingly at the box office and generated mixed reviews. After several months, J.Lo was declining on the charts; this prompted Mottola to recruit rapper Ja Rule to create an urban-oriented remix of the song "I'm Real". This led to the release of "I'm Real (Murder Remix)", which quickly reached number one on the Billboard Hot 100. Its success resulted in J.Lo being reissued to include the single, which was number one in the United States during the week of the September 11 attacks. J.Lo became the best-selling album of Lopez's career, having sold 3.8 million copies in the US and moved over 12 million units worldwide.
More InfoThe depiction of a crime infested Mexico and the stereotypical portrayal of most Mexicans and Latinos as criminals prompted critics to accuse the film of racism, xenophobia, and pandering to supporters of the Trump presidency. Peter Bradshaw of The Guardian called Last Blood a "massively enlarged prostate of a film [that] can only make you wince with its badly acted geronto-ultraviolence, its Trumpian fantasies of Mexican rapists and hilariously insecure US border, and its crass enthusiasm for rape-revenge attacks", giving it 1 out of 5 stars. Seibold wrote: "I understand that Rambo films have rarely been bastions of cultural togetherness, but in 2019, these broad stereotypes are offensive and dated and downright irresponsible." Kohn wrote: "In 2019's hypersensitive cultural environment, the depiction of murderous Mexican crime bosses and their cowering sex slaves encountering a literal white savior doesn't go down so easy." Mexican film critic Gerardo Valero, a "far-flung correspondent" for RogerEbert.com, also criticized the use of Spain doubling for Mexico, and that it was "impossible not to laugh at this group of Spanish actors trying to sound Mexican by cursing with every other word in this strange accent". He also wrote: "If this movie wasn't so dumb, I would have probably found all of this offensive." Addressing the complaints about the stereotypical villains, however, Bowles wrote: "The villains might be built from the stereotypical strain of pure evil from years past, but their reprehensibility is what makes the explosive payback work and the violence, despite some especially grim moments, never quite strays into the extreme stomach churning highs from part IV."
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